David has massively evolved his 2017 mini Deep Space Pulsar (DSP) into a monster interactive performance modulator which can absorb 2 separate instrument inputs, and/or a Mic - side-chaining one input against the other, and outputting in a variety of fashions including panning ping-pong stereo. It works brilliantly with just a single input too - but much of the magic happens when you double up on your inputs.
I was particularly enamoured with the interplay between the Rainger FX Snare Trap ...
I have a soft spot for Rotary Speaker Emulators, and have long sought out the most flavourful from that genre. With the recent Boss RT-2 Rotary Ensemble my current champion of that genre, followed by Strymon’s Lex 2, the Eventide Rotary Vibrotone H9 & H90 Algorithm (Josh Smith settings), and the long-since discontinued Tech 21 NYC Roto Choir - also the Rotary voicings on the Hamstead Redwing, Eventide Tricerachorus, and Colortone VibroVerb - all those are excellent. And all those work ...
For sure another cool Pico pedal - derived from a combination of algorithms from existing larger EHX pedals. I personally tend to favour stereo formats for all spatial effects - Reverb, Delay, and Rotary Speaker Emulators. And had hoped that since NUX and Nobels had rolled out a number of Stereo Mini enclosure pedals - that others would follow suit, but that doesn’t seem to have been the case so much - for whatever reason. It should be fairly easy to accommodate TRS Sockets and the required DSP...
It’s been tough to get this out in time as I was away Monday afternoon when the final references came through for the launch. And I can’t properly process a pedal until everything is out in front of me. I always start my process with the visuals - to get a feel for where everything sits and what it does. And while nowhere near as capable and complex as Klowra’s full size compacts - they’ve managed to cram a lot into a 1590A style enclosure here.
I had hoped they might have ’Nobels’ed’ and ’...
I’m fairly well versed inTraynor Solid State amps from the late 70’ and 80’s - which were much loved by garage punks and garage rockers alike - for those slightly loose, raw and ragged, even scuzzy kind of rock tones. And the lower-gain side of the pedal is in part inspired by the Bluesbreaker - with heaps of brightness in the mix, and with the voice toggle up - delivers a uniquely bright and clangy kind of sound with some real bite to it too. You can of course dial that out by lowering the ...
The Gain Box was very evidently designed for the 4 Channels / Voices to be stacked, each individual voice isn’t particularly strong on its own, but gains significant potency when combined with one or two or all of the others.
I would really have preferred a little more output volume, and probably a Tilt EQ vs the current LPF style Filter for more overall oomph! I started with all dials at Noon, and then added or subtracted as appropriate - adding Presets and Combinations as I progressed ...
This is an object lesson in Product Design, Smart Marketing and Precision Segment Targeting. I don’t think anyone has had a better stab at the Boss Katana Amps juggernaut (particularly Katana 50 and 100), than Positive Grid has with its new Reactor Amps. It’s grabbed and processed the Boss formula to a large degree and come up with its own distinct and high-quality eye-catching amp designs - with some distinct objective improvements.
For instance both the Reactor 50 and 100 have the exact ...
So this new H9 is essentially a fully-loaded Single Core variant of the H90. The larger H90 predecessor allows you to deploy 2 x Stereo Effects simultaneously - and hence is referred to as a Dual-Core Multi-Effects Processor. Where the new Gen 2 H9 has all the same key features and functions as the H90 - but can only deploy a single Stereo Effect at a time - hence Single-Core.
The original unit had a cool looking but pretty useless onboard interface - which was mostly saved by the Bluetooth...
So Zorg has been around for 10 years now, and I’ve kind of covered them on and off for the last 8! - starting with their Zogverdrive. Most recently I’ve featured their Glue Fuzz and Love Philter - both of which feature in the anniversary editions - where only typically 5 are available of each unique Collaborative Artwork Edition, and 7 for the Colère et Bagarre Glue Fuzz MKII Edition.
You can read up on the Glue Fuzz and Love Philter features on this site!
Here are the 6 editions :
Freqscene Effects delivers amazing improved and expanded full-flavour takes, massively evolved from Boss’s vintage analog SG-1 and CE-2 pedals - both originally from 1979. The SG-1 and CE-2 had just 2 controls each - where both the Slow Life and Koldwave get 3 additional knobs, and the Koldwave gets an additional Mode-switch too!
Freqscene has significantly expanded the scope of those pedals compared to their original source inspirations - where the Koldwave takes you into entirely new ...