I can’t recall exactly where I first clocked this brand - whether on Facebook and Instagram, but for sure as part of an intriguing pedalboard setup where I did not recognise those green and red pedals - those turned out to be the Tone Creamer Overdrive (TS808/ Boost) and Red Briton Distortion (MIAB - GUV/BB/ANGRY). Both those pedals had an extended range of control - including 2 x 3-way Payback Mode toggle-switches - often Mid Character and Compression. I am well known for my love of ...

So this is the culmination of my first ever ’Boss Month’ concerted focus on everything Boss! I do hope you enjoyed the broad sweep of all those articles - and had some fun with my speculative projections and suggestions. The natural end to all of that is of course to set out the pedal-chain as a Peak Boss implementation - using what I have within my extensive Boss collection. I of course had to add a few more units - but only a handful really. I’m guessing some who don’t...

Following on from my recent piece on Unsung Boss OverDrives and Distortions - I though I should also list which my own personal favourites were of all of Boss’s classic gain pedals. In fact I own multiple varieties and alternatives for all these feature ones - bar essentially for the original OD-1 - where I’ve always wanted one of the very earliest editions with the now super-rare 14-pin/leg RC3403D Chip - but not found one yet in the right condition, or at the right price! Most ...

Where once there were around 12 Boss 20-Series Double Pedals (per second visual below) - now if you scan through Boss.Info - you will find only a couple still on the books as it were. And I feel that the days of the RE-20 Space Echo and VE-20 Voice Performer are likely numbered too - which is why I’ve done a suggested mockup of what the RE-20 in particular might look like in 200-Series format.

As a long-term Boss and Roland flagship effect - I feel we will certainly see it being ...

It was only natural that the Compact Format Preferred Versions feature should follow the Mini examples. Again largely inspired by the recent ’12 Degrees’ projects.

Once more I’ve had a change of mind on some of the candidates and the preferred examples are slightly different to those previous references. Obviously new pedals have arisen, and priorities and preferences can shift fairly regularly based on prevailing mood.

That said, most of these are long-term...

And so it begins again! This time punctuated by Virtual NAMM / Believe in Music Week and some certain JA incident.

I will include a mini NAMM roundup here of what some of my favourites were. In the past I’ve done a separate highlights article on the subject - but there really weren’t that many releases this time around to warrant such - in fact I would estimate only around 10% of the volume released in 2020 and 2019.

I will also indicate where I think I’m ...

And so here is the culmination of everything that happened to the pedal-chain in 2020.

There were quite a few more displacements than I had expected - all told 22 slots changed over this year - including 19 Brand New Pedals for 2020, then 3 slightly older pedals, and some incidentals.

The most significant shift, and the one that caused the most disruption was the arrival of Boss GT-1000 CORE in October. This is often the case when you bring in a big new pedal - and you need to...

So I’ve now completed 5 preliminary shortlists type articles featuring between 9 and 30 or so of the best pedals released in 2020 - in each of the following categories :

• Best New Reverb Workstation Pedals (9)
• Best New Overdrive and Distortion Pedals (29)
• Best New Fuzz Pedals (31)
• Best New Delay and Reverb Pedals (20)
• Best New Modulation, Pitch, and Utility Pedals (28)

I sincerely apologise if I’ve overlooked any here, while I’m not sure they would have necessarily ...

And here is the first of the category overviews for the year - combining those Overdrive and Distortion pedals which sparked some interest for me. Note that there will be 4 of these types of articles - Overdrive & Distortion (this one), Fuzz, Delay and Reverb (exc. Reverb Workstation already covered), and Modulation + Pitch + Untility pedals. Before I then reveal my overall 25 or so favourite favourite pedals for the year in a Best-of-the-Best listing - with possibly some sneaky additions. ...

Some of you will have seen Flamma Pedals featured quite highly on several gear forums of late, and several of you readers have been asking for my take on the subject. To my mind Mooer’s diminutive 7 Series was the first to do this kind of thing in incorporating 7 Presets, 5 Controls and a Select/Save button on the mini format.

I note that for the FSO2 Reverb - it has the exact same modes in the same order as the Mooer 7 Series equivalent - so I can only imagine that Mooer is ...