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Like many others I’m guessing, my first exposure to DanDrive Pedals was courtesy of Joey Landreth’s brief Secret Weapon Fuzz appearance on a relatively recent That Pedal Show Episode

I confess that I was not fully aware of Dan and his super high quality brand of Fuzz Pedals until that very moment - which is rare for such a Fuzz fan as me.

DanDrive Pedal Solution has actually only been established for a couple of years now - with the earliest official record being...

We all knew that the OD-200 was going to be a killer Boost/OverDrive/Distortion pedal - but Boss has managed to surprise those of us who thought we had it figured out. We weren’t initially totally sure how the Parameters and Boost options were going to work - I already really love the versatility and adaptability of my Jackson Audio Broken Arrow - which encompasses 4 Drive Types alongside 4 Boost Types. Yet Boss ups the ante on that somewhat exponentially.

I thought the core of ...

I’m a touch late to the party with this feature - as it’s been quite a while since Zvex announced and sold out of the very first Fuzz Factory edition of this new limited-run line of pedals. They are pretty much identical in content, components and format to the original classic horizontal compact pedals - bar for the use of fully transparent / see-through Lexan enclosures. Lexan is actually a super hard plastic compound or version of Polycarbonate - a thermoplastic polymer - often ...

This post is exactly inspired by Mike Hermans’ recent Comparison Demo video (below) which features these 3 self same pedals (almost!). I’ve always associated Cusack Music (sister brand to Mojo Hand FX) with its various tap-tempo ’Tap-A-...’ Pedals - Tap-A-Delay, Tap-A-Whirl, Tap-A-Fuzz etc.

While the range is comprised of some excellent utility pedals too - including several really cool diminutive mini Never-Off pedals. It was only back in March though that I ...

On my first coming across the brand new Belle Starr Overdrive - or signature pedal for Drew Shirley of Switchfoot, I immediately noticed the same Tone and Body controls from the Prism Boost, Buffer, EQ, Overdrive and PreAmp Pedal. The description then mentions the natural-sounding and amp-like tones of the MOSFET circuit - which kind of confirms its Prism-related DNA to me.

I’ve had the Prism Boost pretty much from launch, and it’s my always-on warming and dynamics-...

It’s been an interesting few weeks of late - where we’ve seen JHS Pedals encroach on Spaceman territory by launching pricey teaser-campaign limited edition $400 pedals. While Spaceman Effects is now extending its reach into the mass-market with an always-available Standard Edition pedal available at the relatively low price of $179 (Compared to other Spaceman pedals).

The Standard Edition pedal is the former baseline unpainted steel enclosure, and has the lowest cost ...

I’ve been aware of the Jannis Anastasakis led Greek boutique pedal builder JAM Pedals for a number of years now - initially through their superb analog Delay Llama pedals, but latterly because of their Retrovibe, Wahcko Wah, Waterfall Chorus and Rattler Rat pedals in particular.

In fact I so liked the Rattler that I have both the standard and ’+’ varieties - you can read about that in my Twisted Tale of 4 Rats article. My recent 28 Compact Big Muff pedals roundup also...

I can only assume that in the wake of so many MOOD Micro Loopers sold, Joel Korte and his gang weren’t sure how much demand there would be for their pricier original Blooper Looper concept. Kickstarter is always a great place to gauge the market as much as fund your project. In any case he need not have worried as the $100,000 target was reached just a little over 5 hours later. The fact that these are priced at $499 and up meant that only a couple of hundred backers or so were needed to ...

I’ve always been something of a fan of the TC Electronic Flashback series of delays and Hall of Fame series of reverbs, although I’ve not found use for either type yet in my chain - preferring instead flagship workshop pedals from other pedal builders - Boss, Empress, Eventide, Source Audio and Strymon to date.

At one stage I was considering adding a Compact Hall of Fame 2 Reverb as a secondary Reverb to the chain - but that was before I acquired the Eventide H9 and Empress...

I must confess that although I’m a big fan of KMA Audio, I’ve still to add one of their many great pedals to my collection / Tone Library, even though a number have sat on my wishlist for quite a while. I’ve featured the majority of KMA pedals on this site, and indicated a desire to acquire at least the Dead Stag Muff-Style Fuzz/Distortion, Wurm High-Gain Metal Distortion and most recently the Tone Bender / Super-Fuzz -style Minos Germanium Fuzz.

The Logan fills in ...