It was only natural that the Compact Format Preferred Versions feature should follow the Mini examples. Again largely inspired by the recent ’12 Degrees’ projects.
Once more I’ve had a change of mind on some of the candidates and the preferred examples are slightly different to those previous references. Obviously new pedals have arisen, and priorities and preferences can shift fairly regularly based on prevailing mood.
That said, most of these are long-term...
So Reverb.com has just announced which limited edition pedal collaborations go on sale today - Tuesday 23rd February - to further celebrate the imminent release of ’The Pedal Movie’. The first two pedals went on sale last November and sold out pretty instantaneously. 1000 of Chase Bliss Audio + Zvex collaboration Bliss Factory Fuzz, and 1000 of Death By Audio + EarthQuaker Devices collaboration Time Shadows Subharmonic Multi-Delay Resonator.
Both pedals were rather original...
This article is in part inspired by my features on ’Mini Pedals State of the Art’, and those various ’12 Degrees’ posts I did at the tail-end of last year. Moreover I have had quite a few readers recently asking me for my preferred recommended mini pedals on various pedal-chain slots.
I last did this sort of exercise 4 years ago - where TC Electronic was kind of the dominant player - covering 8 of those 20 recommendations, with Mooer fairly close with 6 entries...
This article has been much requested - following on from my similar takes on the 7 Key Big Muff varieties and 9 Key Tone Bender varieties. I’ve sort of covered this a little bit before courtesy of my 6 Potent Fuzz Face Pairings feature and also my piece on Key Fuzz Transistors, while this offers a more comprehensive and expansive overview.
Everyone knows the story about how Ivor Arbiter of Sound City / Drum City fame sort of adapted the MKI.V Tone Bender format into a mic-stand-...
And so it begins again! This time punctuated by Virtual NAMM / Believe in Music Week and some certain JA incident.
I will include a mini NAMM roundup here of what some of my favourites were. In the past I’ve done a separate highlights article on the subject - but there really weren’t that many releases this time around to warrant such - in fact I would estimate only around 10% of the volume released in 2020 and 2019.
I will also indicate where I think I’m ...
I’m actually quite a fan of Greenhouse Effects, even though I don’t have many to my name yet. In fact my sole representative to date is the doomy Sludge Hammer Fuzz which I really enjoy.
On this occasion Greenhouse Effects have delivered a really cool take on a sort of Muff-style fuzz - as indicated by the control topology of Volume, Tone (Dark>Bright), and Sustain. So far all very ordinary - while if you hold down the footswitch for 200ms or longer you get to switch ...
It is with a heavy heart I report that this will be the last Jackson Audio feature I include on this site. I had intended doing a full in-depth review of the unit and all 6 Plugin Modules. And in pursuit of such I tried to request some degree of accommodation / discount to help make this happen. After all $480 / £480 all in is a very significant outlay, and Guitar Pedal X is entirely self-funded. It’s quite normal in this industry to engage in a fair and equitable value exchange - ...
I’ve just recently taken delivery of my own Salvage Fuzz - Organic variety (as pictured above right). Much like with the Reeves Electro BlackHatSound it took me a while to decide on the colour scheme - and I was eventually split between the Shade and Organic variants before coming down in favour of the latter.
Mike describes this as very much his Pandemic Fuzz - where limited parts supply because of Covid restrictions - led him to make best use of what he already had in his parts...
For Alex to miniaturise his formerly BB-enclosure pedals, the Multi-Clipping Element was always going to be the trickiest part to incorporate - because of the dimensions of said rotary pot, and all the Diode Component Pairs which made up each Clipping option.
In the process of miniaturisation the enclosures have seen a significant change in aesthetics - with more of an outline print artwork onto a raw enclosure - and accentuated by those beautiful / vibrant and colour-coded CBA-style ...
This article was prompted by an observation of obviously complementary fuzz pairings - where I currently own all of these bar the two Dwarfcraft Devices - Limited Edition Necromancer and Reese Lightning. In fact a number of these could be construed to be officially highly limited - where Buffalo FX and Dwarfcraft Devices have both ceased trading and their products are in very short supply. There were only 25 dual-footswitch editions of the Dwarfcraft Devices Limited Edition Dark Arts ...