So this new H9 is essentially a fully-loaded Single Core variant of the H90. The larger H90 predecessor allows you to deploy 2 x Stereo Effects simultaneously - and hence is referred to as a Dual-Core Multi-Effects Processor. Where the new Gen 2 H9 has all the same key features and functions as the H90 - but can only deploy a single Stereo Effect at a time - hence Single-Core.

The original unit had a cool looking but pretty useless onboard interface - which was mostly saved by the Bluetooth...

I recall the original Core Series very well - and picked up those 4 original compacts - per the below original range visual. You had the Edge, ODI, Rail, and ROUS (per bottom row of visual) - where 3 of those have now been revived and enhanced.

Pettyjohn then did a number of additional very limited small batch custom compact editions - which covered most of the same territory as these 11 new editions. I feel a couple of these might be brand new - certainly the Moss X Fuzz. ...

I can’t explain why I’m so late to the Angel Teeth - it’s been on my wishlist for a while (years!). I actively collect evolved and extended range DOD250’s - so this one was always going to be a perfect fit for me. And indeed - I have been meaning to get it for a while - I always expected to pick one of these up at one of the guitar shows - but Gwion’s batch schedule didn’t seem to sync up with my specific pedal-chasing needs.

I was expecting to review the Spectral Fire and Micro Mountain ...

May has been a little bit of strange month - lots of delays really, and waiting for pedals to land.

As inevitably happens most months - much was delayed this month, and I was unable to complete some of the larger articles - they will need to wait until next month, there’s certainly lots of projects in progress. Where new and imminent arrivals kind of scuppered several intended projects - hopefully they can be completed in June.

The first event I’m attending this month is tomorrow - as a micropub ...

I seemed to have missed the January Model Passes update - I believe I was on holiday at the time - those were the OD-2 Turbo OverDrive (1985-95), DM-2 Delay (1981-84), and DC-2 Dimension C (1985-89). I own 2 of those actual original pedals already, actually the DC-2W Waza variety, where I’ve still to get the DM-2/W - and I would really prefer that as a BBD type - but probably still also have that handy on my PX-1. It would actually be quite cool to get both DC-2 and DM-2 Models for my PX-1. ...

I’m known for my love of Multi-Gain boxes - and this is another great innovation in that area - a really smartly engineered gain machine - with all-analog sound generation and signal routing, but with some digital controls, and 3 Presets onboard.

You have two main Operational Modes - Series and Parallel, where the Series Mode is essentially Dry + Overdrive into Fuzz + Distortion, and Parallel is each of them piled on top of the other!

Controls - Level [digital], Filter : 1k > 16k [...

So I ordered this from my friend Andy at Effekt Boutique - back in mid-November of last year, while several production hitches delayed the arrival of the pedal - by approximately half a year! Which is one of the longest waits I’ve had to endure outside of Kickstarter and Indiegogo! But all’s well that ends well!

I’ve long been a fan of combining Reverb, Modulation and Fuzz / Distortion - for that killer dreamy hazy shoegaze effect - where I normally use a combination of single genre effects...

Fender evidently likes this licensing malarky - and adds Godzilla to its brand collaborations. It’s had a lot of success with Hello Kitty over the years, and this is another Japanese collaboration that really makes sense! Japan’s Toho Co currently owns the copyright and all rights to the Godzilla property - so there is a licensing fee to them within the $149 / £145 price tag!

This is a limited edition, and the USA Fender Allocation is already gone, with the UK one running low - but some ...

Utrecht-based pedal builder Dronechov Noise Machines has just unleashed its third creation. The Stepping Razor is an overdrive/distortion pedal based on a certain classic rodent-themed circuit, but with a twist.

Aimed at musicians exploring heavier music genres and especially the bassists among them, Stepping Razor features a fuller low end profile, while delivering a crushing output - especially when pushed to its limits.  Its flexible controls allow it to be used as an almost transparent ...