News

So it’s that usual post NAMM-haze time where I figure out the longer-term impact of NAMM, and how those new products will affect the layout, order and composition of my now sort of 40-slot pedal-chain. As noted several times - this was indeed a bumper year for really innovative and highly appealing new pedals - and I will look to accommodate a number of those as they materialise in the forthcoming months.

As I hinted in my last pedal-chain overview - while 2018 was very evidently...

This year’s show has seen a bumper crop of interesting new pedals. In fact I was so dazzled by all the various cool pedals that I did not take note of much else - actually not entirely as there were a few synths weirdly that I liked the look of - including the new Teenage Engineering Modular Series in particular. There were very few guitars or amps though that properly piqued my interest.

Special thanks to Delicious Audio / Stombox Exhibit / 60 Cycle Hum and Premier Guitar in ...

In doing my 2019 pedal-chain planning I realised I had recently just completed a few notable duos of pedals - in fact the right-hand side of the above visual is fully mine with the REVV G4 the latest addition. There’s something of a theme here with the red pedal or red-accented pedal typically being the gainier half of the pair, and I could have done a similar exercise for Wampler with the Pantheon and the Pinnacle, but felt that the Tumnus and Pantheon were the two best / most versatile ...

At the end of 2018 / beginning of 2019 - I start thinking ahead for the year and considering what pedals I would like to swap-out or rotate-in on my pedal-chain. The long-awaited Empress Effects Zoia did not materialise in 2018, and is now expected as one of the major Winter NAMM launches - I see that as being one of two larger (monetary) acquisitions in the year - along with the Line 6 HX Stomp. I kind of did not figure out the HX Stomp until fairly recently really, where I have deemed it to ...

2018 has been a really surprising year for pedals - there have been quite a few unexpected innovations along the way with also some of the usual production delays and holdups. As I write this I am still waiting for my long-overdue Jackson Audio Bloom to arrive - but I expect it will be worth the delay. I would have liked to have seen the Empress Zoia despatched this year too, as sort of predicted though - I feel that it will be pushed into next year - to coincide with Winter NAMM possibly - in ...

So hopefully you have already read my High Gain / Metal Style Pedals article - as this really is a follow-up to that. I determine ’Extreme’ as the more modern metal tone with mid-push and super tight percussive sound. A number of these pedals are highly capable and versatile though - so it really depends how you set them up and how much gain you have dialled in. In any case these are typically the ones at the higher end of that spectrum.

There’s not too much between ...

This article was prompted by my earlier piece on the Boss HM-2 Heavy Metal Pedal / Alternatives, as well as a reader request to review the KHDK Dark Blood. As always though I never review anything in isolation - I try to take the pulse on the larger category and see what pedals are competing in that category and are worthy of consideration.

Even metal pedals as such have varying degrees of distortion, but I’ve tried to focus on those here that are intended as principally high ...

UPDATE 1 - It’s often the case that just after you publish, something big happens which forces a change of stance. On this occasion it was the release of the truly amazing Wampler Pantheon Overdrive which has immediately found its way into Slot #10 of the chain. In fact I have sort of swapped slots #10 and #12 around - relegating the Spaceman Aphelion to a supporting role for now.

UPDATE 2 - Still no word from Jackson Audio on the delayed Bloom Compressor etc. - which means the ...

This follows on from my earlier article on British Pedal Builders - I had no immediate plans to do a series of these, but there are definitely certain nations that excel in pedal-making which I quite enjoy featuring. I need not really include the most prodigious - the USA as most pedals still come from there, but will focus on some of the smaller nations and do fairly compact roundups of each. As I said I had no plans originally beyond British, but will likely do French, German, Italian, ...

UPDATE - Based on feedback and input I’ve tweaked some of the pedal placements - the core methodology still stands, while relatively positioning of certain pedals can be fairly nuanced!

This subject matter has become the most popular of all the different articles I’ve posted. And the original piece went up in February 2017 - so I felt it was opportune to revisit, review and revise that original methodology. I’ve tried to strip out the more branded naming conventions ...