Cosmodio Instruments’ principal is one Barton, who’s made a really cool highly texture Fuzz / Distortion at his first official attempt. I really rather like the look of this pedal, which was originally in 3 colourways - Purple Dark Doomy Deathscape (as pictured) / Neon Nuclear Wasteland (Sold Out!) / Limited Purple Neon Wasteland. I really like the first 2 editions best - while one of those is already sold out - so it would have to be the Dark Doomy one for me!
Controls - Level, Voice (...
There’s a reason why the above background is purple - for it indicates the provenance of this particular pedal - which is sort of based on Tom Majeski’s long discontinued Cooper FX Outward pedal - where the ONWARD extrapolates and expands on the Envelope-based sampling prowess of that device.
This is one of the simplest Chase Bliss pedals to deconstruct / decipher - while as always there are some smart hidden options and secret modes to be found here.
In effect this is a Dynamic ...
An interesting fact is that this collaboration almost happened several years ago, but evidently the timing wasn’t right then for various reasons. This time around though there was an added ingredient in the mix - ’Yours Truly!’ - and I was somewhat instrumental in bringing the two sides together and finally making this happen!
It’s great news for us Brits - as these Lastgasp Art Laboratories Pedals have always been somewhat beyond our reach until now.
I obviously recently covered my 9 ...
So scanning through this month it seems to have been mostly about Guitar / Pedal Shows, Japanese Pedals, and Pedals Delayed and Missing in the Post!
The Guitar Shows have been pretty fast and furious for March - with two of the most significant ones of the year, along with a fledgling grassroots one : The Guitar Show (Cranmore Park - Birmingham / Shirley), London Synth & Pedal Expo (Studio 9294, Hackney Wick, London), The Alternative Guitar Show (The Fighting Cocks, Kingston).
I of ...
The BB03 is a great classic chorus right from the get-go - start with Room and Age all the way down, Depth and Time at Noon, and Mix at circa 3 o’c for the perfect classic chorus sounds. You can then wind the Mix back for vibrato, and bring in the Room (Ambience / Reverb), and Age (Warble / Wow & Flutter) controls for more Lo-Fi and Ambient tones. At its peak the Room control delivers a sort of slapback echo too.
I like my modulations quite flavoursome - so I tend to have the Depth / ...
We’re steadily seeing the Boss 20-Series pedals being replaced now, and the VE-20 is the latest to get a very significant upgrade. The new VE-22 moves things on pretty massively and completely revamps and enhances the form factor, switches, knobs and overall control interface - with 3 core switches now in place of the former 2 - and really smart dedicated controls for each of the core functions - all served by a highly visibly and usable LED screen.
If you’re a singer or vocal performer of ...
The final arrangement for the year - all the pedals that impressed the most!
So we featured 120 pedals across the 5 Genre categories this year - as you’ve witnessed over the last 5 days, and those have been whittled and distilled down to these 27 Magnificent and Exceedingly Flavoursome candidates.
Picking out the very best of those is obviously a slightly subjective exercise while based on a series of exacting criteria - including innovation, versatility, practicality, variability, playability, quality of manufacture, quality of output and sheer enjoyment.
Here ...
The Modutility roundup combines Modulation, Utility and Pitch type pedals - it also includes Multi-FX and Multi-Modulation pedals of course. Some years this selection is relatively sparse - while this year it’s totally chock-a-block! In fact it was a struggle to whittle the Longlist down - and inevitably some pedals I wanted to feature did not make the cut - including the Endorphin.es Ghost Pedal Multi-FX and Subdecay Prometheus 3 Dual Super Filter.
I still feel that this selection of 26 is...
Joel obviously dropped a number of clues as to what Chase Bliss’s new pedal would be - and most guessed it was some kind of Lo-Fi / Fidelity Reducing - Filter / Compressor / Bitcrusher type of thing. While typically ’Bitcrushing’ is associated with the extreme 8bit style of effect which typically creates harder, harsher and more brittle artefacts - while the Lossy is a much more expansive, refined and nuanced affair.
Goodhertz describe their own source Lossy Plugin as the "infinitely ...