GPX Blog

We all knew that the OD-200 was going to be a killer Boost/OverDrive/Distortion pedal - but Boss has managed to surprise those of us who thought we had it figured out. We weren’t initially totally sure how the Parameters and Boost options were going to work - I already really love the versatility and adaptability of my Jackson Audio Broken Arrow - which encompasses 4 Drive Types alongside 4 Boost Types. Yet Boss ups the ante on that somewhat exponentially.

I thought the core of ...

I will start by reiterating once more how big a fan I am of Swedish circuit designer Björn Juhl / BJFE and his many associated brands - which use variations of his celebrated circuits - Mad Professor in Finland, Bearfoot FX in the USA and OneControl in Japan. I have several varieties from each of those brands - 15 or so all told, but my first connection with Björn was via Mad Professor.

Ironically the very first Mad Professor pedal I acquired was not derived from Björn ...

I was one of the first to latch onto the Hamstead Odyssey nearly 2 years ago, and have featured that a number of times on this blog. While the Subspace initially started off as a Bass Odyssey - or a derivation of that circuit which better preserved the low-end and low-mid frequencies - to be used very specifically as a Bass Overdrive.

Earlier prototypes of the pedal featured exactly the same controls and topology as the original Odyssey - with just the circuit tuned somewhat ...

Latest is not always greatest! Like many other pedal aficionados no doubt, I am quite particular about the function, aesthetics and format of each effect pedal I acquire. Many a pedal has been in production for numerous years and has seen all manner of iterations throughout its lifetime - not specifically special editions, just the core default pedal naturally changing and evolving over time - of course there are custom, limited and special editions too along the way but we’re focusing on...

My first encounter with Aleks K Production was courtesy of a Brett Kingman demo of the Maple Leaf Royal Overdrive around a year and a half ago. I’m a fan of Brett’s and he’s one of my regular favourite resources for new pedal demos alongside many other guitar luminaries. Once I had checked out his 2 demos of the Maple Leaf, I next viewed the Red Scorpion 2 Mega Distortion, then the Hot Ice Sweet Distortion, Honey Moon 2 Sweet Overdrive and Sun Beam Magic Drive.

After ...

I have covered off a number of my favourite Summer NAMM pedals already - including the Boss 200 range, RC-10R and SY-1, the Fulltone OCD Ge, the REVV G2, the Spaceman Effects Gemini IV, and Walrus Audio Kangra for instance. And there’s a couple more surprise ones I will be posting as dedicated features very soon - so stay alert for those! In the wake of one of the best ever Winter NAMM’s it was clear that the Summer NAMM could never match that degree of innovation - in fact most of ...

Readers of this blog will already know how much a fan I am of BYOC’s Crown Jewel Multidrive pedal - with its multitude of dials and switches - 4 gain stages in effect and clean blend circuit. I’ve said that this is not only likely the most versatile drive pedal out there currently, but also an essential educational tool for understating how different degrees of voltage, clipping, tone-shaping and Q-control impact on the output signal.

I wasn’t really that much ...

Australia and New Zealand together have a fair few brands of international repute, and I for one certainly have a number of pedals of Australian origin in my collection. Foremost amongst those is Michael Ibrahim’s eponymous MI Audio / MI Effects - from which range past and present - I have 7 to date - with a couple more on the ’nice-to-have’ wishlist. Of the ones I have 2 are permanent features in my pedal-chain - the Super Crunch Box V2 (my Brown Sound pedal of choice) and ...

I’ve been hooked on REVV Pedals since the very start - pre-ordering both the G3 and then G4 direct from Canada. And they both went straight into my pedal-chain and have mostly stayed there since bar some fairly minor short-term rotations. Having settled on the Menatone The King for my main Crunch / Plexi tones I thought I wouldn’t likely need the very recently announced G2 Crunchy Drive.

Yet as is often the case - and after experiencing the That Pedal Show TGU19 episode on ...

In line with its ongoing enclosure format innovations and taking significant influence from the recent 500 series - Boss replaces the dual latching-plate format of its 20 Series Twin Pedal line with a much more compact and sleeker medium vertical enclosure 200 Series Design - with 4 pedals due to launch in September, and all priced at £219 as of the moment:

• DD-200 12 Mode Digital Delay Stereo Workstation - £219
• EQ-200 10 Band Dual Channel Stereo Graphic Equalizer - £219