So it’s that time of year again when I trawl through the releases over these past 12 months or so and endeavour to extract the pedal highlights of the year. This exercise is all about drawing a line in the sand and figuring out which pedals deserve to be on the notable side of the line.

Of course everything I publish on Guitar Pedal X is highly curated - those are my own particular preferences and choices, and those are the pedals that I like the look of. So everything that appears on ...

So I last did one of these back in 2020 - meaning that these ’Best of Overdrive’ run-downs seem to be a circa biennial affair. We’ve upped the numbers to 32 this year, while they represent barely a quarter of the overdrives I have in my reference collection - so there are obviously a lot of honourable mentions listed below - before the Final Thoughts section.

These types of exercises are incredibly tricky to strike the right balance of generally considered classic overdrive pedals and ...

It was about time I did my roundup of favourite and preferred Mid-Size enclosure pedals. This means we’re covering Medium-Slim, Medium-Tall and Medium-Square enclosures - depending on my prevailing mindset - the Horizontal / Medium-Stout types I often group with ’Large’. For my Pedal-Chain in particular - space is very tight - and I really cannot accommodate anything beyond Medium-Square on those slots.

The thought process is deciding between Compact and Medium box solutions involves your ...

I only recently completed my Chase Bliss Audio Gain Section - with the at long last addition of the Condor EQ/Preamp/Filter pedal - essentially a JR version / precursor to the Preamp MKII but with lots of additional ramping functions and a different preamp makeup. This means I now have all 5 of Joel’s gain pedals which were acquired in the below order. This article touches on all the Chase Bliss Pedals I currently own, and covers the entirety of the Chase Bliss Audio pedal range - past and ...

So I’ve now completed 5 preliminary shortlists type articles featuring between 9 and 30 or so of the best pedals released in 2020 - in each of the following categories :

• Best New Reverb Workstation Pedals (9)
• Best New Overdrive and Distortion Pedals (29)
• Best New Fuzz Pedals (31)
• Best New Delay and Reverb Pedals (20)
• Best New Modulation, Pitch, and Utility Pedals (28)

I sincerely apologise if I’ve overlooked any here, while I’m not sure they would have necessarily influenced the final...

And here is the first of the category overviews for the year - combining those Overdrive and Distortion pedals which sparked some interest for me. Note that there will be 4 of these types of articles - Overdrive & Distortion (this one), Fuzz, Delay and Reverb (exc. Reverb Workstation already covered), and Modulation + Pitch + Untility pedals. Before I then reveal my overall 25 or so favourite favourite pedals for the year in a Best-of-the-Best listing - with possibly some sneaky additions....

So this is one of most significant works in a while, and carries on the legacy of two of my most popular all-time articles on the 12 Degrees of Saturation - the Original that evolved in the early months of 2017, and the follow-up which materialised in September of 2018.

I obviously deal with a lot of reader inquiries pretty much on a daily basis, and one of the more popular lines of inquiry has been about overdrives. And while Josh Scott attests to the fact that there are only 5 core ...

I periodically do these category round-ups, typically triggered by a pedal launch or two, as is the case in this instance. This is my own preferred Overdrive selection - intentionally as broad as possible - with actually 12 categories of overdrives, but could still be an even longer listing, and I’ve had to make some very difficult choices for the final selection even though it is relatively numerous at 28 strong. I would have liked to have included one from my so called ’Harmonic Overdrive’ ...

Australia and New Zealand together have a fair few brands of international repute, and I for one certainly have a number of pedals of Australian origin in my collection. Foremost amongst those is Michael Ibrahim’s eponymous MI Audio / MI Effects - from which range past and present - I have 7 to date - with a couple more on the ’nice-to-have’ wishlist. Of the ones I have 2 are permanent features in my pedal-chain - the Super Crunch Box V2 (my Brown Sound pedal of choice) and ...