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This feature was inspired by two gentlemen - one Alexander ’Howard’ Dumble, and my friend Justin O who asked me what my take on the Cornerstone Gladio was. I was of course determined to do my typical comparative overview and name the usual suspects - while the first time I started down this route I ended up doing the Blues Breaker / King of Tone style feature instead. The previous article was based on a number of very similar pedals - circuit and control-topology-wise.

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This article was triggered by a question from Ryan C who wanted my take on the Boss OD-200 vs the Strymon Sunset - and why the latter was a more permanent part of my own pedal-chain versus the seemingly more capable and full-featured OD-200 - which I will endeavour to answer here as best I can.

I decided to widen the selection as far as possible and get in a few more alternatives for sake of comparison - while that task proved a lot tricker than I had foreseen. The key criteria were to...

This post was triggered by the eventuality that my long-serving Emerald Green Distortion Machine - my Boosted Vox style pedal of choice - will soon be yielding its sport for a while to the incoming new Menatone Vertical Top-Boost-in-a-Can.

I’ve always had a soft spot for Bearfoot FX pedals and was somewhat ignorantly collection Bearfoot, Mad Professor and OneControl pedals before being aware of the Björn Juhl BJFE connection. It has to be said that Björn is one of the ...

I periodically do these category round-ups, typically triggered by a pedal launch or two, as is the case in this instance. This is my own preferred Overdrive selection - intentionally as broad as possible - with actually 12 categories of overdrives, but could still be an even longer listing, and I’ve had to make some very difficult choices for the final selection even though it is relatively numerous at 28 strong. I would have liked to have included one from my so called ’Harmonic ...

I’ve already largely decided what new pedals I will be targeting this year (that I know of!) - following on from the various reveals and announcements made over the last week, and other projects I’m aware of and various themes I will be pursuing in 2020.

First of all to explain the above visual - this features and extrapolation of my current pedal-chain - with the NAMM legend in front of various new / newish pedals - Green means already acquired - or at least already ...

So despite the perilous state of the world, the first NAMM of the new decade actually turned out to be pretty stellar. I had thought that last year’s exceptional show might end up as the all-time high water mark - but this one turned out just as many pleasant surprises.

Slightly different to last year there were a more significant number of pedals announced and launched in advance of the show - while a lot of pedals at the show had very little by way of collateral and some are ...

Contrary to my original analysis - all 3 pedals are actually pretty well rounded and ready to go - while Jackson Audio want to give each a chance to reach their intended audience - meaning a staggered release - with the first to be made available being Joey Landreth’s signature Golden Boy Overdrive ($299) - pre-orders will be up any day soon with shipping due to start in February. The pedal gets its name from a statue which sits atop the Manitoba Legislative Building in Joey’s home ...

I’ve long mentioned that we’re living through the second golden age of effects pedals (some say ’Diamond Age’’), and as good as things have been - 2019 took it all to an entirely new level of excellence. I don’t recall any previous year where we’ve had quite the same degree of innovation and so many ingeniously appealing pedals - this year has been so fast and furious - it’s been difficult to keep up at times.

I noted in my End of Year ...

I’m possibly writing this just a touch prematurely as at the point of writing - one of the pictured pedals hasn’t turned up quite yet, and it will be touch and go if gets released out of customs before the end of the year. That pedal being Sinvertek’s new N5+ Drive - featuring no less than 7 beautifully milled aluminium knobs along with 5 toggle-switches - and all within a compact enclosure format - but more of that later.

This year has mostly sort of gone to plan - ...

We all knew that the OD-200 was going to be a killer Boost/OverDrive/Distortion pedal - but Boss has managed to surprise those of us who thought we had it figured out. We weren’t initially totally sure how the Parameters and Boost options were going to work - I already really love the versatility and adaptability of my Jackson Audio Broken Arrow - which encompasses 4 Drive Types alongside 4 Boost Types. Yet Boss ups the ante on that somewhat exponentially.

I thought the core of ...