Acoustic SimulatorAmbient EffectsAmp and Cab IR SimAnalog DelayBeat MachineBig Muff Style FuzzBitcrushing and Lo-FiBlues Breaker Style OverdriveBlues Driver Style OverdriveBoostBoost and OverdriveBossBrown Sound DistortionBufferChase Bliss AudioChorus and VibratoCompressorCrazy Tube CircuitsCryBabyDelayDelay WorkstationDigital DelayDigital ReverbDistortionDouble TrackingDr ScientistDriveDrive WorkstationDual-DriveDumble Style OverdriveDunlop EffectsEchoverbElectro-HarmonixEnvelope Filter and Auto WahEQFeaturedFlangerFuzzFuzz Face Style FuzzFuzz-Drive and FuzzstortionGated and Velcro FuzzGermanium FuzzGlitchGranular DelayGuitar Synth and SequencerJackson AudioJAM PedalsJHS PedalsKlone and Transparent OverdriveLo-Fi DelayLooperMaestro Style FuzzMarshall Style DistortionModulated FuzzModulationModulation WorkstationMulti-DriveMulti-FXNoise GateOCD Style OverdriveOctave FuzzOctaverOddball DelayOddball FuzzODR Style OverdriveOpAmp FuzzOverdrivePeterson TunersPhaserPitchPlate ReverbRack Style ReverbRat Style FuzzReverbReverb WorkstationRotary SpeakerShimmer ReverbSilicon FuzzSinvertekSource AudioSpacey ReverbSpring ReverbSuper-Fuzz StyleTape DelayTC ElectronicTimmyTone Bender Style FuzzTremoloTubescreamer Style OverdriveTunersTweed Style OverdriveUni-Vibe and VibeUtilityVolumeVox Style DistortionVS AudioWah and Fixed WahWalrus Audio+-

It was only natural that the Compact Format Preferred Versions feature should follow the Mini examples. Again largely inspired by the recent ’12 Degrees’ projects.
Once more I’ve had a change of mind on some of the candidates and the preferred examples are slightly different to those previous references. Obviously new pedals have arisen, and priorities and preferences can shift fairly regularly based on prevailing mood.
That said, most of these are long-term...
Abominable ElectronicsBig Muff Style FuzzBlues Breaker Style OverdriveBoostBoost and OverdriveBrown Sound DistortionCoppersoundDecibelicsDistortionFriedman EffectsFulltone EffectsFuzzFuzz-Drive and FuzzstortionJAM PedalsKlirrton ManufakturKlone and Transparent OverdriveMarshall Style DistortionMetal DistortionModulationOpAmp FuzzOverdrivePushking PedalsRat Style FuzzReeves Electro Guitar PedalsSilicon FuzzSinvertekThorpyFXTone Bender Style FuzzToneTuga EffecctsTremoloWalrus AudioWay Huge EffectsZander Circuitry+-

And so it begins again! This time punctuated by Virtual NAMM / Believe in Music Week and some certain JA incident.
I will include a mini NAMM roundup here of what some of my favourites were. In the past I’ve done a separate highlights article on the subject - but there really weren’t that many releases this time around to warrant such - in fact I would estimate only around 10% of the volume released in 2020 and 2019.
I will also indicate where I think I’m ...
Acoustic SimulatorAmbient EffectsAnasoundsBeat MachineBitcrushing and Lo-FiBlues Breaker Style OverdriveBlues Driver Style OverdriveBoostBoost and OverdriveBossBrown Sound DistortionChase Bliss AudioChorus and VibratoCompressorCooper FXCrazy Tube CircuitsDelayDelay WorkstationDemon PedalsDigital DelayDigital ReverbDistortionDouble TrackingDr ScientistDriveDual-DriveDumble Style OverdriveEarthQuaker DevicesEchoverbEnvelope Filter and Auto WahEQEventideFlangerFuzzFuzz Face Style FuzzGated and Velcro FuzzGermanium FuzzGlitchGranular DelayGuitar Synth and SequencerJackson AudioKeyztoneKlone and Transparent OverdriveKMA AudioLo-Fi DelayLooperMarshall Style DistortionMenatoneMetal DistortionMidValleyFXModulated FuzzModulationModulation WorkstationMulti-DriveOCD Style OverdriveOctave FuzzOctaverOddball DelayOddball FuzzOddball ModulationOpAmp FuzzOscillating FuzzOverdrivePhaserPitchPlate ReverbRack Style ReverbRat Style FuzzRedbeard EffectsReverbReverb WorkstationRotary SpeakerShimmer ReverbShnobel ToneSilicon FuzzSpacey ReverbSpring ReverbStrymonTape DelayTC ElectronicThorpyFXTimmyToneczarTremoloTubescreamer Style OverdriveTweed Style OverdriveUtilityVox Style DistortionVS Audio+-

And so here is the culmination of everything that happened to the pedal-chain in 2020.
There were quite a few more displacements than I had expected - all told 22 slots changed over this year - including 19 Brand New Pedals for 2020, then 3 slightly older pedals, and some incidentals.
The most significant shift, and the one that caused the most disruption was the arrival of Boss GT-1000 CORE in October. This is often the case when you bring in a big new pedal - and you need to...
Ambient EffectsBig Ear PedalsBlues Breaker Style OverdriveBoostBoost and OverdriveBossBrown Sound DistortionChase Bliss AudioChorus and VibratoCooper FXCoppersoundDelayDemedash EffectsDigital ReverbDistortionDr ScientistDual-DriveEarthQuaker DevicesElectro-HarmonixEnvelope Filter and Auto WahExpresso FXFlangerFuzzFuzz Face Style FuzzGermanium FuzzGlitchGranular DelayGuitar Synth and SequencerHologram ElectronicsHot Cake Style OverdriveJackson AudioJAM PedalsKlone and Transparent OverdriveMarshall Style DistortionMenatoneMetal DistortionModulated FuzzModulationModulation WorkstationMulti-DriveNeural DSPNordland ElectronicsOCD Style OverdriveOctave FuzzOctaverOddball FuzzOddball ModulationODR Style OverdriveOpAmp FuzzOscillating FuzzOverdrivePhaserPitchPlate ReverbRack Style ReverbRat Style FuzzRed Witch EffectsRedbeard EffectsReverbReverb WorkstationShimmer ReverbShnobel ToneSilicon FuzzSpaceman EffectsSpacey ReverbSpring ReverbStrymonTimmyTone Bender Style FuzzTremoloTubescreamer Style OverdriveTweed Style OverdriveUtilityVox Style DistortionVS Audio+-

So I’ve now completed 5 preliminary shortlists type articles featuring between 9 and 30 or so of the best pedals released in 2020 - in each of the following categories :
I sincerely apologise if I’ve overlooked any here, while I’m not sure they would have necessarily ...
Blues Breaker Style OverdriveBoostBoost and OverdriveBrown Sound DistortionCarl MartinChase Bliss AudioCornerstone Music GearCrowther AudioDanelectroDistortionDriveDryBell EffectsDual-DriveDumble Style OverdriveFriedman EffectsHot Cake Style OverdriveJackson AudioJetter GearJHS PedalsKHDKKlone and Transparent OverdriveLawrence Petross DesignMarshall Style DistortionMenatoneMetal DistortionMidValleyFXMulti-DriveMXRNordland ElectronicsODR Style OverdriveOrigin EffectsOverdrivePedal PawnPettyjohn ElectronicsRainger FXShnobel ToneSitek Guitar ElectronicsThorpyFXTimmyTubescreamer Style OverdriveVox Style DistortionWalrus AudioWampler+-

And here is the first of the category overviews for the year - combining those Overdrive and Distortion pedals which sparked some interest for me. Note that there will be 4 of these types of articles - Overdrive & Distortion (this one), Fuzz, Delay and Reverb (exc. Reverb Workstation already covered), and Modulation + Pitch + Untility pedals. Before I then reveal my overall 25 or so favourite favourite pedals for the year in a Best-of-the-Best listing - with possibly some sneaky additions.
...
Ambient EffectsBeat MachineBitcrushing and Lo-FiBlues Breaker Style OverdriveBoost and OverdriveBrown Sound DistortionChorus and VibratoDelayDelay WorkstationDigital DelayDigital ReverbDistortionEchoverbEnvelope Filter and Auto WahFlamma InnovationFlangerLo-Fi DelayLooperMarshall Style DistortionMetal DistortionModulationPhaserPitchPlate ReverbRack Style ReverbReverbReverb WorkstationRing ModulationRotary SpeakerShimmer ReverbSlicer and StutterSpacey ReverbSpring ReverbTape DelayTremoloUtilityVox Style DistortionWah and Fixed Wah+-

Some of you will have seen Flamma Pedals featured quite highly on several gear forums of late, and several of you readers have been asking for my take on the subject. To my mind Mooer’s diminutive 7 Series was the first to do this kind of thing in incorporating 7 Presets, 5 Controls and a Select/Save button on the mini format.
I note that for the FSO2 Reverb - it has the exact same modes in the same order as the Mooer 7 Series equivalent - so I can only imagine that Mooer is ...
Big Ear PedalsBig Muff Style FuzzBossBrown Sound DistortionChase Bliss AudioCooper FXCoppersoundDemedash EffectsDistortionFuzzFuzz Face Style FuzzFuzz-Drive and FuzzstortionGermanium FuzzKMA AudioMetal DistortionMidValleyFXPushking PedalsSilicon FuzzSitek Guitar ElectronicsStrymonToneczarVick AudioZvex+-
So we’re in the final throws of 2020, and most of what’s going to be in place for the year is near enough there already - I typically wind down in November to shift budgets for December towards Christmas expenses. There will be at least one change in December - as I will reveal later on in forthcoming arrivals below - and there may be a couple or so further adjustments depending on how well I’m feeling things!
For 2020, of the 40/41 numbered slots - 21 have actually ...
AmptweakerBlues Breaker Style OverdriveBoostBoost and OverdriveBrown Sound DistortionDistortionDriveEffects Pedal MakersMarshall Style DistortionMetal DistortionOCD Style OverdriveOverdriveTimmy+-
As reported on this site a couple of times already - James Brown, celebrated 5150 amp engineer and circuit designer extraordinaire, sold his Amptweaker brand to Alpha Distribution earlier this year after he accepted a new post at Fender’s EVH Gear Division, Amp Department specifically.
Amptweaker has been best known for its high gain pedals - in particular the FatMetal and TightMetal series - but also the TightDrive and TightRock / BigRock Overdrives. The range had sprawled into ...
Boost and OverdriveBrown Sound DistortionDistortionDriveFriedman EffectsMarshall Style DistortionMetal DistortionOverdrive+-
This has been a long time coming for some - with just the merest of glimpses at Winter NAMM - where I feel the few boxes we saw there were surely empty shells - as I never witnessed any actual play-through. Considering how much of a perfectionist Dave Friedman is it’s all understandable really as we know he would not release anything he’s not 100% happy with.
So it’s taken the best part of the year to tweak and tune this one to perfection. In terms of where it sits - ...
Brown Sound DistortionDistortionMarshall Style DistortionMetal DistortionToneczar+-
You may recall the story of how I was for the longest time chasing the 3-Band EQ more compact original version of this pedal. But was persuaded by Ed in the end to go for the considerable superiority of his latest evolved edition - where he had finally gotten the noisefloor to its most optimal and desired level - and the timbre of the distortion to the perfect degree and combination of sizzle, punch and articulation.
The fact that you have 6 Active Bands of EQ - that you can adjust to ±...