GPX Blog

This article was largely triggered by the recently released Slö Multi Texture Reverb which of course I love and which has gone straight onto my wishlist despite its mono output. I see it as a solid competitor to the rather pricier and more complex Chase Bliss Audio Dark World and a perfect tool for ambient textures. I personally would use it as a textural tool in my ’glitch pedal’ slot as my main time-based effects are stereo.

I’ve featured Walrus Audio a fair ...

I already singled out the Newly Revamped Matthews Effects Range in my piece on Pedal Graphic Design - but there I focused more on the design of the actual pedals - principally the facia graphics and control topology - knob choice etc. However there was much more to the Matthews Effects Range Revamp than just a pedal design change - and some of the most significant improvements happened within the disciplines of Packaging and supplementary Collateral. ...

Poland was both trickier and yet eventually easier to rationalise than originally perceived. I have scanned through many a country now, and Poland seems to be the last of those with sufficient numbers of high calibre pedal builders to warrant a dedicated feature*. As noted before - these sorts of article take quite a lot of work to complete - and so this is the last of these I will be doing for a while.

* Note that USA and Japan are the leading pedal builders of the world still and too...

As I assumed per my first couple of recce’s - Spain was going to be a tricky territory to cover/feature compared to all the others that came before it - Britain, Canada, France, Germany, Italy and Greece. None of the current Spanish builders have yet attained wholly global recognition as of the moment - unlike a number of brands from the other featured countries.

Probably the most significant Spanish builder to-date has been Roberto García and his ThunderTomate brand - ...

This feature was inspired by a couple of recent events, and partly as a counter to my highlighting of the really rather complex Empress Zoia Modular Synthesizer / Multi-Effects unit in my last feature. For the last week or so I’ve been working on updating my rather extensive Guitar Pedal Directory page which features all of the above, and around 2,000 more from across 160 or so pedal builders around the world.

I periodically review each of the sites referenced - to keep tabs on ...

Now definitively defined as a Pedal-format Modular Synthesizer, Sequencer and Multi-Effects unit. The control interface consists of a small OLED screen accompanied by a grid of 40 (5x8) 7-coloured LED backlit soft-touch buttons, 4 further control buttons for Secondary Functions, and a large Menu scroll dial. There are 3 footswitches to activate live playback and scroll through presets.

Essentially you have a building-block interface-led hybrid-modular-synthesiser where you chain ...

So some of you know that I declared 2019 would be my ’Year of Glitch’ following on from last year’s ’Year of Fuzz’. I had a longlist of 16 of the Best Glitch Effects Pedals - and indicated which of those were my preferred options. I very soon had 4 of those pedals in my collection - in order of arrival - King of Gear Mini Glitch, Montreal Assembly Count to Five, Drolo Molecular Disruptor V3, and the gold-face Pladask Elektrisk Fabrikat. There are a few missing off ...

This particular feature was prompted by Anasounds elegant Element solution to True / Real Spring Tank Reverb - where the control interface is wholly separated from the actual spring tank. There are of course a number of stand-alone spring tank pedals available in various sizes - and I thought I would do the pros and cons of each approach.

Generally I find that the larger the spring tank is, the more complex / textured and full-bodied the reverb effect is - yet with size you run into ...

The Birmingham Guitar Show this year was so much a better affair than the London / UK Guitar Show I attended at Olympia in September - particularly from an organisational and pedal perspective. But I’m kind of sad to report that it was a very pale shadow of the NAMM show that took place almost exactly one month ago. If I tally up all the best new pedals from the NAMM show - only the tiniest fraction of those were on display at the Birmingham Show.

It means that the Beetronics ...

So it’s that usual post NAMM-haze time where I figure out the longer-term impact of NAMM, and how those new products will affect the layout, order and composition of my now sort of 40-slot pedal-chain. As noted several times - this was indeed a bumper year for really innovative and highly appealing new pedals - and I will look to accommodate a number of those as they materialise in the forthcoming months.

As I hinted in my last pedal-chain overview - while 2018 was very evidently...