An interesting fact is that this collaboration almost happened several years ago, but evidently the timing wasn’t right then for various reasons. This time around though there was an added ingredient in the mix - ’Yours Truly!’ - and I was somewhat instrumental in bringing the two sides together and finally making this happen!
It’s great news for us Brits - as these Lastgasp Art Laboratories Pedals have always been somewhat beyond our reach until now.
I obviously recently covered my 9 ...
As mentioned previously - I meant to feature Lastgasp Art Laboratories (LAL / Lastgasp) quite a while back, but access to pedals from the UK has been rather limited, and most of these therefore fairly hard to come by! I detailed how there were only two properly active current dealers that had most of the range in stock - my good friend Andy Ebsen’s Effekt Boutique in Germany, and Perfect Circuit in the USA. I also was instrumental in getting Joe’s Pedals’ Joe Light to connect with Lastgasp’s ...
So this has been on the cards for a long while - I’ve had Lastgasp Art Laboratories on the list for a roundup for a really long time now. I had been intending to acquire a few of its pedals for a while - but they’ve never been particularly easily accessible from within the UK.
There are currently just 2 dealers worldwide who have most of the range in stock - Perfect Circuit in the USA, and my friend Andy Ebsen’s Effekt Boutique in Germany - where indeed I acquired my first two Lastgasp ...
This new hybrid fuzz pedal is in a similar format to Subdecay’s recent PixelWave Phase Distortion Synth. It has the same 11 Mode (0-10) Mode Selector and overall 5 knobs + 3-way Toggle Edit Mode switch. Obviously quite different parameters and output - but same in layout and similar in function.
Controls - GAIN / Pre-Comp, TONE / Pre-HPF, OFFSET (Bias)| MIX / Pre-LPF, VOLUME, EDIT MODE : PRE / ANALOG / Shaper, FUZZ TYPE : 1-11 / Chorus & Flange, Hold Footswith to Save Preset.
This ...
In my recent review of the Kernom Moho Magmatic Fuzz - I already lauded it to the high rafters as the greatest Multi-Fuzz pedal ever created. It’s the perfect tool for proper fuzz fans - and in particular for those who have fully mastered the relatively tricky Zvex Fuzz Factory and similar - all those should get along with the Moho fabulously. Newbie fuzz fans may find the device a little tricky to dial in - as every knob impacts the texture and tonality of the output - so pretty much all 6 ...
The final arrangement for the year - all the pedals that impressed the most!
So we featured 120 pedals across the 5 Genre categories this year - as you’ve witnessed over the last 5 days, and those have been whittled and distilled down to these 27 Magnificent and Exceedingly Flavoursome candidates.
Picking out the very best of those is obviously a slightly subjective exercise while based on a series of exacting criteria - including innovation, versatility, practicality, variability, playability, quality of manufacture, quality of output and sheer enjoyment.
Here ...
And so to what is often my favourite category - the many wonderful flavours of fuzz - and we have some hugely innovative pedals in the selection this year - one of these may even be my pedal of the year!
So there are 24 in this year’s selection - where I’m just missing the Collision Devices TARS, Fender Shields Blender, JAM Pedals Octaurus, KMA Machines Mandrake, Reeves Electro Facet IZ, and Unsound Circuitry Kato Glitch Fuzz - where I will attempt to add most of those to the reference ...
I’ve had the Moho on my board for an entire wonderful week so far - and it’s been nothing but delightful from the very first encounter. I occasionally use the phrase ’a joy to deploy’ and that’s never been more apt than in these circumstances.
It’s not just that the Moho delivers high fidelity - it truly sounds magnificent every which way you point those dials - with all the verve, ebb and flow, fuzzy feel and full flavour you could ever desire. It has some degree of guitar volume gain ...
Unsound Circuitry has birthed a monster! And while I could do without the oversized enclosure - I love enormous sound that emanates from this fuzz. Circuit-wise it’s right up my street - and I always love when there is ample range on tap - particularly Volume / Level and Gain - so many pedals get let down on that side - so I aways really celebrate those that have more extended range.
Conceptually fairly straightforward - a squelchy / choking Octave Fuzz combined with a PLL circuit ...