February can often seem a rather odd month after the hustle and bustle of NAMM Show January - where a lot of new stuff always gets announced - while increasingly outside the NAMM schedule - but certainly in and around it! Projects delayed from the previous year often get released in January, but this year those kind of seem to be more spaced out - with some not feted to happen until March / April. February always seems slow compared to January, and that sometimes extends into March too before ...
This is an incredibly exacting shrink-down of 2021’s Dumble-style Lightkeeper Preamp with the full flavour and all features fully intact - just in a significantly more compact and pedalboard-friendly enclosure.
I’m a little late to Vacuum Tube powered pedals - having dithered on the larger varieties by Kingsley and Tubesteader for quite a number of years. I once came pretty close to acquiring a Kingsley Minstrel V3 - but that was about it for a long while. Effectrode’s Tube pedals are cool ...
Both these pedals materialised around the same time - in and around the recent NAMM Show - although the Herculean Deluxe has not been officially launched yet (21st February) - but there is plenty of coverage of it online already.
I thought it made sense to cover off both of these in a single post - as they are kind of competitors to each other - each with its own unique elements. And the Herculean DLX contains that very rare mix of Dumble and Bluesbreaker.
I like the look / sound of ...
I’ve long been a fan of Mad Professor’s gain pedals - which of course mostly owe a lot to Björn Juhl - bar the Simble Overdrive (Dumble) by Lassi Ukkonen. Which by coincidence happened to be my very first Mad Professor pedal several years ago - and in fact my very first Dumble style overdrive - of which I have several now.
So the Simble was my first Mad Professor - and the Custom Stone Grey Distortion the most recent - alongside the 20th Anniversary Royal Blue Overdrive. The Royal Blue came...
I’ve waxed lyrical for a long time about the potency of the Daily Driver - where I originally acquired it based on how close it came to the tone and timbre of the Pete Cornish CC-1. The CC-1 can replicate / reproduce the tones of the TS808, Timmy, Klon and Blues Breaker with ease - and this new Boost addition makes it even more versatile.
The original had those 4 key corner knobs - and a single toggle switch for More Hi-Cut / None / Some Hi-Cut. Those 5 controls gave the pedal an incredible...
And so to my roundup of the best gear of the year - apologies of course if I’ve overlooked one of your favourites - and note again that this year I’ve split out Boost & Overdrive - and Distortion separately - as there are so many new pedals that it’s tough to fit them all into a single summary overview. Some of these pedals are incredibly extended range - and if I’ve used them more on the distortion side - you will find those listed in the very next Distortion Rundown article - like say the...
July was punctuated by two very significant events - Doug Tolley’s Witney Pedal Party on July 1st, and Phil Steere’s Brighton Guitar Show and FX Expo on July 15th - where I covered both of those in fine detail. Both were seminal events for different reasons, and while we were relatively few at Witney - we got to witness a truly legendary performance by David Rainger - which doubled up as about the best pedal demo I’ve yet / ever experienced - David was truly on fire - and the audience - we ...
Many who read my blog don’t know that I used to work in advertising - mostly brand origination / development - and we dealt with a lot of copyright and trademark issues over that time. You quickly get a feel for how close you can sail into the wind - and the truth is mostly not that close at all! Of all of these replicas only probably the first one could be argued away against a top copyright lawyer - the other 5 would pretty much come under straight-up plagiarism - but there are other factors ...
Readers will know that from my growing Dumble Style Overdrive Capsule Collection - that the favourite to date has typically been the Demon Pedals Kondo-Shifuku, just ahead of the BJFE ODS34. While we now have another to join that elite and lofty company - where the HRM MKII delivers that glorious extra zing - which adds so much verve and dynamics to that pedal.
As you can see from the below comparison - the new pedal looks quite a bit more elegant and sophisticated than its predecessor - ...
This article was originally suggested by my now good friend Henry Kaiser - leading guitar and guitar effects experimentalist and prolific producer and recording artist. He’s been a long-term friend of Toshihiko Tanabe - of Tanabe.TV fame and thought I should do one of my pedal roundups on Japanese Boutique Pedal Builders.
I had long intended to do a feature on Japanese Pedal Makers - but could not decide on the context or format - as there are so many notable brands. Upon Henry’s suggestion...