A first ever analog circuit from Strymon is a JFET style Tube Power Amp recreation with unique Sag circuit to replicate that sort of mis-biased gating you get from those vintage source amps.

Controls - Drive, Level, Bright : Off/On, Sag.

Strymon put it best themselves in the following paragraphs :

"Fairfax began as an engineering experiment, initially inspired by the original Garnet Amplifiers Herzog® tube drive unit designed for Randy Bachman in 1965. Our analog guys decided to try...

And here we have the GRAND FINAL- with all 36 Award Winners from the Group Stages - across all 5 categories!

The first two places have kind of been obvious for a while, where the 3rd / BRONZE position was actually the hardest to decide on - it was between the eventual recipient - the Tubesteader Gainlord, Boss’s XS-100 Poly Shifter, Blue FX Devices Fuzz Fields and Gamechanger’s Motor Synth - all of whom would have been worthy runners-up - while in the end I went for the one that overall ...

DOD is obviously a company that doesn’t do things by half - and rather than just a straight-up reissue cash-in on that JHS hype. Instead DOD went back to the drawing board and massively re-designed the circuit to make it even more powerful and versatile!

The original circuit controls were - Level, Low EQ, High EQ, Gain. And the new pedal ups the ante with 3 separate parallel blendable circuits - Behaved, Bad, and Badder - where the 3-way switch allows you to target 2 of those at a time - ...

What we have here is a killer Trifecta of potent shoegazer-enhanced compact editions - where two of them are fully Stereo capable.

Conventional wisdom would decree the order of : Treble Overload > Moonbeam Phaser > Dream Station.

While for shoegazer optimisation you need to reverse the order and put the reverb at the front of the chain - as several demoers have done below. I quite like Ian Pritchard’s setup too - with the Dream Station in the middle, and Thee Treble Overlaod in front! ...

So this Orama is a wonderful take on the early Orange 120 style of Amplifier from 1974, combined with legendary 90’s Boutique Fuzz - the Frantone Peachfuzz from 1997.

We have 6 controls on the Amp side, and 4 controls for the Fuzz. We also get the typical Send / Return FX Loop that Chrisots normally includes on his Dual Pedals. The two voicings here combine really beautifully - adding further richer textures and harmonics into the mix.

Controls - ORANGE AMP SIDE } Master Volume, High ...

36 outstanding Boost and Overdrive pedals  featured here in various sizes - 35 of which are already in the reference collection - with the Superlunar SR-01 the last remaining straggler!

The rules of the game are that I can only finally recommend pedals that I own and have lived with, while I can also feature a few other intended targets in the overview which I fully intend to acquire (like the Superlunar SR-01) - but those can’t feature in the final rankings. So there is only one remaining ...

I came across this recently on Coast Sonic - and then quite forgot where I saw it original - where it took me a further day or two to find it once more. This Multi-Gain pedal is definitely a target for me early next year.

It’s a cool Overdrive pedal with Fixed High Pass Filter, and fully variable Low Pass Filter, Input Gain Attenuation, and Q2 Bias.

The Blue push-button engages a further gain stage - which delivers Distortion and Fuzz tones.

This is a highly stylised and stylish ...

I’m a huge fan of Brian Wampler - the persona, and the ’King of Drive’ as I call him! Some say Nick Greer is the King of Drive - but for me it’s always been Brian! They both have very different approaches - Nick leans into the simplified 3-knob format, while Brian is more about expanded features and extended range pedals. This is in fact my 20th Wampler Pedal - while I had to order it in from Thomann, as none of the UK dealers have those in stock - and Andertons is reporting that it will only ...

Another super busy month for me - particularly towards the end - with numerous large scale articles out this week. That also coincided with my busiest week of the year for my other day job. Meaning that I was up until 4-5 in the morning every day - just to keep up with my commitments.

I was already somewhat shattered and burned out before I even got to this super busy period - and it’s a relief that all that work has now been completed on schedule.

I’m especially proud of my work on the Bucket ...