GPX Blog

I had meant to do this article a lot sooner as Banana Effects have been on my radar for a while - back to a time when they were much more difficult to get a hold of. Nowadays though they’ve struck up a distribution deal with Amazon.com and they are available via Amazon in most countries - all priced at the equivalent of $199 / £189. So price-wise these are definitely smack bang in the middle of boutique territory - yet their diminutive form factor belies a true richness of features....

Near the start of this week we saw several leading pedal builder brands go all mysterious on us posting an encircled (B) logo ident accompanied by the hashtag #BLACKEDXOUT on various social media. Many thought this to mean some sort of limited or black edition pedals for the Black Friday ’sales’, while I wrongly guessed it implied a Black Friday Sales boycott.

This afternoon all was revealed when 17 Brands together released all-black stealth-like enclosures for one or a few...

Latest is not always greatest! Like many other pedal aficionados no doubt, I am quite particular about the function, aesthetics and format of each effect pedal I acquire. Many a pedal has been in production for numerous years and has seen all manner of iterations throughout its lifetime - not specifically special editions, just the core default pedal naturally changing and evolving over time - of course there are custom, limited and special editions too along the way but we’re focusing on...

I have covered off a number of my favourite Summer NAMM pedals already - including the Boss 200 range, RC-10R and SY-1, the Fulltone OCD Ge, the REVV G2, the Spaceman Effects Gemini IV, and Walrus Audio Kangra for instance. And there’s a couple more surprise ones I will be posting as dedicated features very soon - so stay alert for those! In the wake of one of the best ever Winter NAMM’s it was clear that the Summer NAMM could never match that degree of innovation - in fact most of ...

I’ve actually been meaning to do this post for a while now - I’ve had several requests over the years to do a ’best of’ feature for Catalinbread - with some even wanting one specifically on delays - which actually only number 6 and therefore don’t quite merit a solo outing - although we’ll see. So this at last is that post - taking in the best of new and established, innovative and unique - across the 4 sub-categories - Foundation Overdrives | Delays and ...

Australia and New Zealand together have a fair few brands of international repute, and I for one certainly have a number of pedals of Australian origin in my collection. Foremost amongst those is Michael Ibrahim’s eponymous MI Audio / MI Effects - from which range past and present - I have 7 to date - with a couple more on the ’nice-to-have’ wishlist. Of the ones I have 2 are permanent features in my pedal-chain - the Super Crunch Box V2 (my Brown Sound pedal of choice) and ...

This is one of those moments that I feel that my celebrated Pedal-Chain has reached another milestone of ’peak performance’. There are a number of new releases here - and probably all the big ones I was expecting this year - bar the Chase Bliss Audio / Benson Amps Automatone MKII PreAmp - which is due in the Autumn now - and still pending final pricing, but will probably take up the top spot on Slot #14 eventually. Also - my long-awaited Beetronics Swarm Harmonizing PLL Style Fuzz ...

As a follower of Juan and Nick’s Pedals and Effects YouTube Channel - I’ve been aware of Meris from day one, and have showed interest in and featured all of its pedals on this site at various times. I was the one that stated that Meris effects were probably more like weekend sportscars rather than daily runarounds, and I’ve had a Meris or two on my wishlist for a while. I came very close to acquiring an Enzo at one stage, but in the end decided that it wasn’t quite right...

I already singled out the Newly Revamped Matthews Effects Range in my piece on Pedal Graphic Design - but there I focused more on the design of the actual pedals - principally the facia graphics and control topology - knob choice etc. However there was much more to the Matthews Effects Range Revamp than just a pedal design change - and some of the most significant improvements happened within the disciplines of Packaging and supplementary Collateral. ...

Now definitively defined as a Pedal-format Modular Synthesizer, Sequencer and Multi-Effects unit. The control interface consists of a small OLED screen accompanied by a grid of 40 (5x8) 7-coloured LED backlit soft-touch buttons, 4 further control buttons for Secondary Functions, and a large Menu scroll dial. There are 3 footswitches to activate live playback and scroll through presets.

Essentially you have a building-block interface-led hybrid-modular-synthesiser where you chain ...