So this has been on the cards for a long while - I’ve had Lastgasp Art Laboratories on the list for a roundup for a really long time now. I had been intending to acquire a few of its pedals for a while - but they’ve never been particularly easily accessible from within the UK.

There are currently just 2 dealers worldwide who have most of the range in stock - Perfect Circuit in the USA, and my friend Andy Ebsen’s Effekt Boutique in Germany - where indeed I acquired my first two Lastgasp ...

This new hybrid fuzz pedal is in a similar format to Subdecay’s recent PixelWave Phase Distortion Synth. It has the same 11 Mode (0-10) Mode Selector and overall 5 knobs + 3-way Toggle Edit Mode switch. Obviously quite different parameters and output - but same in layout and similar in function.

Controls -  GAIN / Pre-Comp, TONE / Pre-HPF, OFFSET (Bias)| MIX / Pre-LPF, VOLUME, EDIT MODE : PRE / ANALOG / Shaper, FUZZ TYPE : 1-11 / Chorus & Flange, Hold Footswith to Save Preset.

This ...

In my recent review of the Kernom Moho Magmatic Fuzz - I already lauded it to the high rafters as the greatest Multi-Fuzz pedal ever created. It’s the perfect tool for proper fuzz fans - and in particular for those who have fully mastered the relatively tricky Zvex Fuzz Factory and similar - all those should get along with the Moho fabulously. Newbie fuzz fans may find the device a little tricky to dial in - as every knob impacts the texture and tonality of the output - so pretty much all 6 ...

The final arrangement for the year - all the pedals that impressed the most!

So we featured 120 pedals across the 5 Genre categories this year - as you’ve witnessed over the last 5 days, and those have been whittled and distilled down to these 27 Magnificent and Exceedingly Flavoursome candidates.

Picking out the very best of those is obviously a slightly subjective exercise while based on a series of exacting criteria - including innovation, versatility, practicality, variability, playability, quality of manufacture, quality of output and sheer enjoyment.

Here ...

And so to what is often my favourite category - the many wonderful flavours of fuzz - and we have some hugely innovative pedals in the selection this year - one of these may even be my pedal of the year!

So there are 24 in this year’s selection - where I’m just missing the Collision Devices TARS, Fender Shields Blender, JAM Pedals Octaurus, KMA Machines Mandrake, Reeves Electro Facet IZ, and Unsound Circuitry Kato Glitch Fuzz - where I will attempt to add most of those to the reference ...

I’ve had the Moho on my board for an entire wonderful week so far - and it’s been nothing but delightful from the very first encounter. I occasionally use the phrase ’a joy to deploy’ and that’s never been more apt than in these circumstances.

It’s not just that the Moho delivers high fidelity - it truly sounds magnificent every which way you point those dials - with all the verve, ebb and flow, fuzzy feel and full flavour you could ever desire. It has some degree of guitar volume gain ...

Unsound Circuitry has birthed a monster! And while I could do without the oversized enclosure - I love enormous sound that emanates from this fuzz. Circuit-wise it’s right up my street - and I always love when there is ample range on tap - particularly Volume / Level and Gain - so many pedals get let down on that side - so I aways really celebrate those that have more extended range.

Conceptually fairly straightforward - a squelchy / choking Octave Fuzz combined with a PLL circuit ...

Hungry Robot’s new 2-knob fuzz runs off a 4069 CMOS chip for chaotic, synth-esque, fuzz tones.  CMOS fuzzes work by taking your signal and transforming it into a square wave which makes it sound like a synth. To liven things up a bit, The Stampede has a fixed 3-band active EQ with the Low Pass and High Pass running hot and the Band Pass subtly scooping out the midrange.

Controls - Volume, Sensitivity (Input Gain)
 
The two-knob setup allows for simple control. The large knob controls the ...