This is a culmination of a life’s work for Thomas Blug - we’ve seen Amp 1, Mercury and Iridium editions over the years - and it’s like seeing an elite watchmaker add further complication to his triple-axis tourbillon watch!
You have 26 digitally-enhanced controls - which shape analog components (including a 100W NanoTube) into myriad amp and pedal profiles - by engaging and fine-tuning those components in various ways. Thomas has been developing this for at least a decade now - with the aim...
What we have here is a much simpler digital modulated delay - with a central Mode rotary selector - which selects one of 8 Filter or Tremolo Modulated Repeats.
The control topology could not be simpler - and we have the perfect complement of controls for maximum impact.
Controls - Time, Feedback, Mix, Modulation, MODES 1-8.
MODES
OBNE teams up with Emily Hopkins to deliver her favourite glitch, signal crushing, and ambient sounds.
We’re familiar with the format by now - with this being the 5th in the square format - which started with the Stereo Dark Star Edition.
The same layout - but with different parameters. The PARTING is a slightly experimental device - and for the braver sonic adventurers among you!
Controls - Rate, Depth, Chance (variation), Smear, 7 x Wave Shape, Dissolve, Glitch, 3 x Presets, ...
This is a really cool and unique delay - somewhat reminiscent of the Andy Timmons’ Halo Echo - as both use a combination of 2 different time signatures delays!
The control topology works a little like a Multi-Head Delay - where it combines 16th Notes (in Quarters) with Triplets.
You essentially set the level on each repeat / beat - where you have 1-3 LED indicators to indicate strength of each of those.
And by deploying those in different combination - you can achieve some really ...
Collision Devices delivers a unique compact form factor of effects, all well priced at €199, and all with identical 6 x Controls Topologies, and with 3 x Modes and 3 x Presets onboard. As well as cool stepped wedge-shape enclosure.
The Magic Knob does something different in each mode. Plug in an expression pedal and assign it to the control of your choice. No further documentation is offered, and no manuals as yet!
All 3 SNACK pedals have a high appeal, these seem to be a mix of analog...
New Pedals in the Class of 2025 Pedal-Chain Snapshot = 41
[OCTOBER] = 9
[NOVEMBER] = 6
[MARCH] = 5
[SEPTEMBER] = 5
[AUGUST] = 4
[JANUARY] = 3
[FEBRUARY] = 3
[APRIL] = 2
[JUNE] = 2
[MAY] = 1
[JULY] = 1
[A-Z by Brand]
In many ways this is the most straightforward category with singular award nominees - GOLD, SILVER and BRONZE.
It’s the second smallest category after Distortions - and the one where I own the least number of pedals in proportion to the whole - just 10 out of these 26.
The order pretty much set itself - with the Cornerstone Nucleo being the clear winner from the start. I’m so impressed with every aspect of that pedal - it’s a perfect Trifecta of Design, Feaures and Playability - pretty ...
What we have here is a killer Trifecta of potent shoegazer-enhanced compact editions - where two of them are fully Stereo capable.
Conventional wisdom would decree the order of : Treble Overload > Moonbeam Phaser > Dream Station.
While for shoegazer optimisation you need to reverse the order and put the reverb at the front of the chain - as several demoers have done below. I quite like Ian Pritchard’s setup too - with the Dream Station in the middle, and Thee Treble Overlaod in front! ...
Set up by 2 former Gamechanger Audio alumni - Toms Lazdovskis and Matiss Tazans - with a Team steeped in Darkglass Electronics / Neural DSP and Marshall.
The pedigree and provenance is pretty clear here, and Menha.Works have understandably come up with an ulra modern killer aesthetic for heir very unique new Monk Echo + Reverb. The Monk Echo is inspired by Baltic Choirs and Mystical Spiritual Spaces.
Apart from the gorgeous design here, the Monk Echo has a unique Human Formant Voicing ...
Another super busy month for me - particularly towards the end - with numerous large scale articles out this week. That also coincided with my busiest week of the year for my other day job. Meaning that I was up until 4-5 in the morning every day - just to keep up with my commitments.
I was already somewhat shattered and burned out before I even got to this super busy period - and it’s a relief that all that work has now been completed on schedule.
I’m especially proud of my work on the Bucket ...