GPX Blog

My first exposure to Thorpy - way back when, was the then monikered Muffroom Cloud Fuzz - a fantastic sounding and really versatile take on the original Triangle version EXH Big Muff Pi. At the time though I was slightly put off by the somewhat over-sized enclosure - which was both significantly longer and wider than my preferred compact enclosure size - so I campaigned hard to have Thorpy bring the box down in size somewhat. This did not look like it was going to happen - and I eventually ...

I’ve been aware of the Jannis Anastasakis led Greek boutique pedal builder JAM Pedals for a number of years now - initially through their superb analog Delay Llama pedals, but latterly because of their Retrovibe, Wahcko Wah, Waterfall Chorus and Rattler Rat pedals in particular.

In fact I so liked the Rattler that I have both the standard and ’+’ varieties - you can read about that in my Twisted Tale of 4 Rats article. My recent 28 Compact Big Muff pedals roundup also...

I will start by reiterating once more how big a fan I am of Swedish circuit designer Björn Juhl / BJFE and his many associated brands - which use variations of his celebrated circuits - Mad Professor in Finland, Bearfoot FX in the USA and OneControl in Japan. I have several varieties from each of those brands - 15 or so all told, but my first connection with Björn was via Mad Professor.

Ironically the very first Mad Professor pedal I acquired was not derived from Björn ...

I’m not entirely clear on how I first got into Basic Audio / John Lyons, but I did get the Scarab Deluxe very early on in my Fuzz ToneQuest - followed then by the Futureman and Gnarly in rather quick succession, and leading to where I now have 11 from this very extensive and flavourful range. Update! I’ve just added the Foxton to make it 12 now.

I think if you are a fuzz fan like myself then you really cannot ignore John Lyons’ Basic Audio Fuzz Pedals - there is no ...

Latest is not always greatest! Like many other pedal aficionados no doubt, I am quite particular about the function, aesthetics and format of each effect pedal I acquire. Many a pedal has been in production for numerous years and has seen all manner of iterations throughout its lifetime - not specifically special editions, just the core default pedal naturally changing and evolving over time - of course there are custom, limited and special editions too along the way but we’re focusing on...

This post was sparked off by the recent launch of the Magnetic Effects Zig Zag Dual Stage Overdrive, my relatively recent acquisition of the Aleks K Production Maple Leaf Royal Drive and ThorpyFX Heavy Water Dual Boost pedals, and the hopefully fairly imminent arrival of my on-order Loophole Pedals Grey Matter Overdrive. They got me thinking about other pedals of this type which allow you to blend 2 separate circuits together essentially for more versatility and more complex and richer tones. ...

As with many pedal builders, the roots of Daniel’s Fjord Fuzz are firmly embedded in a particular music scene. In this instance Bergen on Norway’s West Coast - one of the 4 main corners of Norway’s creative arts - alongside Oslo, Stavanger and Tromsø, and famously home to a number of internationally celebrated artists including Annie, Erlend Øye / King’s of Convenience (sic) / Whitest Boy Alive, Datarock, Kygo, and Ralph Myerz / and the Jack Herren Band. ...

I first came into contact with Expresso FX when researching my piece on Treble Boosters back in May - where Expresso’s Germanium Boost was one of the standouts in that roundup. During my research I of course came across the Harry Holden Demo for the Expresso Germanium Boost - which then naturally led me tangentially to another of Harry’s Demos - this time covering the Expresso Germanium Fuzz - CV7005 edition.

I can’t explain it exactly - but something in the tone and ...

This article is somewhat in response to the fairly recent arrival of my long quested for Spaceman Gemini IV (originally chasing the III), and the imminent arrival of my DanDrive Austin Pride Fuzz. In fact when I was working on my last but one article on Tone Benders I was in two minds as to whether to include Paul Trombetta’s Bone Machine GTX - as I’m not 100% clear on what its circuit provenance is and exactly which fuzz family it is supposed to belong to - in the end I determined ...

I started down my Fuzz ToneQuest at the beginning of 2018 - where I already had a few fuzzes, but determined that over the course of the year I would acquire around 30 of the very best fuzzes available across the different fuzz families. My aim was to get the bulk of my research done in 2018 so I could move on to investigating other pedal genres - like say Glitch/Granular Synthesis/Micro Looping.

As it happens though - I got to twice as many fuzzes as intended in 2018, and have ...