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Favourite Pedals released in and around Summer NAMM 2019

Alexander PedalsBig Ear PedalsBoostBoost and OverdriveDistortionDriveDual-DriveDumble Style OverdriveDunlop EffectsDwarfcraftFuzzFuzz Face Style FuzzGamechanger AudioGreer AmpsGuitar Synth and SequencerKorora AudioMad Professor EffectsMarshall Style DistortionModulationModulation WorkstationMulti-DriveMythos PedalsOctave FuzzOctaverOddball FuzzOddball ModulationOverdrivePitchPitch-ShiftingRat Style FuzzRing ModulationSilicon FuzzSinvertekSource AudioThird Man RecordsTremoloTubescreamer Style OverdriveUni-Vibe and VibeWampler+-
2019GPXBestSummerNAMMPedals700-min.jpg

I have covered off a number of my favourite Summer NAMM pedals already - including the Boss 200 range, RC-10R and SY-1, the Fulltone OCD Ge, the REVV G2, the Spaceman Effects Gemini IV, and Walrus Audio Kangra for instance. And there’s a couple more surprise ones I will be posting as dedicated features very soon - so stay alert for those! In the wake of one of the best ever Winter NAMM’s it was clear that the Summer NAMM could never match that degree of innovation - in fact most of ...

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12 of the Best Harmonic Tremolo Pedals

Chase Bliss AudioCoppersoundDrolo EffectsEarthQuaker DevicesFenderFlower PedalsModulationMr Black PedalsSource AudioStrymonSuproTremoloWalrus AudioZeppelin Design+-
2019GPX12BestHarmonicTremolos700V2-min.jpg

If you watch That Pedal Show regularly you will have heard Dan and Mick saying that Harmonic Tremolos are pretty rare and few and far between, but there are probably a few more out there than most people would have thought. I’ve had several requests recently to do a feature on purely Harmonic Tremolos so this is it! Harmonic Tremolos first appeared on amps like the early Magnatones and Supros as far as I understand, and have a very vibey tonality to them based on how they modulate the ...

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Early Summer Pedal-Chain State of the Union - the Final Formation?

12 Degrees of SaturationAmbient EffectsAnasoundsBearfoot FXBig Muff Style FuzzBitcrushing and Lo-FiBlues Driver Style OverdriveBoostBoost and OverdriveBossBrown Sound DistortionBufferBuild Your Own CloneBYOCChase Bliss AudioChorus and VibratoCompressorDelayDelay WorkstationDemon PedalsDigital DelayDigital ReverbDigiTechDistortionDouble TrackingDr ScientistDriveDual-DriveDumble Style OverdriveEchoverbEmpress EffectsEnvelope Filter and Auto WahEQEventideFeaturedFlangerFuzzFuzz Face Style FuzzFuzz-Drive and FuzzstortionGermanium FuzzGlitchGranular DelayGuitar AccessoriesGuitar Synth and SequencerHarmonizerJackson AudioJHS PedalsKeyztoneKlone and Transparent OverdriveLo-Fi DelayLooperMarshall Style DistortionMenatoneMeris EffectsMetal DistortionMI EffectsModulated FuzzModulationModulation WorkstationMulti-DriveMu-TronNoise GateOCD Style OverdriveOctave FuzzOctaverOddball ModulationOpAmp FuzzOverdrivePhaserPitchPitch-ShiftingPlate ReverbRack Style ReverbRat Style FuzzRed Panda EffectsReverbReverb WorkstationREVV AmplificationRotary SpeakerShimmer ReverbSilicon FuzzSlicer and StutterSource AudioSpaceman EffectsSpacey ReverbSpring ReverbStrymonTape DelayTC ElectronicToneQuestTremoloTrue North PedalsTubescreamer Style OverdriveUni-Vibe and VibeUtilityVox Style DistortionWah and Fixed WahWampler+-
2019GPXSKSignalChainMKV700-min.jpg

This is one of those moments that I feel that my celebrated Pedal-Chain has reached another milestone of ’peak performance’. There are a number of new releases here - and probably all the big ones I was expecting this year - bar the Chase Bliss Audio / Benson Amps Automatone MKII PreAmp - which is due in the Autumn now - and still pending final pricing, but will probably take up the top spot on Slot #14 eventually. Also - my long-awaited Beetronics Swarm Harmonizing PLL Style Fuzz ...

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Pedal Chain 2019 Future Plans, Acquisitions and Alternative Arrangements

12 Degrees of SaturationAleks K ProductionAutomatoneBearfoot FXBeetronics FXBenson AmpsBig Muff Style FuzzBlues Driver Style OverdriveBoostBoost and OverdriveBossBrown Sound DistortionBufferChase Bliss AudioChorus and VibratoCompressorDecibelicsDelayDelay WorkstationDemon PedalsDigital DelayDigital ReverbDistortionDr ScientistDriveDrolo EffectsDual-DriveDumble Style OverdriveEmpress EffectsEnvelope Filter and Auto WahEQEventideFlangerFuzzFuzz Face Style FuzzFuzz-Drive and FuzzstortionGermanium FuzzGlitchGranular DelayGuitar Synth and SequencerHarmonizerJackson AudioKlone and Transparent OverdriveLooperMarshall Style DistortionMeris EffectsMetal DistortionMI EffectsModulated FuzzModulationModulation WorkstationMulti-DriveMu-TronOCD Style OverdriveOctaverOddball DelayOddball FuzzOscillating FuzzOverdrivePedalboard and Pedal-ChainPhaserPitchPitch-ShiftingPladask ElektriskRack Style ReverbRat Style FuzzRed Witch EffectsReverbReverb WorkstationREVV AmplificationShimmer ReverbSilicon FuzzSource AudioSpaceman EffectsSpacey ReverbStrymonTape DelayTC ElectronicThorpyFXTone Bender Style FuzzToneQuestTremoloTrue North PedalsTubescreamer Style OverdriveUtilityVox Style DistortionWah and Fixed WahWampler+-
2019GPXSKSignalChainMkII700-min.jpg

So it’s that usual post NAMM-haze time where I figure out the longer-term impact of NAMM, and how those new products will affect the layout, order and composition of my now sort of 40-slot pedal-chain. As noted several times - this was indeed a bumper year for really innovative and highly appealing new pedals - and I will look to accommodate a number of those as they materialise in the forthcoming months.

 

As I hinted in my last pedal-chain overview - while 2018 was very evidently...

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Pedal-Chain State of the Union Autumn Harvest & End of Year Upheavals

Abracadabra AudioAmbient EffectsBearfoot FXBig Muff Style FuzzBitcrushing and Lo-FiBlues Driver Style OverdriveBoostBoost and OverdriveBossBrown Sound DistortionChase Bliss AudioChorus and VibratoCompressorCustom TonesDecibelicsDelayDelay WorkstationDiezel AmplificationDigital DelayDigital ReverbDigiTechDistortionDouble TrackingDr ScientistDriveDual-DriveDumble Style OverdriveEchoverbEmpress EffectsEnvelope Filter and Auto WahEQEventideFlangerFuzzFuzz Face Style FuzzFuzz-Drive and FuzzstortionGermanium FuzzGlitchHarmonizerJackson AudioKlone and Transparent OverdriveLo-Fi DelayMarshall Style DistortionMetal DistortionMI EffectsModulated FuzzModulationModulation WorkstationMulti-DriveMu-TronNoise GateOCD Style OverdriveOctaverOddball FuzzOpAmp FuzzOrigin EffectsOscillating FuzzOverdrivePhaserPitchPitch-ShiftingPlate ReverbPower SuppliesRat Style FuzzReverbReverb WorkstationREVV AmplificationRing ModulationRotary SpeakerShimmer ReverbSilicon FuzzSlicer and StutterSource AudioSpaceman EffectsSpacey ReverbSpring ReverbStrymonTC ElectronicTech 21 NYCToneQuestTremoloUni-Vibe and VibeUtilityVox Style DistortionWah and Fixed WahWamplerXotic Effects+-
2018GPXSKSignalChainMkVII700-min.jpg

UPDATE 1 - It’s often the case that just after you publish, something big happens which forces a change of stance. On this occasion it was the release of the truly amazing Wampler Pantheon Overdrive which has immediately found its way into Slot #10 of the chain. In fact I have sort of swapped slots #10 and #12 around - relegating the Spaceman Aphelion to a supporting role for now.

 

UPDATE 2 - Still no word from Jackson Audio on the delayed Bloom Compressor etc. - which means the ...

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The Key Pedal Enclosure Sizes you are most likely to encounter

BossChase Bliss AudioDecibelicsEmpress EffectsEventideGuitar Gear Improvements and PrototypesGuitar Gear ResourcesMerisPigtronixSource AudioSpaceman EffectsStrymon+-
2018GPXKeyEnclosureSizes700-min.jpg

I don’t know whether I’m particularly unique in this regard, but form-factor and enclosure size / dimensions are a key criteria for me within the pedal-acquisition process / work-flow. I have very obvious favourites, and if a pedal goes much beyond those key dimensions it lessens its appeal for me. For a while this mean that I was not at all comfortable with ThorpyFX enclosures as they are both slightly fatter, and considerable longer than the typical ’Compact’ enclosure...

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Pedal Mania IV - 2018 Mid-Year Update

12 Degrees of SaturationBarn3Bearfoot FXBoost and OverdriveBossChase Bliss AudioCryBabyCustom TonesDelayDiezelDistortionDr ScientistDunlop EffectsEmpress EffectsEventideFuzzGuitar Gear RetailHamstead SoundworksJackson AudioMI EffectsModulationMu-TronOrigin EffectsPedal ManiaPedalboard and Pedal-ChainPitchReverbREVV AmplificationSource AudioSpaceman EffectsStrymonTC ElectronicTech 21 NYCToneQuestUtilityWah and Fixed WahWamplerXotic Effects+-
2018AfBlgSKSignalChainMkIIII700SM-min

My pedal chain has never sounded better, and it’s the closest it’s been yet to achieving my end game of having the perfect pedal in every slot. Of course some slots are more multi-use than others, and some have a plethora of exceptional pedals available for rotation. While many slots have pretty much permanent residents now too.

 

There has been a lot of movement in the first 10 slots, with really only the Tuner at #1 and Compressor at #7 holding firm for now. Even though the...

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Mid-Size Delay & Reverb Guitar Workshop Pedal Alternatives

DelayDelay WorkstationDigital DelayDigital ReverbEventideMeris EffectsReverbReverb WorkstationSource AudioStrymon+-
2018AfBlgMidSizeDelayReverWks700-min

As always there’s a rhyme and reason for this particular feature. My end-of-chain time-based effects are currently the Empress EchoSystem Dual Delay and Boss RV-500 Dual Reverb - both pedals in fact preceded by an Eventide H9 Max which also gives me a full range of options for both Delay and Reverb.

 

All these three pedals are preceded by a Boss MD-500 Modulation Workstation, but before this arrangement I used to roll with the Strymon Stryfecta of Mobius, TimeLine and BigSky. I ...

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2017 New Guitar Pedals of the Year

Alexander PedalsAmptweakerBeat MachineBig Muff Style FuzzBitcrushing and Lo-FiBlues Driver Style OverdriveBoost and OverdriveBossBuild Your Own CloneBYOCChase Bliss AudioDelayDelay WorkstationDiezelDigital DelayDigital ReverbDigiTechDistortionDriveDual-DriveDumble Style OverdriveEarthQuaker DevicesEchoverbEmpress EffectsFriedman EffectsFuzzFuzz-Drive and FuzzstortionGFI SystemGlitchGuitar Synth and SequencerHarmonizerHologram ElectronicsJ RockettJRADKeeley EngineeringKlone and Transparent OverdriveMarshall Style DistortionMetal DistortionModulationModulation WorkstationMulti-DriveOddball FuzzOddball ModulationOscillating FuzzOverdrivePigtronixPitchPitch-ShiftingReverbReverb WorkstationSource AudioStrymonTC ElectronicUtilityWampler+-
2017AfBlgPedalsOfTheYear700

For me this has been a pretty bumper year for new pedals. Some of the much hyped ones are only fairly recently in distribution - like the much delayed Source Audio Ventris Dual Reverb, while we’re still waiting for the Pigtronix Mothership 2 to reach these shores. There were also many surprises throughout the year - like Boss’s resurgence and the dramatic increase in dual-effect and dual-footswitch pedals. We had the dual serendipitous launches of two very functionally similar ...

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20 Key Guitar Effects Pedal Types - Preferred Medium Pedal per Type

Acoustic SimulatorBig Muff Style FuzzBoostBoost and OverdriveBossCarl MartinChorus and VibratoCompressorDelayDelay WorkstationDigital DelayDigital ReverbDistortionDouble TrackingDual-DriveEmpress EffectsEQFlangerFuzzFuzz-Drive and FuzzstortionLooperMarshall Style DistortionModulationMorley PedalsMulti-DriveNoise GateOctaverOverdrivePhaserPitchReverbReverb WorkstationSource AudioStone Deaf EffectsStrymonTC ElectronicTremoloTunersTWA EffectsUtilityVolumeWah and Fixed Wah+-
2017AfBlg20MediumtPedalType700

We’ve covered off Key Effects Pedals per Compact and Mini size, and here we go up a category to Medium. When I think of medium-sized pedals, the makers that immediately spring to mind are Strymon, Empress , Carl Martin and Way Huge (Dunlop) - for whom the medium-size enclosure forms the mainstay of their product offerings. All the newer Orange Amps pedals have been of medium size and same goes for Stone Deaf FX, and I guess in the early 70’s - before Boss came along with its ’...

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2019 50

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Favourite Pedals released in and around Summer NAMM 2019
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