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Ibanez's new LD303 Layer Delayer uniquely combines Sixteenth and Triplet sort of multi-head delays with variable repeats levels

Analog DelayDelayDigital DelayIbanezTape Delay+-
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2026-GPX-Ibanez-Layer-Delayer-700.jpg

This is a really cool and unique delay - somewhat reminiscent of the Andy Timmons’ Halo Echo - as both use a combination of 2 different time signatures delays!

 

The control topology works a little like a Multi-Head Delay - where it combines 16th Notes (in Quarters) with Triplets.

 

You essentially set the level on each repeat / beat - where you have 1-3 LED indicators to indicate strength of each of those.

 

And by deploying those in different combination - you can achieve some really cool and unusual rhythmic delays. 

 

Essentially the intervals are seemingly mostly predefined - and you’re just selectively manipulating how those sound out - with some other smart variations covering 8 different Panning Modes - which include Ping Pong delays in two variations.

 

Initially this seems a little strange - but the topology is fairly easily understandable - and in many ways it’s not too different a mechanic as to what you find on the Strymon Volante - which is a Multi-Head delay - and you have 4 different button controls to set which repeats sound out and which have further feedback and resonance on them.

 

The device and colourway looks incredibly 80’s - kind of harking back to Ibanez’s glory days. This is actually a really smart way to achieve different timing signatures in a relatively straightforward manner - and foregoing complex Tap Division mathematics!

 

I’m not sure this is one for me necessarily - but I totally see the appeal. It offers a certain cool simplicity overall for a multi-tap delay - which marks it out as somewhat unique!

 

Controls - Mix : Dry > Wet, FILTER } Resonance, Cut Off (Click On/Off), Delay Time (40ms–1500ms | BPM: 40–1500), Feedback, Tone : Tape > Analog > Digital, Level : Line / Instrument, Pan Speed, Tail Decay, REPEATS : 1st Repeat, 2nd/4, 3rd/4, 4th/4, 2nd/3, 3rd/3, Preset / Pan Mode Down / Up, Start Footswitch, Bank/Preset Footswitch, Tap Tempo Footswitch.

 

Rear Panel - 1/4" Right TS Input, 1/4" Left / Mono TS Input, FXS Loop : Send, Return, 1/4" Righ TS Output, 1/4" Left / Mono TS Output, 5 Pin Din MIDI : Thru, In, USB-C, 9V DC [-] 300mA

 

DELAY SIGNAL VOLUMES - The delay time is set as the length of a quarter note, and delay signals corresponding to sixteenth notes and triplets are generated. 1st, 2nd/4, 3rd/4, and 4th/4 correspond to sixteenth notes, and 1st, 2nd/3, and 3rd/3 correspond to triplets.

 

BANK/PRESET - Pressing this switch increments the preset#. A long press advances the bank#. Layer Delayer has 50 Presets in total, 10 Presets in 5 banks (Bank# A to E).


8 Pan Modes

  • [ N/A ] - No Panning
  • [TR.W] - Triangle/Wide : The sound image sweeps side to side widely
  • [TR.N] - Triangle/Narrow : The sound image sweeps side to side at 50% width of the Wide mode
  • [LR.W] - Left to Right / Wide : The sound image movesleft to right widely
  • [LR.N] - Left to Right / Narrow : The sound image moves left to right at 50% width of the Wide mode
  • [RL.W] - Right to Left / Wide : The sound image moves right to left widely
  • [RL.N] - Right to Left / Narrow : The sound image moves right to left at 50% width of the Wide mode
  • [PP.W] - Ping Pong / Wide : The sound image skips side to side widely
  • [PP.N] - Ping Pong / Narrow : The sound image skips side to side at 50% width of the Wide mode

Key Features and Specs

2026-GPX-Ibanez-Layer-Delayer-700.jpg
  • Stereo delay with user presets and multiple delay styles at your command
  • Selectable Tape, Analog, or Dig. (digital delay) expands your repeat options, all in a single pedal
  • Line/Instrument level switch adapts to your setup
  • Sculpt an LP filter with dual-parameter Filter controls
  • Mix controls your wet/dry blend
  • Time and Feedback settings tailor the delay time (40ms–1,500ms) and number of repeats to exact detail
  • 8 Auto-panning modes and Pan Speed knob control the spatial quality of your delay
  • Tail Decay customizes the tail-end depth of your echoes, allowing for decay even after the pedal has been turned off
  • Individual volume controls per 16th and/or Triplet note, with up to a +3dB boost and a visual meter to regulate the strength of your repeats
  • (Independent variable volume control of 16th and Triplet delay notes)
  • Stereo in/out, FXs loop on the delay signal path
  • Simulated digital delay/analog delay/tape echo tones that gradually transition in between
  • Simulated low-pass ladder filter
  • Built-in FX loop can layer additional external FX in tandem with the delay signal
  • 20 artist-crafted factory presets, and 30 available user slots allow for a plethora of recallable sounds
  • MIDI In/Thru for controlling parameters and presets in real time
  • USB-C connection for firmware updates
  • Presets : 20 factory presets in 50 presets
  • Tap Tempo
  • MIDI I/O : In/Thru
  • Power : 9V DC [-] 300mA
  • Dimensions : 175(W) x 125(D) x 62 (H) (mm)
  • Weight : 640g
  • MAP / RRP : $279 / €249 / £219

There's much to like here - and this is very well priced for a Stereo Delay of this nature - a really cool and unique take on a delay - with definite 80's overtones.

 

There's reference to this being both Analog and Digital - so presumably something of a hybrid - kind of like the Kernom pedals I guess. You can read up more on the Ibanez Website - I feel this one's going to do pretty well for Ibanez - while it takes up significant real estate on your board - will be interesting to see who goes for this. It's not as handy as Keeley's Halo Echo - but it does have quite a bit more onboard!

 

It's never going to challenge my Empress Echo System - while it does have a certain appeal to it - so it may end up in my future - you can never say never!


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Stefan Karlsson
Posted by Stefan Karlsson
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Stefan Karlsson
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