GPX Blog

There’s been a lot of chatter online about the relative merits of the established Thorpy OG Gunshot Overdrive and its new The Bunker sort of challenger. I’ve always likened the Gunshot to a Hot Rodded Plexi - while Adrian has revealed that its profile is actually closer to that of a JCM800 - but obviously there are significant overlaps. By contrast, The Bunker is at its core much closer to a JTM45 / Plexi range with its Texture knob rolled back, while dialling up the Texture gives ...

Readers of this blog will know that I’ve been waiting for my trio of Menatone vertical dual-footswitch pedals to arrive for quite some time now. For a considerable period these were presumed lost, as they dropped off the tracking radar for nearly six weeks. In any case - good things come to those who wait - and this has all been well worth waiting for.

It all started back on January 24th when I got in touch with Brian about his then very recent Vertical Fish Factory release. I ...

This article was triggered by a question from Ryan C who wanted my take on the Boss OD-200 vs the Strymon Sunset - and why the latter was a more permanent part of my own pedal-chain versus the seemingly more capable and full-featured OD-200 - which I will endeavour to answer here as best I can.

I decided to widen the selection as far as possible and get in a few more alternatives for sake of comparison - while that task proved a lot tricker than I had foreseen. The key criteria were to...

This post was triggered by the eventuality that my long-serving Emerald Green Distortion Machine - my Boosted Vox style pedal of choice - will soon be yielding its sport for a while to the incoming new Menatone Vertical Top-Boost-in-a-Can.

I’ve always had a soft spot for Bearfoot FX pedals and was somewhat ignorantly collection Bearfoot, Mad Professor and OneControl pedals before being aware of the Björn Juhl BJFE connection. It has to be said that Björn is one of the ...

So a lot has changed during the month of April - we’ve had some thoroughly exciting and invigorating new product launches, while three of my American acquisitions are seemingly lost by USPS - hopefully they will materialise some day, but for one of them there have been no tracking updates for over a month now - which is somewhat alarming. As the eternal optimist, I can only hope that things right themselves eventually. I had already determined that my pedal-acquisition would go on semi-...

I started this post quite a while ago, but am glad I left it to mature for a while as so much has happened / changed in the interim. Obviously we are right in the middle of a Pandemic and some people have a lot more time on their hands these days, while ironically I have rarely been busier.

The above pictured selection has changed markedly in just a few months as there are more and more mainstream brands seemingly getting involved with pedal kits of their own. It makes a lot of sense ...

I’m not sure I’ve properly communicated before how much of a fan of Reinhold Bogner’s pedals I am - another essential part really of the Boutique Amps Distribution Family. I have acquired 6 or these to date - the Burnley Bubinga Distortion, Ecstasy Blue Mini Overdrive, Ecstasy Red Distortion, Harlow Bubinga Boost & Bloom, Oxford Bubinga Fuzz and Wessex Bubinga Overdrive. While the La Grange is down for a definite acquisition on the wishlist, and the Lyndhurst Bubinga ...

This is probably not the best time to be featuring a range of pedals whose average price is circa £379 equivalent (for the Compact varieties, and where the most expensive currently is the larger DJ1 Bass Overdrive/Distortion at £474). Yet this article follows on from my recent post on Josh Smith’s pedalboard - where of course I featured his most excellent Signature Vemuram Myriad Hybrid Fuzz.

I have had my eye on a few Vemuram pedals over the years, but have always ...

So I seem to have fallen into something of a Josh Smith ToneQuest phase of late. I’ve always been a fan of his core signature tone/s while not necessarily the biggest fan of his musical output per se. His first influence on me was his signature Eventide H9 Rotary preset - which settings I share in this post. I have somewhat fallen into using my own H9 mostly in Josh’s Rotary mode - with a few choice reverbs and delays too, but modulations generally coming from other parts of my ...

I had hoped to do regular monthly updates on how the various NAMM-announced pedal releases and other newer additions were impacting my own pedal-chain choices. Yet we all know how this year has gone - obviously impacted by numerous delays brought on by the Social Distancing required to counter the spread of Coronavirus / Covid-19.

Because of parts supply and resourcing issues, most 2020 NAMM pedals have been delayed to some degree. When there is uncertainty as to when the next ...