The StarCrash 70’s Collection re-skins 4 Catalinbread classics (Adineko, Katzenkönig, SFT, and Valcoder) and adds 2 brand new period correct pedals - a Screamer-type SideArm Overdrive, and a 70’s style StarCrash Sustaining Fuzz.
I really like the styling of these - which enclosures come in a really appealing apple-green sparkle, and where prices vary from $179 to $209 for the Adineko delay.
I only own the standard Katzenkönig from this circuit selection, I’ve had the SFT on the wishlist...
The ALABS Audio Pedals were so successful over the Christmas / New Year period - that they were sold out for a while. So I thought it prudent to pause the action until ALABS were back in sync with the demand.
The TimeSlip is my second-favourite of the quartet and shares Cetus’s perfect mix of algorithms - mixing up classic and more traditional flavours with some more intriguing and unusual modern and futuristics ones. I really love this pedal in particular for superb sweep of algorithms - ...
The final arrangement for the year - all the pedals that impressed the most!
So we featured 120 pedals across the 5 Genre categories this year - as you’ve witnessed over the last 5 days, and those have been whittled and distilled down to these 27 Magnificent and Exceedingly Flavoursome candidates.
Picking out the very best of those is obviously a slightly subjective exercise while based on a series of exacting criteria - including innovation, versatility, practicality, variability, playability, quality of manufacture, quality of output and sheer enjoyment.
Here ...
And so to the final category - where competition is extremely fierce this year. No doubt some of your favourites will have missed the cut here - but hopefully this selection is fully representative of the best of the year. Obvious I lean more towards immersive stereo effects - mono doesn’t really do it for me so much - while there is a smattering of mono pedals in here too. Price, format, versatility and practicality - everything counts!
Of the 23 featured in the selection - I own around ...
I’m really proud to be supporting a small fledgling audio products brand based in Singapore - which has only been around for a couple of years or so, and was originally known for making studio quality Microphones, Wooden Earcup Headphones and Mixing Consoles. ALABS Audio’s Jinbo Hui reached out to me back in September - to ask if I would want to support the launch of their new Adam Adventures Series pedal range - and I of course said I needed to be properly impressed by those pedals for me to ...
So back in 2019 - Reverb.com coordinated Black Friday Limited Blacked Out Editions across 17 Brands and 19 Pedals - and by and large it was a resounding success - a lot of those sold out very quickly - and overall pretty much every special pedal maid was sold in fairly short order.
I always thought it a little surprising that this exercise wasn’t repeated more often as I kind of expected it to be an annual or biennial thing following on from the 2019 event. While we’ve had to wait 4 years ...
I’ve been meaning to do this article ever since the Witney Pedal Party event - where we lucky few who attended - were spellbound by some David Rainger magic - courtesy of a sort of combination performance and demo piece which mostly made use of the above 3 core pedals but in fact included every pedal in the range at some stage.
The Snare Trap and Drone Rainger have a real Dubby / SoundSystem dynamic to them - where in this context - this particular combination kind of renders as a sort of 3...
Every new Chase Bliss release is always a major event - they certainly know how to spring a surprise - while the smart money has been betting on a stereo delay for quiet a while - either that, or a stereo version of the Dark World Reverb.
In any case this Reverse Mode C pedal evolves and massively expands on Empress’ Superdelay Rev Mode C algorithm - where you get a simultaneous 3-Voice delay - with elements of conventional forward moving delay, with parallel reverse delay and octave up ...
OBNE are re-purposing the BL-44 Reverse Effector format to some degree here - both pedals are delay-line related and with near identical looking topologies - here with dual delay lines that you mostly manipulate with the Clock Slider. The 4th control of the BL-82 is a Feedback / Intensity knob versus the Speed knob of the BL-44.
The two delay lines are modulated by opposite synchronized LFOs, and are combined in parallel with the timing of the delay lines, as well as the speed and depth of ...