Another super busy month for me - particularly towards the end - with numerous large scale articles out this week. That also coincided with my busiest week of the year for my other day job. Meaning that I was up until 4-5 in the morning every day - just to keep up with my commitments.

I was already somewhat shattered and burned out before I even got to this super busy period - and it’s a relief that all that work has now been completed on schedule.

I’m especially proud of my work on the Bucket ...

So - Susumu Tamura first developed his Tube Screamer Circuit for Maxon back in 1979. It came two years after the Boss OD-1, and was in part inspired by that circuit, but since Roland owned the patent for Asymmetrical Clipping - Susumu was  compelled to go with the softer Symmetrical Clipping (which proved to be the more popular!). He also added a tone-stack to bring it up to 3 controls. Boss then copied the Tube Screener back to a degree with their SD-1 - making their own overdrive circuit ...

The TWA LF-01 Ladditude - turns your instrument into an analog synth via the combination of Classic Resonant Filter and a Proprietary Optical Envelope-Detection Circuit.

"Whether it’s tight, wet, gurgling chirps or sub- to super-sonic EDM filter sweeps, the Ladditude delivers in spades. Where Expression pedal control of the filter frequency further adds to the fun!"

Controls - CV Threshold Level | On/Off, Frequency, Resonance Level | High / Low, EXP Sweep, Drive, Level, Filter Polarity ...

Another totally mad month for sure - loaded with frenetic activity and peppered with highs as well as crushing disappointments. The first give-away for GPX didn’t quite hit the highs I expected (said give-away closes tonight at 23:59 BST). And there are some weird gaps in the entrants’ home countries - certainly no shortage from the USA, UK, Canada, Australia, or much of mainland Europe. I’m active in a lot more countries than have so far entered the give-away, so I don’t fully understand why ...

So back in and around 1975 there was a large aluminium box with red and black graphics made by Systech, and which had an open 9V battery bay built right into the front facia. It had just 3 controls - Bandwidth, Center Frequency, and Gain - which were instrumental in delivering the classic Frank Zappa sound of that era! The Gain knob sweep was fairly expansive, but not too heavy on the breakup until later along the taper - rather an amplitude control for most of the sweep - although it did climb...

As soon as you engage this Hot Saké you immediately notice that rich, dense distortion character which is so associated with the SD-9 Sonic Distortion.

This is the 3rd SD-9 derivative I feature within fairly short succession - following on from TWA’s Scott Henderson Signature SH9, and Vemuram’s Mark Landau Signature Butter Machine. The Hot Saké came long before those two, but somehow still remains a little under the radar.

I’ve long said that the SH9 and Butter Machine were rather more ...

So scanning through this month it seems to have been mostly about Guitar / Pedal Shows, Japanese Pedals, and Pedals Delayed and Missing in the Post!

The Guitar Shows have been pretty fast and furious for March - with two of the most significant ones of the year, along with a fledgling grassroots one : The Guitar Show (Cranmore Park - Birmingham / Shirley), London Synth & Pedal Expo (Studio 9294, Hackney Wick, London), The Alternative Guitar Show (The Fighting Cocks, Kingston).

I of ...

I first featured this pedal in the run-up to Halloween 2023 - where it most definitely has a suitably seasonal pumpkin theme to the artwork. So it’s taken a while to land - thanks once more to Kevin Bolembach and Trevor Shaikin for the assist.

Obviously the first thing you notice is the excellently themed appearance of the pedal, while it’s not without its idiosyncrasies. Bypass state delivers an all-green lit-up pumpkin - which then becomes orange, with green stem when engaged. While there...

And so to what is often my favourite category - the many wonderful flavours of fuzz - and we have some hugely innovative pedals in the selection this year - one of these may even be my pedal of the year!

So there are 24 in this year’s selection - where I’m just missing the Collision Devices TARS, Fender Shields Blender, JAM Pedals Octaurus, KMA Machines Mandrake, Reeves Electro Facet IZ, and Unsound Circuitry Kato Glitch Fuzz - where I will attempt to add most of those to the reference ...