And here is the first of the category overviews for the year - combining those Overdrive and Distortion pedals which sparked some interest for me. Note that there will be 4 of these types of articles - Overdrive & Distortion (this one), Fuzz, Delay and Reverb (exc. Reverb Workstation already covered), and Modulation + Pitch + Untility pedals. Before I then reveal my overall 25 or so favourite favourite pedals for the year in a Best-of-the-Best listing - with possibly some sneaky additions....

So this is one of most significant works in a while, and carries on the legacy of two of my most popular all-time articles on the 12 Degrees of Saturation - the Original that evolved in the early months of 2017, and the follow-up which materialised in September of 2018.

I obviously deal with a lot of reader inquiries pretty much on a daily basis, and one of the more popular lines of inquiry has been about overdrives. And while Josh Scott attests to the fact that there are only 5 core ...

I periodically do these category round-ups, typically triggered by a pedal launch or two, as is the case in this instance. This is my own preferred Overdrive selection - intentionally as broad as possible - with actually 12 categories of overdrives, but could still be an even longer listing, and I’ve had to make some very difficult choices for the final selection even though it is relatively numerous at 28 strong. I would have liked to have included one from my so called ’Harmonic Overdrive’ ...

Australia and New Zealand together have a fair few brands of international repute, and I for one certainly have a number of pedals of Australian origin in my collection. Foremost amongst those is Michael Ibrahim’s eponymous MI Audio / MI Effects - from which range past and present - I have 7 to date - with a couple more on the ’nice-to-have’ wishlist. Of the ones I have 2 are permanent features in my pedal-chain - the Super Crunch Box V2 (my Brown Sound pedal of choice) and ...

For this particular selection I tried to get in as diverse number of types, along with all the usual favourites - every year I have readers asking me why I left this one or that one out - so this year is the time for including Menatone in the selection. Obviously between years some pedals rise in prominence while others fall - my intentions are always to provide as broad a selection as possible while still covering all my own personal favourites.

There are a few new entrants since 2018...

As an update to last year’s piece, and in line with my slightly tighter real estate now (39 pedals), I have decided to go all out on compact format pedals on this occasion. As a subset of my ’12 Degrees of Saturation’ we are dealing with stages 2 to 6 in essence, which largely covers 6 families of overdrives in order of how I set their gain level (increasing amounts) - ’Klon’ type, ’Tubescreamer’, ’Dumble’, ’Blues Driver’, &rsquo...

I will make lots of disclaimers and provisos at the start of this piece. To my mind there are actually relatively few proper quality intended OCD clones - the Joyo Ultimate Drive, Mojo Hand FX Rook, Mooer Hustle Drive and Vick Audio Tree of Life amongst them. The rest here all have significant overlap and share certain aspects of the OCD tone although not necessarily the whole frequency range / a direct correlation.

When I acquired the Hamstead Odyssey Intergalactic Driver shortly ...

This is probably the most hotly contested area of guitar pedalology - which is the ’best’ overdrive pedal you should get - should it be a mid-bump Tube Screamer type, or a more neutral so-called ’Transparent’ version, and should you go with something closer to the original inspiration or something which evens out and tackles its inherent flaws and weaknesses. The guitar world is a strange place - full of staunch traditionalists who persists with ancient tropes despite ...