I covered the IR-X back on September 28th - marking what a rip-roaring success it was - combining an all-analog Twin 12AX7 Tube Preamp with DSP Emulated Power Amp and Cab IR’s.

The control topology of the two pedals is nigh identical, with a few subtle differences, including Dual Bright + Structure Switches on the IR-D. Both pedals have Gain and Boost trimmers on the right-hand side. And both pedals retail at $499 | €595 | £499. Still relatively compact at 165 x 140 x 58 mms, while the ...

I’m totally in awe of the technical prowess presented on this killer dual analog amps in a pedal format.

It’s actually a very compact device at just 125 x 105 x 65 mms, and carries so many advanced functions here almost entirely in the analog domain. There’s not a single sub-menu here - this is surely WYSIWYG perfection - while it does use every available surface to cram in all the technology that is needed to support all those features.

At first encounter this all seem wholly intuitive...

The FREEWAY is actually a sort of shrunken down and evolved version of Thermion’s ZERO Amplifier - minus the Power Amp stage, and with some extra features for the modern player. Its key attribute is how you can pretty much plug it into anything - analog / amp / DAW - without the need for any additional interface.

As the above visual highlights - this features a version of the ZERO Analog Amplifier with further Analog Speaker Emulation, and an expanded Digital Reverb section from the ZERO - ...

In a fairly signifiant innovation here - David has managed to distil down two of his most popular amps - the Plexi-style Small Box 50, and Hot-Rodded Plexi / JCM800 style BE-100 - into a single relatively compact 2-Channel + Boost format. Interestingly, and differently to the full-fat Victory Amplification V4 floor-based amps (Analog Tube Preamp + Analog Power Amp), David splits the two halves of the circuit into Tube Analog (Preamp), and DSP Modelling (Power Amp, Cab Sim & IR’s). This ...

As a strictly non Bass Guitar owner/player I rarely feature specifically Bass gear, and when I do - it is typically from Darkglass as I really admire what they do - in terms of their signal processing, aesthetics, and smart modern technology and interfaces.

I have not seen any guitar demos of this unit yet - I don’t believe any are official yet, while Darkglass say it’s great for Guitars too - but this was obviously developed very specifically for Nolly - for his own ...

The amount of different versions of Helix is now almost getting to pandemic levels - with Line 6 offering up yet another variant - in the guise of the HX Stomp XL.

The stats for this really could not be any simpler - as what you are getting is essentially the exact same HX Stomp Unit - with largely all the same functionality and screen - but with 5 more footswitches - for more Stompbox mode switches, and the ability to select up to 4 different Snapshots.

All the ports on this ...

Currently running as a Kickstarter Campaign and thus far two years in the making - the forthcoming Zero, Dynamic Hybrid Amplifier is an entirely new design of Class D amplifier which fully recreates every part of a Tube style amplifier with a highly innovative active OpAmp array. While typically OpAmps are used in active amplifiers between passive stages like a more conventional EQ / Tone-stack, with the Zero, all EQ Filters are fully active in order to draw more dynamics and harmonics out of ...

I’ve yet to feel the need to switch over to one of those floor amp-modellers - along the lines of the Boss GT-1000, Fractal Audio Axe FX8, Headrush Pedalboard, Hotone Ampero, Kemper Profiler Stage and of course Line 6 Helix - which popularised his sort of thing in the first place.

I’ve always felt that the Line 6 Helix and Hearush Pedalboard had a leg up on the competition because of their amazing colourful and intuitive control menus and topologies. In many ways for the ...

Poland was both trickier and yet eventually easier to rationalise than originally perceived. I have scanned through many a country now, and Poland seems to be the last of those with sufficient numbers of high calibre pedal builders to warrant a dedicated feature*. As noted before - these sorts of article take quite a lot of work to complete - and so this is the last of these I will be doing for a while.

* Note that USA and Japan are the leading pedal builders of the world still and too ...