
This project has long been on the cards, as I’ve always intended to take the Asheville Music Tools journey - the Analog Modulations in particular. The Phaser ended up being the first on the list, and I will tackle the Flanger next, and then the Chorus / Vibrato after that.
I’m not short of a great Phaser or two - as the APH-12 is the 29th phaser in my reference collection (full list after the demos below). I have a soft spot for so many of these - including the Beetronics Larva, Caroline Guitar Arigato - also recently arrived, and so many more - including varieties from Boss, MXR, PastFX, Spaceman, and ThorpyFX. I really like the Strymon Zelzah DSP take also - so the APH-12 is in good company!
The Asheville is the first of mine to go as low as a single stage of phasing (as far as I recall), most others start on 2 Stages, and the Seymour Duncan Polarion goes as high as 16!
Everything about this APH-12 is expansive - both in terms of control topology and output.
Controls - EXP Selector : Sweep / Resonance / Rate / Amount, Sweep (All-Pass Filter / Manual), Resonance / Regen, Rate - Modulation Speed, Amount - Modulation Depth / Width, Mix : Subtle / Balanced / 100% Wet (Vibrato), Drive (JFET Preamp), Stages : 1 | 2 | 3 | 4 | 5 | 6 | 9 | 12, MOD : Slow / Fast / Funky.
Ports - 1/4" TS In, EXP, 1/4" TS Out, 9V DC [-] 200mA.
I feel you’ve really got the perfect complement of controls to fully shape the Phasing in the most expansive of manners. And having those 8 different Stage options - from 1 to 12 really gives you every flavour of phasing - along with those MOD options.
The Purple Sparkle finish is highly appealing too, and I like the knobs on this. Just a really smart execution of an all-rounder Phaser - which I understand was 3 years or so in the making.
I’m in the process of doing a couple of features on my favourite Modulation pedals - both Compact and Mid-Size enclosure formats. And the APH-12 helps complete that snapshot. It’s highly likely that the other Asheville Modulations will end up on the favourites list too - there’s definitely no shortage of magnificent sounding ones. And the documentation for the pedal is incredibly thoroughly detailed.
It’s also a really quite easy pedal to dial in! It’s not as instantly pleasing as the Caroline Arigato - as for that one you can just set all the controls in the middle for a killer opening sound - while the kind of default settings for the APH-12 have the knobs in somewhat different positions. The 11 recommended presets are a fantastic overview of the pedals capabilities.

And the recommended starting positions for the Classic 4-Stager are very decent :
NOTE that I've tweaked all these to my own preferences - I prefer things a little more fuller-flavour!
Classic 4-Stage Phaser
Sweep @ 11:30 o'c, Resonance @ c, 11 o'c ±, Rate @ 2 o'c, Amount @ 3 o'c, Mix : Balanced, Drive @ 2 o'c, Stages : 4, MOD : Slow.
IKO IKO
Sweep @ 11:30 o'c, Resonance @ 3 o'c, Rate @ Noon, Amount @ 2 o'c, Mix : Balanced, Drive @ 3 o'c, Stages : 5, MOD : Funky.
Swirlitzer 12
Sweep @ 11:00 o'c, Resonance @ 10:30 o'c, Rate @ 11 o'c, Amount @ 10 o'c, Mix : Balanced, Drive @ 1 o'c, Stages : 12, MOD : Fast.
So a really satisfying Phaser all-round - with a tonne of range across those 6 dials and 2 switches.
As mentioned, the Caroline Guitar Co. Arigato is a little more instantly satisfying with everything tuned to the middle, while the APH-12 overall has more textural and sonic variations - but makes you work for it a little more on the dial-in.
The Expression control works really well - and I like how easy that Rotary control is to change which parameter you assert control over.
This is a high value ticket item for sure @ $397 / £419 - where I picked up the last one in stock at Joe's Pedals in the UK. Three years in development - and well worth it! Still available direct from the Asheville Music Tools Site.

KEY SPECS
I will do another Phaser rundown feature when I get to 30!
