Guitar Pedal Demo-ology - Insights, Art and Science - 2025 Updated Edition

One demo is rarely enough on its own - if you're trying to get a feel for a pedal remotely - you ideally need at least 3 videos to compare and contrast - so you can sum up and figure out the most typical output and exactly how said pedal is mostly impacting. Fidelity of output is the essential thing to gauge here - i.e. what is the core character and timbre of the pedal - where some demoers can be overly smooth and cover up some facet of the pedal's true output or function. That's why you need to be able to aggregate across a few - so that you can be sure how reproducible those actual tones are. For our purposes here I have selected 3 really decent King of Tone demos - which each give you a distinct facet of that pedal's range.

I've developed an unerring knack over the years to be able to discern all kinds of minutiae from a semi-decent demo - where I can really get quite a solid grasp as to what the pedal is about - even from as little as one decent example. It will wholly never replace the impact of sampling the pedal live and direct - but when needs must - it's a methodology that really works for me and overall it's a touch more practical and helps you come to a decision that more rapidly!

I've rarely made a mistake in years with this methodology* - and pretty much all pedals acquired from this process wholly live up to my projected expectations. In fact it's been years now since I actually went to a guitar shop to physically try out a pedal. Instead I rely on a network of experts who in many ways do some of my due diligence for me by proxy!

*= The only think that still catches me out is volume drop / degree of output volume. Most demoers simply run a single pedal though a single amp - so you're not aware of the interaction of that pedal with other pedals in the chain - for things like capacitance, impedance, and other sensitivities. Normally it's not an issue for me - as I have so many inline boosts in my chain - but it can occasionally lead to disappointments - like the recent Keeley Rotary pedal - which I've dropped of with Hello Sailor Joe - as it's output is way too low - and well below unity for me - that was a disappointment for me - while the Boss RT-2 is so perfect for my needs that it somewhat made up for it - and instantly became my favourite Rotary Effect. It's a pet peeved of mine that most pedal builders don't test there pedals within the context of a typical pedalboard. Many advise that said pedal is freely placeable anywhere along the chain - but frequently that is not the case - and has not been properly tested!

You soon come to realise which demoers are nearest to your own appreciations and sensibilities - and come to rely on them for their particular take on those kinds of pedals. All the people I follow most closely are of that ilk - while I still need to be aware of their own musical preferences and how they themselves like to dial things in - which will rarely exactly match with those settings that you choose yourself.

You can always tell from my reviews - whether they're first-hand or triangulation observations. The Triangulation Methodology is really critical to my own research and pretty much the major part of my entire acquisitions methodology! As mentioned - I've not tried a pedal in a shop for years - in fact I probably would not anyway - as it would not sound anywhere near as good as it does in my chain - I've so evolved the tone-enhancement components - which then result in richer and more harmonic textures - for me to make any proper verdict or recommendation - I will have to have tried the pedal out on the board. While this pedals I select for the board are always going to be defined by the triangulartion method - particularly as I operate right across the world!

For references here I've included two of my all-time favourite demos and pedals - where those demos were entirely instrumental in my acquiring those pedals in the first instance - pretty much on their own! At the time both were very limited - one Spanish, the other German - so no easy way to actively 'sample' or 'trial' those. 

On the back of those two demos I did not just warm up to the talents of Alberto Barrero, but I ended up being really good friends with both the makers - Guillem Vilademunt of Decibelics, and Pete and Matthias at Demon Pedals. Those two above demos are the absolute perfect examples of an Ultimate Demo - where I could have picked any number from some of my other favourites. Where I've not necessarily gone on to be good friends with all the builders or demoers I feature - while I do recommend them a lot to each other, In fact only relatively recently have I been actively asked to liaise with demoers on behalf of certain builders - while weirdly some of those builders then went on to betray me in one way or another!

The art and science of a demo is to extract all the essence of that pedal into a musical tapestry which best showcases and accentuates the distinguishing and finer points / parts of that pedal. The very best demoers are often 'Composers' where they create the perfect soundtracks or precision hewn pieces of music - with just the right riffs and grooves - to really get the character of the pedal across - along with some of its most likely usage scenarios.

I have evolved 5 key characteristics which I deem essential to this process :

• Authenticity / Fidelity - getting the tone and timbre just right to showcase the true nature of the pedal's output - note that some demos can artificially skew the output of a pedal - for instance smoothing out a fuzz - which by default runs rather raw and ragged!
• Range - being able to deliver the full range of what the pedal is capable of - say for an overdrive - the lows and highs of gain structure - how it compresses and sags and how signficant its harmonic bloom and how precise and impactful the EQ! I've specifically refused to include demos which I felt didn't properly represent those pedals - they need to mostly match up to my overall experience of the same - and some demoers have their own 'sound' where for a number of those every demo sounds almost the same - which is not a good thing - and typically masks the genuine output values of a pedal!
• Suitability - a lot of pedal builders don't understand this one - but essentially you typically need to map onto a common theoretical grid - such that the consumer knows what the pedal's core nature is about and what types of music and phrasing the pedal is best / most suited to. The best demoers - like indeed Andy Martin deploy the same methodology again and again - so you can really authentically weight up each of those demoed pedals against each other - without Authenticity, Fidelity, and Suitability - you can't really properly gauge the real nature of a pedal's output - from second-hand resources obviously!
• Musicality - the general purpose of a pedal is for it to act and engage as a musical device or separate instrument even - even something like an aliaser or ring-modulator - both of those can sound horrible if you dial them in 'wrong' - it's up to the demoers to extract the musical aspect of the pedal - hence the use of compositions and themed music to best demonstrate that aspect of the pedal's appeal
• Memorability - a fantastic demo has by its very nature something truly memorable and inspirational about it - which is often why the melody is so important to hooking someone in. There's a big difference in having a bespoke composition to showcase the merits of the pedal versus just some generic noodling

The very best demoers have amazing musicianship and a singular skill in being able to craft just the right sort of music to represent that pedal in a wholly pertinent and standout fashion.

An ultimate demo requires no triangulation - it is wholly stand-alone in its efficacy as you are very rapidly be swayed and won over by the best of that ilk. By contrast a poor demo leaves you somewhat undecided at the end! You could say that a good demo is a 'Convincer' / 'Persuader'!

As a builder looking for someone to demo your pedal - you need to be aware that there is a hierarchy out there of various cliques and affiliations. Several of these guys and gals are touring or session musicians - so you will need to fit in with their expansive schedules.

And several demoers are actually affiliated with certain brands, dealers or distributors - which is why you see some demoers covering all the same pedals from the same makers. In some ways there are gladiatorial stables of musician demoers - so they're not all always fully available to you!

Moreover there is a steep hierarchy of pricing from around $200 and equivalent to around $2000 equivalent. A lot of that is negotiable and a lot depends on how appealing your pedal is to that musician. The thing is unless you're one of the giants of the industry - it means you can't always get who you want to as a first choice - to demo the pedal at the right time. As there's often a long queue of demos already scheduled for he next few months. For someone like Andy Martin - you need to book him at least 3-4 months in advance. Based on how busy he is at the time.

Also some routes are more closed than others - That Pedal Show - for instance is notoriously hard to get into - that's largely about networking and being associated with the right people - or at least someone who knows someone - who can put in a good word for you. It has a lot to do with timing, patience, your own personal connections, and of course luck!

I'm often bemused by how controlled this environment can be - and how difficult it is for new brands to get involved. Also note that while some demoes have incredibly high professional values and quality control - others can be more variable in their output - and don't always treat the new fledgling brands with adequate respect.

A great demo can really make a pedal - while an average or mediocre one can sink it! So a lot of this is based on long-term performance records and meticulous tracking of players' quality of output - where it's really gold dust when you find someone that you have access to and which syncs with your own musicality and direction.

Obviously the more well-known demoers are often booked up month in advance - and you have to bribe them with some kind of 'care package'. Part of the aim of this very article - is to give you more options - so you can best find the right sort of demure for your pedals. Some of those professionals are beyond reproach and always deliver the right results - while others can be a little more varied in their output. 

I've long talked about the need to properly creatively brief those demoers - about what aspects of your pedal you would like them to focus on - whether specific functions or sounds. You can't be too prescriptive though - as they need to have enough room to apply the full force of their creativity - while some pointers will almost always help ensuring a better quality of demo. The real pros - like Andy Martin et al - will already know what questions to ask you in order to best gauge the type of demo needed. While not everyone has that level of consummate professionalism. So a little handy broad brush-stroked guidance is almost always required - one way or another!

Very few demoers are wholly all-rounders and generalists - rather most of them have particular specialisms and individual skills which make them better suited to some genres and devices over others.

A lot of what I do is advising pedal builders which demoers are the most ideal for creating an ultimate demo for a particular type and genre of pedal - so you really need to know your oats here as such as to who would be the most likely to deliver for the genre of pedal you're wanting to showcase.

My tracking all these demo's for all these years has led to my recognising various patterns and idiosyncrasies - so that I'm pretty handy when it comes to suggesting the most suitable candidates and alternatives.

Here follow a few samples of such groupings - where I try hard not to give away all of my secrets - but several of them do get aired to a degree. After those sample selections, we then have the full list of 200+ demoers whose work I have featured on this site. There are several key criteria as to who gets listed, but like I said in the intro - it is largely about how many times I have referenced each demoer - which is the most significant.

Note that most times when I list out demos on articles - I do them in my order of preference. That is not possible every time - as some of these launches are very much 11th hour and rush-released. While you will find that whenever I feature said pedal again - I always select one of my favourite demos to accompany that feature. Sometimes I rotate a few suitable ones - while on rare occasions there is just one ultimate demo necessary!

Note that each selection is not definitive as such - in that further demoers can / could likely be added to some of those categories - rather these are those for me who are the most obvious shoe-ins as part of my current mindset!

So here follow a few example groupings with one or two or so pertinent demos for each selection.

I have added a few more and updated the selections for this 2025 Edition!

As mentioned in the intro - these three gentlemen are really the heart and soul of this movement - and over the duration (and since 2007) they have been my most significant influencers and persuaders. Each of these very much does their own thing - and all 3 of them are exceptional. They have an excellent all-round aptitude for near enough most every genre of pedal - and near enough always deliver sterling work. I have selected a video from each where I was influenced by that to get each of those pedals or else be convinced by its merits (note that II actually had the Thorpy Camoflange significantly before that video was released - while the video was for me said pedal's perfect encapsulation!) :

• Andy Martin : AndyDemos / Reverb.com / Pro Guitar Shop Demos / Tone Report
• Brett 'Burgs' Kingman
• Mike Hermans

There are several other all-rounders - including my good friend SpiralCaster Cohen Hartman, The JHS Show, Mark Johnston, Pete Thorn, That Pedal Show, Andertons, EyschPi42, Gilmourish Bjørn Riis, The Pedal Zone Stefan Fast, collector//emitter Ian Pritchard, and quite a few more!

Each of these is well known for creating a bespoke and specific composition / piece of music - in order to best showcase the various facets of said pedal. These guys for me are always the superior deal in getting to the authenticity / fidelity / core character and purpose of the pedal! I've selected one of Cohen Hartman's best for these purposes :

• Alberto Barrero
• Andy Martin : AndyDemos / Reverb.com / Pro Guitar Shop Demos / Tone Report
• Emily Hopkins (Harp Lady) + Russ Fro
• EytschPi42 : Henning Pauly
• Gilmoursh : Brørn Riis
• Mike Hermans
• Pete Thorn
• RJ Ronquillo
• Shawn Tubbs
• SpiralCasterPlaysPedals : Cohen Hartman
• The Pedal Zone : Stefan Fast

Note that I've decided to mostly limit the selections to 10 or so most typical candidates - otherwise some of these categories might become overly long!

There are certain YouTube brands which have transcended beyond the more typical gear review format - to become bona fide entrainment channels in their own right! These include numerous guest appearances and Skits and Sketches even!

These include :

• 60 Cycle Hum : Ryan Burke
• Andertons : Lee Anderton, Rob Chapman, Peter Honoré
• Emily Hopkins (Harp Lady) + Russ Fro
• The JHS Show : Joshua Heath Scott, Nick Loux, Belle Scott
• Music is Win : Tyler Larson
• Ola Englund
• PedalPawn : Chris King Robinson
• That Pedal Show : Daniel Steinhardt + Mick Taylor + Guests

I've always been in awe of Scott Harper - with whom I am kind of on friendly terms these days, and its nice to see that while Scott takes more of a back-seat on demos, that Devon Blue Whitaker is coming more to the fore! Each of these has a unique visual style which sets them apart from the rest - while people were starting to copy Scott's approach. Devon Blue Whitaker is a magnificent auteur and film-maker with a superb imagination - and equal to his execution - these various demos really set a new benchmark and high water mark for creative demos and how to get the message across in new and interesting ways. These at their best are super-immersive audio-visual experiences :

Alas neither of these is still active, what they did was pretty unique - while they do have a decent body of work you can reference. I'm not sure Devon Blue is still and active demoer, and Scott Harper, as mentioned preciously as decamped to Chase Bliss - where he heads up mot of the marketing of that company - still involved in videos, but even more so in those excellent 'Field Guide' Manuals which he makes with super designed Eric Nyffeler. We have a great legacy here already - but we still need someone to take up the baton - and produce content at the same level as Scott Harper, and Devon Blue!

• Devon Blue Whitaker
• Knobs / knobs_demos : Scott Harper

These are the guys that really get deep into the heart and soul of a pedal and spend inordinate amounts of time fully getting to grips with every ounce of that pedal's being. They produce incredibly detailed exposés of what makes these pedals work as much as how they sound and function :

• EytschPi42 : Henning Pauly
• Jay Leonard J
• JHS Pedals - Josh Scott and Nick Loux
• Joe Perkins
• Mark Johnston
• Pedal Experiments : Phil M
• Shnobel : Roman Belonozhko
• That Pedal Show : Daniel Steinhardt and Mick Taylor
• The Pedal Zone : Stefan Fast
• The Studio Rats : Paul Drew

These guys are all about wringing out every ounce and nuance of tone through superior dynamics and touch-sensitive playing. These can really make a pedal sing and do acrobatics with just tiny subtle movements of their digits. These are the guys you would want for an expressive low-gain overdrive for instance!

• Alberto Barrero
• Ariel Posen
• Buddy Blues / Buddy Ayache
• Chris Buck
• Dave Simpson
• Gilmourish : Bjørn Riis
• John Nathan Cordy
• PedalPawn : Chris King Robinson
• The Pedal Zone : Stefan Fast
• Peter 'Danish Pete' Honoré
• Pete Thorn
• RJ Ronquillo
• Shawn Tubbs
• SpiralCaster Plays Pedals : Cohen Hartman
• Tim Pierce
• Tom Quayle

Fuzz is the black belt of the pedal martial arts and you need some serious chops to produce the very best tones with those devices. These are some of the very finest players of fuzz - which have just the right touch and playing styles to really get that individual fuzz's character to shine! :

• Andy Martin : AndyDemos / Reverb.com / Pro Guitar Shop Demos / Tone Report
• david toRn
• Matt Bradford
• Noise Generator
• RJ Ronquillo
• SpiralCaster Plays Pedals : Cohen Hartman

The following 10 Artists have a singular knack for calling upon and creating supremely catchy riffs - which perfectly match the mood of the pedal concerned!

• Alberto Barrero
• Andy Martin
• Gilmourish : Bjørn Riis
• Leon Todd (Ragdoll)
• Let's Play All : Matt Webster
• Matt Bradford
• Mike Hermans
• Pete Thorn
• RJ Ronquillo
• SpiralCaster Plays Pedals : Cohen Hartman

Extreme high gain pedal you say! Well there is knack to getting the very best out of those too! And these fine gentlemen are the likeliest candidates for that particular task :

• Arnold Plays Guitar : Arnold
• CS Guitars : Colin Scott
• Dennis Kayzer
• Dome : The Chainsaw Files / Hellmouth Studio : Dominik Hellmuth
• Gear Gods : Trey Xavier
• HM2 Cult
• Keith Merrow
• Kyle Bull
• Kohlekeller Studio - Kristian Kohle
• Metalhead Productions
• Ola Englund
• Rabea Massaad
• Riffs, Beards & Gear : Ryan 'Fluff' Bruce
• Rigs of Death Metal
• Truck Driver Shawn

This is largely about properly knowing your way around delays and reverbs - and being able to extract the most dreamlike sequences from them :

• Ambient Endeavors : Andrew Schibilla
• ambient trash : Matt
• Andy Othling
• Antoine Michaud
• Chords of Orion : Bill Vencil
• Datachoir Sounds
• Emily Hopkins (Harp Lady) + Russ Fro
• Matt Lowery
• Rabea Massaad
• The Pedal Zone : Stefan Fast
• Sp3ct3rs d3mos : Jim Wylde

There are of course a myriad of nuances and far more categories than I care to mention here. Also I typically tried to limit players just to a maximum of 2 or 3 of the above groups. Of course there are other suitable candidates too - these are just my main front-of-mind ones, and the most obvious shoe-ins for each task - of course in accordance with my own preferences!

So this is the current roster of likeliest suspects and of course including all my own favourite Demoers. The previous 2022 Edition had 100 listed YouTube Channels, and this one doubles down on that number. I tried to cast as wide a net as possible - and included a full A-Z - covering as many different continents and countries as I could - with a number of the most interesting of the smaller channels.

I worked my way reverse-chronologically through my articles - and stopped when I got to around 200 featured YouTube Channels. I then added one more, and will add further examples as they come to my attention. If you feel I've left out any channels of note - to let me know - so that I can add them to this master list. There may be longer lists of Demoers out there, while I very much doubt there are any as broad in their scope!

List is purely alphabetical by first name / channel name, numbers are for reference purposes alone :

(Note also that I don't have all the individual 'names' despite best endeavours - some of these people are obviously 'on the run' as their personal details are wholly obscured from the internet!)

I have assigned YouTube Channel links to each of these :

1. 60 Cycle Hum : Ryan Burke
2. Aaron Rusch
3. A Bunch Of Pedals
4. Addicted To Gear
5. Alex Price
6. Alberto Barrero [TM]
7. Ambient Endeavors : Andrew Schibilla [AmB]
8. ambient trash : Matt [AmB]
9. Anand Mahangoe
10. Andertons : Lee 'The Captain' Anderton, Pete 'Danish Pete' Honoré, and Rob 'Chappers' Chapman
11. Andy Martin : AndyDemos / Reverb.com / Pro Guitar Shop Demos / Tone Report [FZ]
12. Andy Othling [AmB]
13. Angry Tones Riff Clips [HV]
14. Anne Sulikowski
15. Antoine Michaud (Reverb Specialist) [AmB] [RvB]
16. Ariel Posen [TM]
17. Arnold Plays Guitar : Arnold [HV]
18. Astronauts高田馬場
19. B's Music Shop : Brian Hansen
20. BassTheWorld.com [Bass]
21. benimaru
22. BestGuitarEffects.com : Gabriel Tanaka and Jake Behr
23. Boring Gear Reviews : Grahm Baker
24. Brett 'Burgs' Kingman
25. Brian Johnston
26. Buddy Blues / Buddy Ayache [TM]
27. Cameron Johnson
28. CatPick Studios : Vladimir Halinen
29. Chords of Orion : Bill Vencil [AmB]
30. Chicago Music Exchange  : Nathaniel Murphy
31. Chris Buck [TM]
32. Chris Delany
33. collector//emitter : Ian Pritchard
34. CS Guitars : Colin Scott
35. Curtis Kent
36. Cyberattack : Ivan Anderson and Geoff Stanfield
37. DannyMusic : Danny Weissfeld
38. Darell Braun
39. Datachoir Sounds [AmB]
40. Dave Simpson [TM]
41. david toRn [FZ]
42. Demos In The Dark : Ryan Plewacki
43. Dennis Kayzer
44. Devon Blue Whitaker [Viz]
45. Dipswitch Demos : Jackson Brooksby
46. The Distortion Principle [HV]
47. Do Noise
48. Does It Doom? [HV]
49. Dome : The Chainsaw Files / Hellmoiuth Studios : Dominik Hellmuth [HV]
50. dots.sounds : Fabian
51. Drew Creal
52. Duskmos
53. Eddie Heinzelman
54. Edge of Breakup
55. Elliot Stent
56. Emily Hopkins (Harp Lady) + Russ Fro [AmB]
57. Eric Merrow
58. Everyday Guitarist
59. EytschPi42 : Henning Pauly
60. Federico Kajhanić
61. Florent Passamonti
62. Fuzzed Drones : Zach Januse
63. Gear Gods : Trey Xavier [HV]
64. GearMannDude : Eric Whorton
65. Get Offset : Emily Harris
66. Gilmourish : Bjørn Riis [TM]
67. Grinding Mass
68. Guitar Bonedo : Hansi Tietgen
69. The Guitar Geek : Andy Ferris
70. Guitar Tone Pro
71. Guitariste.com
72. Harry and Guitar : Harry Heldon
73. Harsh Tones, Inc : Jamie Wolfert
74. HM2 Cult [HV]
75. Honpo Nori-chan
76. The Interface
77. InTheBlues : Shane Diiorio
78. iRerror
79. Jack Fossett
80. Jackson Brooksby (ThorpyFX)
81. Jake Cloudchair
82. Jake Leigh Guitar
83. Jamie Dupuis
84. Jamie Slays
85. Janek Gwizdala [Bass]
86. Jay Leonard J
87. Jesse Billson
88. Jim Gaustad
89. JJ Tanis
90. The JHS Show : Joshua Heath Scott,  Nick Loux, and Belle Scott
91. Jimmy Linn / JL Music Studio
92. Joe Perkins
93. John Nathan Cordy [TM]
94. Jon is just TOO LouD!!
95. Jorb Loves Gear
96. Just Nick Music : Nick Jaffe (YouTube Channel taken down for some reason?)
97. Kai Down
98. KDH : Kelan Hughes [Investigative]
99. Keith Merrow [HV]
100. Knobs / knobs_demos : Scott Harper [Viz]
101. Kohlekeller Studio : Kristian Kohle [HV}
102. Kris Barocsi (Thomann)
103. Kyle Bull [HV]
104. Leo Gibson
105. Leon Todd (Ragdoll)
106. Let’s Play All : Matt Webster
107. Living Room Gear Demos : Eirik Stordrange
108. Loopy Demos : Silvio Schmidt
109. Lounging Guitars
110. (Louis) The Tone King
111. Low End University - Mark Mitchell [Bass]
112. MarcusDluxe & Blanchflower Guitars
113. Mark Johnston / Secret Weapon Demos
114. Matt Bradford (Slide Guitar) [FZ]
115. Matt Lowery [AmB]
116. Max Power's Tasty Tones [HV]
117. Megan L (Lippi)
118. Metalhead Productions [HV]
119. Michael Nielsen - Big Hairy Guitars
120. Michael W. Westbrook
121. Mind the G.A.S.
122. Middle Aged Gear Junkie
123. Mike Hermans
124. MrExcane
125. Music is Win : Tyler Larson
126. Music Toyz Network
127. Nate Navarro [Bass]
128. Nick Rees
129. Nikita Demchenko
130. Noise Generator [FZ]
131. Nowyouknow
132. Ola Englund [HV]
133. Pair of Pandas
134. Paul Bradshaw
135. Pedal of the Day : Michael Berndt
136. Pedalboard of the Day
137. PedalPawn : Chris King Robinson [TM]
138. Pedals and Effects : Nick Reinhart and Juan Alderete
139. Pedals and Tea
140. Pedal Experiments : Phil M
141. Pedalgaze
142. The Pedal Picassos : Rod Miller
143. The Pedal Platform
144. The Pedal Zone : Stefan Fast [AmB] [TM]
145. Pepe Music
146. Peter 'Danish Pete' Honoré [TM]
147. Pete Thorn [TM]
148. Philip Czarnecki
149. Pip Priss
150. PJ and the Beard
151. PMTV UK : Dagan Wilkin
152. Ponderer Sounds
153. Premier Guitar : John Bohlinger
154. Pro Guitar Shop Demos : Andy, Brett, Mike
155. Prymaxe
156. Rabea Massaad [HV] [AmB]
157. Reverb : Andy Martin et al
158. Rhett Shull
159. Rich. Words. Music.
160. The Riff Mountain
161. Riffs, Beards & Gear : Ryan 'Fluff' Bruce
162. Rigs of Death Metal [HV]
163. RJ Ronquillo [FZ] [TM]
164. Rob 'Chappers' Chapman
165. Ryan Kiesshauer
166. Ryan Lutton
167. Sam Vilo
168. Sasha Ivantic
169. Science of Loud : Colin Scott
170. Scott's Bass Lessons : Scott Devine [Bass]
171. Shawn Tubbs [TM]
172. Shnobel : Roman Belonozhko
173. Simon Gotthelf Gear Demos
174. Six String Alliance : Jamie Humphries
175. Sofa Jams
176. Sonic Drive Studio : Jon Symons
177. Sound Isles
178. Sp3ct3rs d3mos : Jim Wylde [AmB]
179. Spiral Caster Plays Pedals : Cohen Hartman [TM] [FZ]
180. Stomp Box Talk
181. Sweetwater : Mtch Gallagher
182. Taylor Danley
183. That Pedal Show : Daniel Steinhardt and Mick Taylor
184. That Sounds Terrible
185. The Studio Rats : Paul Drew
186. Strazburg
187. The Super Fun Awesome Happy Time Pedal Show! : Alex Rottier and Gabor Josika
188. Thomann's Guitars & Basses : Kris Barocsi + Guillaume Chenin
189. Tim Lerch
190. Tim Pierce Guitar [TM]
191. Tom Quayle TM]
192. Tone Chase Basement
193. Tone Factory
194. Tone Wars
195. Tri Pedal Reviews
196. Truck Driver Shawn [HV]
197. Tunnel of Reverb : Simon Small
198. tunnelvisionmusic
199. Ultimate Metal Guitar Tones [HV]
200. Visual Guy
201. Vvundertone
202. We As A Company
203. Working Class Music
204. Yet Another Guitar Channel
205. Zimm's Guitars : Dane Zimmerman

Do let me know if you feel I've overlooked any channel that you feel should be in contention here also!