GPX Blog

My first exposure to Thorpy - way back when, was the then monikered Muffroom Cloud Fuzz - a fantastic sounding and really versatile take on the original Triangle version EXH Big Muff Pi. At the time though I was slightly put off by the somewhat over-sized enclosure - which was both significantly longer and wider than my preferred compact enclosure size - so I campaigned hard to have Thorpy bring the box down in size somewhat. This did not look like it was going to happen - and I eventually ...

Like many others I’m guessing, my first exposure to DanDrive Pedals was courtesy of Joey Landreth’s brief Secret Weapon Fuzz appearance on a relatively recent That Pedal Show Episode

I confess that I was not fully aware of Dan and his super high quality brand of Fuzz Pedals until that very moment - which is rare for such a Fuzz fan as me.

DanDrive Pedal Solution has actually only been established for a couple of years now - with the earliest official record being...

I’m a touch late to the party with this feature - as it’s been quite a while since Zvex announced and sold out of the very first Fuzz Factory edition of this new limited-run line of pedals. They are pretty much identical in content, components and format to the original classic horizontal compact pedals - bar for the use of fully transparent / see-through Lexan enclosures. Lexan is actually a super hard plastic compound or version of Polycarbonate - a thermoplastic polymer - often ...

This post is exactly inspired by Mike Hermans’ recent Comparison Demo video (below) which features these 3 self same pedals (almost!). I’ve always associated Cusack Music (sister brand to Mojo Hand FX) with its various tap-tempo ’Tap-A-...’ Pedals - Tap-A-Delay, Tap-A-Whirl, Tap-A-Fuzz etc.

While the range is comprised of some excellent utility pedals too - including several really cool diminutive mini Never-Off pedals. It was only back in March though that I ...

I’ve been aware of the Jannis Anastasakis led Greek boutique pedal builder JAM Pedals for a number of years now - initially through their superb analog Delay Llama pedals, but latterly because of their Retrovibe, Wahcko Wah, Waterfall Chorus and Rattler Rat pedals in particular.

In fact I so liked the Rattler that I have both the standard and ’+’ varieties - you can read about that in my Twisted Tale of 4 Rats article. My recent 28 Compact Big Muff pedals roundup also...

I have to start by saying I was really excited to see what Josh Scott was going to be releasing today - as his teaser campaign worked well at building up intrigue. I spotted single and dual transistor circuits - possibly a pair of Tungsram AC128 transistors - so I was definitely thinking in the ballpark of Fuzz Face and RangeMaster style pedals. Yet I must admit that the full reveal has taken me somewhat by surprise.

Firstly there are 4 pedals to this ’1966’ Limited Series ...

I’m not entirely clear on how I first got into Basic Audio / John Lyons, but I did get the Scarab Deluxe very early on in my Fuzz ToneQuest - followed then by the Futureman and Gnarly in rather quick succession, and leading to where I now have 11 from this very extensive and flavourful range. Update! I’ve just added the Foxton to make it 12 now.

I think if you are a fuzz fan like myself then you really cannot ignore John Lyons’ Basic Audio Fuzz Pedals - there is no ...

I first came into contact with Expresso FX when researching my piece on Treble Boosters back in May - where Expresso’s Germanium Boost was one of the standouts in that roundup. During my research I of course came across the Harry Holden Demo for the Expresso Germanium Boost - which then naturally led me tangentially to another of Harry’s Demos - this time covering the Expresso Germanium Fuzz - CV7005 edition.

I can’t explain it exactly - but something in the tone and ...

For a while now, the Spaceman Effects Sputnik I has been one of my favourite fuzzes and has been rotated in a lot on Slot #5 of my pedal-chain. It’s just a great sounding fuzz with a huge variety of searing tones - which you can then kick up a gear by hitting the Drift/Sync (Sizzle) and Filter (EQ/Tone Circuit) switches - which I can do with my toes pretty much, as those particular toggle switches are sufficiently extended for that (switching on that is!).

Like quite a number of ...

This article is somewhat in response to the fairly recent arrival of my long quested for Spaceman Gemini IV (originally chasing the III), and the imminent arrival of my DanDrive Austin Pride Fuzz. In fact when I was working on my last but one article on Tone Benders I was in two minds as to whether to include Paul Trombetta’s Bone Machine GTX - as I’m not 100% clear on what its circuit provenance is and exactly which fuzz family it is supposed to belong to - in the end I determined ...