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GPX Blog

Best of Australian and New Zealander Guitar Pedals and Pedal Builders

Ambient EffectsAnalog DelayAnarchy AudioBig Muff Style FuzzBitcrushing and Lo-FiBlues Driver Style OverdriveBondi EffectsBoostBoost and OverdriveBrown Sound DistortionChorus and VibratoCompressorCrowther AudioDelayDelay WorkstationDigital DelayDigital ReverbDistortionDouble TrackingDriveDual-DriveEchoverbEffects Pedal MakersEnvelope Filter and Auto WahExpressionFlux EffectsFuzzFuzz Face Style FuzzFuzz-Drive and FuzzstortionGated and Velcro FuzzGermanium FuzzKlone and Transparent OverdriveLastgasp Art LaboratoriesLightning Wave EffectsLo-Fi DelayLoop-SwitcherMarshall Style DistortionMC SystemsMetal DistortionMI EffectsMidnight AmplificationModulationMulti-DriveOCD Style OverdriveOctave FuzzOpAmp FuzzOscillating FuzzOverdrivePepers' PedalsPhaserPitchPoly EffectsRed Witch EffectsReverbReverb WorkstationSelah EffectsShimmer ReverbSilicon FuzzSpacey ReverbSplitter and Frequency SplitterTape DelayTone Bender Style FuzzTremoloTube OverdriveTubescreamer Style OverdriveUni-Vibe and VibeUtilityVolumeWah and Fixed Wah+-
2019GPXAustraliaNewZealandPedals700-min.jpg

Australia and New Zealand together have a fair few brands of international repute, and I for one certainly have a number of pedals of Australian origin in my collection. Foremost amongst those is Michael Ibrahim’s eponymous MI Audio / MI Effects - from which range past and present - I have 7 to date - with a couple more on the ’nice-to-have’ wishlist. Of the ones I have 2 are permanent features in my pedal-chain - the Super Crunch Box V2 (my Brown Sound pedal of choice) and ...

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