MXR continues to roll out really impressive mini pedals - this time offering the full Carbon Copy experience in that tiny enclosure. Prior to this the Ibanez Mini Analog Delay was the master of that marketplace - looks like the Mini Carbon is the new main contender now though
I’m delighted to see Walrus launch another dual footswitch Reverb - this time packed with multiple secondary features for the most compact of ambient soundscape machines. It does not have quite as many options as say the CBA Dark World, but its 3 modes and 3 selectable modulations are heavenly and it’s near half the price of that - goes straight onto the wishlist!
Spaceman Zak delivers another cool and unusual gain pedal - this time a sort of harmonic overdrive with 3 different types of filter for tone-shaping - single-pole, 2-pole and 2-pole resonant filters. You also have a Bass toggle for Boost, Flat, Cut, alongside 4 key knobs - Level, Drive, Initial (Dry/Wet) and Filter. I ordered the Black edition, pictured above is the Moonrock edition.
This was one of the launches around NAMM which didn’t get quite enough coverage - really cool combination of Chorus and Envelope Filtering in compact enclosure - with dual footswitches. Allows you to get some fairly unusual warmly tones - Paradox Effects is gradually building up a stellar reputation here - I really like their Terran Overdrive too - cool and unusual pedals!
One for the leftfield brigade possibly - the new AirTrash sort of Fuzz style pedal comes with blue volume knob - and red and yellow undefined parameter knobs - but which generally degrade and ’destroy’ your output signal further. Sold under the line ’make your guitar sound like absolute garbage’ - a great oddball noise-maker for those who like that sort of thing!
Teisco’s improperly monikered pedal is actually a Super Fuzz style Octave Fuzz pedal with switchable Octave. Otherwise it’s just the usual Tone, Volume, Gain affair - very simple and effective pedal, with lots of tone, but tending towards the thinner fuzz spectrum versus some of the fatter octave fuzzes out there - very reasonably priced too!
Something of a departure for Danelectro are two new ’Vintage’ pedals obviously highly relic’d - I of course prefer this Octave Fuzz one - I’m assuming some sort of Octavio style circuit with 2-band EQ and Flat-Sculpt mid-scoop switch. Had I done my recent Octave Fuzz overview a little later - this would definitely have been in the mix!
This was actually released for NAMM - I was just a little late picking up on it. An evolved 4-pot Fuzz Face style circuit I believe - this time with Germanium, LED and Silicon clipping options. This one looks somewhat a breed apart from the regular chicken-head knob Cusack pedals - and I managed to snag one of the 51 before they all go - in very limited supply right now!
French boutique maker Collision Devices has crafted a really well-designed confection which combines Delay, Reverb and Fuzz into a lush singularity-style effect. Ergosphere is Modulated Delay, Event Horizon is Pitch-Shifted/Shimmer Reverb, and Singularity is the one knob fuzz. You get 10 dials, and 3 individual footswitches to activate and combine the different effects.
I only fairly recently acquired the Zvex Vibrophase, but would probably take this one in preference because of the cleverness of those 2 x 3-way voicing toggles. 3 dials - Speed, Depth and Level are augmented by Mode and Colour toggle-switches which give you an extensive range of tones - including Phaser, Vibrato and Uni-Vibe styles. This sort of control topology is far easier to ’dial in’ than several disparate knobs.