Most everyone knows the Fulltone story by now - and how that brand sort of came a-cropper during the BLM movement - getting removed from sale at Guitar Centre, Reverb.com and several major dealers - on account of some very ill-chosen words. Yet I’ve forever had mixed feelings about the brand - as I’ve always separated out the figurehead and his utterances from those mostly excellent pedals he designed. And I of course do have several Fulltone pedals in my reference collection which I really ...

Wow - what can I say! The original N5 MGAT-1 was already my favourite distortion of all time - so I initially thought that this was going to be a sort of sideways step from that with more specificity to reach certain key classic era Marshall tones more easily and more precisely - and it certainly does that. While Mr Wu has kind of blown me away again - as this is incredibly a further improvement over the already exceptional MGAT-1.

The MGAT-1 Golden Era seems a little bit more poised and ...

I’ve waxed lyrical for a long time about the potency of the Daily Driver - where I originally acquired it based on how close it came to the tone and timbre of the Pete Cornish CC-1. The CC-1 can replicate / reproduce the tones of the TS808, Timmy, Klon and Blues Breaker with ease - and this new Boost addition makes it even more versatile.

The original had those 4 key corner knobs - and a single toggle switch for More Hi-Cut / None / Some Hi-Cut. Those 5 controls gave the pedal an incredible...

Many who read my blog don’t know that I used to work in advertising - mostly brand origination / development - and we dealt with a lot of copyright and trademark issues over that time. You quickly get a feel for how close you can sail into the wind - and the truth is mostly not that close at all! Of all of these replicas only probably the first one could be argued away against a top copyright lawyer - the other 5 would pretty much come under straight-up plagiarism - but there are other factors ...

I’m expecting this post to attract a lot of ’whataboutisms’ as many of my rundowns seem to do. While every single choice / selection here is well considered, pondered upon on and properly weighted up against pertinent criteria and then further rationalised, whittled and distilled down into a top 9 or 16 or 25 - as I always favour symmetrical grids.

If I find 18 or 19 suitable candidates - then only 16 can be featured on the grid etc. - you need to draw the line somewhere. And you can also ...

This article was originally suggested by my now good friend Henry Kaiser - leading guitar and guitar effects experimentalist and prolific producer and recording artist. He’s been a long-term friend of Toshihiko Tanabe - of Tanabe.TV fame and thought I should do one of my pedal roundups on Japanese Boutique Pedal Builders.

I had long intended to do a feature on Japanese Pedal Makers - but could not decide on the context or format - as there are so many notable brands. Upon Henry’s suggestion...

Ukrainian circuit designer Volodymyr Zakernychnyi is best known for his Tacana Tremolo to date - which has featured on a number of Pro boards, and has been covered at least a couple of times on this blog.

It looks like there are roughly 5 pedals in the range now - which besides the Tacana and the above two, consists also of a BB-sized Screaming Bat Rat / Screamer, and Modulated Echo Delay with different waveshapes and filters on the repeats.

For this article we’ll be looking at ...

After the Compact size enclosure - the Medium-Vertical sort of 1590-BB size of enclosure is my second favourite format - and often a go-to for more extended range pedals. This is a far more practical format than those typically horizontal BB types - like so many of the dual overdrive units - a la King of Tone etc.

This article was prompted by my recent acquisition of the KMA Machines Logan which I kind of missed out on the first time around. In fact it emerged very soon after I had received...

^ 2022 Final Arrangement - December

So the time has come again to to the final reckoning of the layout and composition of this year’s ultimate pedal chain arrangement. I’ve introduced a new ’⚓’ symbol into the visual - which indicates those Slots / Pedals that are unchanged from last year’s Class of 2021 arrangement. That element really is testament to how much has changed between years. It’s also indicative of how much I love those particular pedals - and pretty much find them ...