It was only natural that the Compact Format Preferred Versions feature should follow the Mini examples. Again largely inspired by the recent ’12 Degrees’ projects.

Once more I’ve had a change of mind on some of the candidates and the preferred examples are slightly different to those previous references. Obviously new pedals have arisen, and priorities and preferences can shift fairly regularly based on prevailing mood.

That said, most of these are long-term...

And so it begins again! This time punctuated by Virtual NAMM / Believe in Music Week and some certain JA incident.

I will include a mini NAMM roundup here of what some of my favourites were. In the past I’ve done a separate highlights article on the subject - but there really weren’t that many releases this time around to warrant such - in fact I would estimate only around 10% of the volume released in 2020 and 2019.

I will also indicate where I think I’m ...

And so here is the culmination of everything that happened to the pedal-chain in 2020.

There were quite a few more displacements than I had expected - all told 22 slots changed over this year - including 19 Brand New Pedals for 2020, then 3 slightly older pedals, and some incidentals.

The most significant shift, and the one that caused the most disruption was the arrival of Boss GT-1000 CORE in October. This is often the case when you bring in a big new pedal - and you need to...

So I’ve now completed 5 preliminary shortlists type articles featuring between 9 and 30 or so of the best pedals released in 2020 - in each of the following categories :

• Best New Reverb Workstation Pedals (9)
• Best New Overdrive and Distortion Pedals (29)
• Best New Fuzz Pedals (31)
• Best New Delay and Reverb Pedals (20)
• Best New Modulation, Pitch, and Utility Pedals (28)

I sincerely apologise if I’ve overlooked any here, while I’m not sure they would have necessarily ...

And here is the first of the category overviews for the year - combining those Overdrive and Distortion pedals which sparked some interest for me. Note that there will be 4 of these types of articles - Overdrive & Distortion (this one), Fuzz, Delay and Reverb (exc. Reverb Workstation already covered), and Modulation + Pitch + Untility pedals. Before I then reveal my overall 25 or so favourite favourite pedals for the year in a Best-of-the-Best listing - with possibly some sneaky additions. ...

Some of you will have seen Flamma Pedals featured quite highly on several gear forums of late, and several of you readers have been asking for my take on the subject. To my mind Mooer’s diminutive 7 Series was the first to do this kind of thing in incorporating 7 Presets, 5 Controls and a Select/Save button on the mini format.

I note that for the FSO2 Reverb - it has the exact same modes in the same order as the Mooer 7 Series equivalent - so I can only imagine that Mooer is ...

So we’re in the final throws of 2020, and most of what’s going to be in place for the year is near enough there already - I typically wind down in November to shift budgets for December towards Christmas expenses. There will be at least one change in December - as I will reveal later on in forthcoming arrivals below - and there may be a couple or so further adjustments depending on how well I’m feeling things!

For 2020, of the 40/41 numbered slots - 21 have actually ...

As reported on this site a couple of times already - James Brown, celebrated 5150 amp engineer and circuit designer extraordinaire, sold his Amptweaker brand to Alpha Distribution earlier this year after he accepted a new post at Fender’s EVH Gear Division, Amp Department specifically.

Amptweaker has been best known for its high gain pedals - in particular the FatMetal and TightMetal series - but also the TightDrive and TightRock / BigRock Overdrives. The range had sprawled into ...

This has been a long time coming for some - with just the merest of glimpses at Winter NAMM - where I feel the few boxes we saw there were surely empty shells - as I never witnessed any actual play-through. Considering how much of a perfectionist Dave Friedman is it’s all understandable really as we know he would not release anything he’s not 100% happy with.

So it’s taken the best part of the year to tweak and tune this one to perfection. In terms of where it sits - ...

You may recall the story of how I was for the longest time chasing the 3-Band EQ more compact original version of this pedal. But was persuaded by Ed in the end to go for the considerable superiority of his latest evolved edition - where he had finally gotten the noisefloor to its most optimal and desired level - and the timbre of the distortion to the perfect degree and combination of sizzle, punch and articulation.

The fact that you have 6 Active Bands of EQ - that you can adjust to ±...