GPX Blog

So despite the perilous state of the world, the first NAMM of the new decade actually turned out to be pretty stellar. I had thought that last year’s exceptional show might end up as the all-time high water mark - but this one turned out just as many pleasant surprises.

Slightly different to last year there were a more significant number of pedals announced and launched in advance of the show - while a lot of pedals at the show had very little by way of collateral and some are ...

I’ve been a huge fan of the Sinvertek ’5’ series distortion pedals - owning all three in succession - the No.5 Distortion, the N5 Drive and now the N5 Drive Plus - in all its 7-knobs and 5-toggle-switches glory. This was actually my last pedal to arrive last year - in that it arrived just before Christmas. I had been chasing it since its June Summer NAMM announcement - but it wasn’t released until December of last year.

I’ve been patiently waiting for some...

Contrary to my original analysis - all 3 pedals are actually pretty well rounded and ready to go - while Jackson Audio want to give each a chance to reach their intended audience - meaning a staggered release - with the first to be made available being Joey Landreth’s signature Golden Boy Overdrive ($299) - pre-orders will be up any day soon with shipping due to start in February. The pedal gets its name from a statue which sits atop the Manitoba Legislative Building in Joey’s home ...

We had seen teaser images of both pedals prior to NAMM and for the RevivalDRIVE I wasn’t sure if it was just a different colourway, but it was pretty obvious that the smaller of the new pedals was most likely some sort of Tremolo variant - and we now of course have confirmation that it’s actually based on a 1962 Fender Deluxe Brownface combo amp.

I was of course a big fan of the RevivalDRIVE when it first came out and was one of the first to snap it up and write a fairly ...

I’ve long mentioned that we’re living through the second golden age of effects pedals (some say ’Diamond Age’’), and as good as things have been - 2019 took it all to an entirely new level of excellence. I don’t recall any previous year where we’ve had quite the same degree of innovation and so many ingeniously appealing pedals - this year has been so fast and furious - it’s been difficult to keep up at times.

I noted in my End of Year ...

I’m possibly writing this just a touch prematurely as at the point of writing - one of the pictured pedals hasn’t turned up quite yet, and it will be touch and go if gets released out of customs before the end of the year. That pedal being Sinvertek’s new N5+ Drive - featuring no less than 7 beautifully milled aluminium knobs along with 5 toggle-switches - and all within a compact enclosure format - but more of that later.

This year has mostly sort of gone to plan - ...

This review has taken somewhat longer than I intended - partly because of the considerable scope of variations covered by this pedal, and partly because of my ongoing changing adapted approach to deploying the pedal. My first instincts always seems to lean towards a philosophy of replication and replacement - that is to say trying to figure out which of my preferred / favourite dirt pedals can this one competently stand in for and replace if need be. I have lots of favourite fuzz, drive and ...

I’m occasionally chastised by readers for not featuring enough lower cost pedals on this site - which is a somewhat unfair criticism really as I try to be as value-minded as possible - and do genuinely love pedals at all levels - and am ever on the look out for a bargain or two for myself.

Most will already know Tone City as an even more affordable Mooer-style mostly mini pedal operation, while most are not aware that lead engineer / circuit-designer J. Wong used to be at Movall ...

Near the start of this week we saw several leading pedal builder brands go all mysterious on us posting an encircled (B) logo ident accompanied by the hashtag #BLACKEDXOUT on various social media. Many thought this to mean some sort of limited or black edition pedals for the Black Friday ’sales’, while I wrongly guessed it implied a Black Friday Sales boycott.

This afternoon all was revealed when 17 Brands together released all-black stealth-like enclosures for one or a few...

By all accounts a rather fabulous and timely pedal, in a great form factor, yet a couple of things have me a touch peeved from the outset. One fairly minor, while the other is likely a lot more significant. On the minor side - I always get somewhat annoyed when builders are overly opaque about the mechanics of their pedals. Seymour Duncan does not mention what manner of technology generates the tone, while one would guesstimate OpAmp as the likeliest source - I am one of those who likes to know...