Readers should know by now that I’m a huge fan of the overlapping genre of Fuzzy-Drive and Fuzzstortion style gain pedals - which tend to cover a variety of Fuzz, Overdrive and Distortion pedals - which all have a certain fuzzy character to them where they blur at least a couple of boundaries.

For me the sort of archetype of that sound is the Bixonic Expandora - while there are a great number of pedals that fall into that same sort of catchment area - and the 28 listed here are just a small...

So this is one of most significant works in a while, and carries on the legacy of two of my most popular all-time articles on the 12 Degrees of Saturation - the Original that evolved in the early months of 2017, and the follow-up which materialised in September of 2018.

I obviously deal with a lot of reader inquiries pretty much on a daily basis, and one of the more popular lines of inquiry has been about overdrives. And while Josh Scott attests to the fact that there are only 5 core ...

I periodically do these category round-ups, typically triggered by a pedal launch or two, as is the case in this instance. This is my own preferred Overdrive selection - intentionally as broad as possible - with actually 12 categories of overdrives, but could still be an even longer listing, and I’ve had to make some very difficult choices for the final selection even though it is relatively numerous at 28 strong. I would have liked to have included one from my so called ’Harmonic Overdrive’ ...

Readers of this blog will know that I’m a huge fan of Sheldon’s first official True North Pedal - the superior Tweed Drive. In common with the new Rocky Mountain Fuzz both have great core tonalities with a significant amount of versatility and range on tap via 3 tone-shaping controls - Volume, Tone and Fuzz (Gain/Saturation) in this instance. Both pedals also have the rather fabulous tweed fabric-wrapped enclosures - the newer version fetchingly dyed black. I feel that this should ...

This is one of those moments that I feel that my celebrated Pedal-Chain has reached another milestone of ’peak performance’. There are a number of new releases here - and probably all the big ones I was expecting this year - bar the Chase Bliss Audio / Benson Amps Automatone MKII PreAmp - which is due in the Autumn now - and still pending final pricing, but will probably take up the top spot on Slot #14 eventually. Also - my long-awaited Beetronics Swarm Harmonizing PLL Style Fuzz is inbound to...

I should probably have covered this off sooner but I’m so satisfied with my True North Tweed Drive that I’ve not felt it necessary to look at alternatives. That said, there have been a few fairly recent additions to this group - so I thought I might as well do an overview of what’s around - usual suspects, new and old.

I’ve been aware of Tweed style overdrives for a while, in fact I had the Bearfoot FX Sparkling Yellow OD3 for more than a year before trying it ...

It turns out that I’m quite the fan of drive pedals which occupy the space where overdrive and fuzz overlap beautifully. I have gravitated towards such sounds almost subconsciously ever since I got back into guitar. And while there are various fuzz pedals - particularly of the Germanium variety that can be tuned down to those sorts of tones, I’m referring more here to pedals whose very core character straddles both overdrive and fuzz - sometimes on the more fuzzy-drive end as I call...

For this particular selection I tried to get in as diverse number of types, along with all the usual favourites - every year I have readers asking me why I left this one or that one out - so this year is the time for including Menatone in the selection. Obviously between years some pedals rise in prominence while others fall - my intentions are always to provide as broad a selection as possible while still covering all my own personal favourites.

There are a few new entrants since 2018...

So it’s that usual post NAMM-haze time where I figure out the longer-term impact of NAMM, and how those new products will affect the layout, order and composition of my now sort of 40-slot pedal-chain. As noted several times - this was indeed a bumper year for really innovative and highly appealing new pedals - and I will look to accommodate a number of those as they materialise in the forthcoming months.

As I hinted in my last pedal-chain overview - while 2018 was very evidently ’The Year ...