Readers will be aware that I recently added 2 further Dumble style Overdrives to the reference collection. First the Menatone Dumbstruck V2, and then most recently the superb Tanabe Zenkudo.
I’ve decided that I’m at a point now where this selection is fully representative of this genre, of course I do have a few more targets in this category, while I feel I now have most of the major top-tier contenders. Notably missing here is Robben Ford’s evidently much loved Lovepedal / Hermida Zen ...
Another totally mad month for sure - loaded with frenetic activity and peppered with highs as well as crushing disappointments. The first give-away for GPX didn’t quite hit the highs I expected (said give-away closes tonight at 23:59 BST). And there are some weird gaps in the entrants’ home countries - certainly no shortage from the USA, UK, Canada, Australia, or much of mainland Europe. I’m active in a lot more countries than have so far entered the give-away, so I don’t fully understand why ...
Before we get into the detail of the Santanabe, it’s important to note that both the May Queen and Santanabe pedals are derivations of the the core Zenkudo circuit - with certain EQ, Voicing and Gain Tweaks / Alterations. For instance the Gain curve on the Zenkudo and May Queen has a Linear B Taper, while the Santanabe is of the Logarithmic A type curve.
Both the May Queen and Santanbe have significantly more gain onboard than the Zenkudo - with 3 times the amount of the Zenkudo at Max ...
I’ve long had a Vox AC30 style pedal on the board - slot #19 nowadays - where the Brian May Queen sound is one of the key tones in my arsenal. Not all those Voxy pedals are equal by any means - in fact a lot of them don’t quite quite reach the Top-Boosted Heights you need to cover Brian’s more searing riffs and solos. I’ve long sought out the perfect pedal to replicate those tones - and while I’ve come close on a number of occasions - I’ve never quite totally nailed it with just the one pedal -...
So scanning through this month it seems to have been mostly about Guitar / Pedal Shows, Japanese Pedals, and Pedals Delayed and Missing in the Post!
The Guitar Shows have been pretty fast and furious for March - with two of the most significant ones of the year, along with a fledgling grassroots one : The Guitar Show (Cranmore Park - Birmingham / Shirley), London Synth & Pedal Expo (Studio 9294, Hackney Wick, London), The Alternative Guitar Show (The Fighting Cocks, Kingston).
I of ...
So I’ve finally hit the trigger on a Tanabe Zenkudo - Tanabe-San’s humbucker-optimised Dumble Drive variant (Dumkudo is the one for Single Coils). I thought I had snagged one of these on Ebay a few weeks back, but the seller had gotten mixed up between Dumkudo and Zenkudo - and the one he had in stock was actually the former - which is generally much more available out there in the wild than the Zenkudo variety.
I had kind of been putting this off, as I knew that this would likely be the ...
So this is the second of this series - where the first was more about the uniqueness of the enclosure shape - more structural really - covering the overall form factor. While this edition is more about ’Trade Dress’ or the Memorability of the Aesthetics - style of graphics, consistency of theme, and consistency of control topology - doing something in a consistently measurable way that makes that pedal instantly recognisable from afar as belonging to a certain single brand.
So this one is ...
This article was originally suggested by my now good friend Henry Kaiser - leading guitar and guitar effects experimentalist and prolific producer and recording artist. He’s been a long-term friend of Toshihiko Tanabe - of Tanabe.TV fame and thought I should do one of my pedal roundups on Japanese Boutique Pedal Builders.
I had long intended to do a feature on Japanese Pedal Makers - but could not decide on the context or format - as there are so many notable brands. Upon Henry’s suggestion...
I had been meaning to do this exercise for quite some time - and have had a number of readers chasing me up about it - since my last Dumble Style Pedal overview was way back in February of 2019, and where I listed my then 9 favourite candidates - including three that I owned. This time around I’ve thrown 18 hats into the ring or twice as many as the last roundup.
The delay occurred in part because I was waiting for my friend Brian Mena to officially launch his V2 Dumbstruck pedal - which ...
This article is prompted chiefly by my fairly recent acquisition of the Demon Pedals Kondo Shifuku D-Style Overdrive - which brings my tally of Dumble style drives to three - or 7 kind of, depending on how you characterise these things. The very first Dumble Style pedal I acquired was the Mad Professor Simble - which I still love, but substituted eventually with the more versatile Wampler Euphoria. While both those are excellent conveyors of the kind of Dumble tones I was looking for - the ...