This is a fantastic departure from Klowra’s usual DSP roots. Here we have their first entirely analog all-THT components circuit - and it sounds absolutely killer! In one of the pictures below you can see the high quality internals of this pedal - which deliver the most richly harmonically textured Overdrive, Fuzz and Distoriton tones. This pedal is fun for weeks if not months - it has such a high potential. And is one of the most versatile multi-gain pedals of all time - alongside my long-term...

New Pedals in the Class of 2025 Pedal-Chain Snapshot = 41

[OCTOBER]  = 9

[NOVEMBER] = 6

[MARCH] = 5

[SEPTEMBER] = 5

[AUGUST] = 4

[JANUARY] = 3

[FEBRUARY]  = 3

[APRIL] = 2

[JUNE] = 2

[MAY] = 1

[JULY] = 1

[A-Z by Brand]

1. Becos FX CompIQ Pro Yuna Soft Knee Blackmer VCA Studio Style Compressor [SEPTEMBER]
2. Blue Colander Grimrobe Dual Cascaded Super Rat [OCTOBER]
3. Blue FX Devices Fuzz Fields Ultimate Modulated Fuzz [SEPTEMBER]
4. Boss RT-2 Rotary Ensemble Leslie / Rotary Speaker

October was a super busy month - one of the busiest ever - with such a scope and scale and body of work covered - I’m quite shattered as a result!

We had of the penultimate Events of the year :

• The 2nd Woking Boutique Guitar Show
• Kempton Park London International Guitar Show

And around one dozen key posts  as below also :

• Letter from Dr.No
• Teaching Machines FuzzBillion Component Combinations Wheels Gain-Shaper
• Hangman fx DAGG’R Dynamic Auto-Gain/Gate Mighty Morphing Gain-Ramper

I have spent a week now with the magnificent analog mechanical marvel that is FuzzBillion - and I’ve been utterly dazzled by its brilliance. This pedal is genuinely extraordinarily high fidelity and is a superb enclosed  breadboarding device and analog sound-design machine.

Leon and his colleagues at Teaching Machines (+ Frank, Luke, and Mat) recommend you work left to right - and start off every sound design task - with all wheels at zero - and then mix your favourite sound cocktail from ...

I’m obviously well onboard with the ToneX One concept by now - and it’s kind of cool, but also a little new money for old rope here  - in putting out different artwork editions of hardware pedals that can house any and every of the many ToneX flavours - in collections of 20 at a time!

I feel the shiny mirror finish of the Satriani Model is the most visually arresting. While I’m much more of an EVH fan - and would really love to have the new Red Edition - with all those favourite EVH ...

I thought it was about time that I tackled Boss’s legendary Distortion Pedals once more! This time around I’ve rounded up all the different Boss Distortion Flavours - with my own particular preferences for those particular circuits. So a number of those are Modded editions - which I often prefer over both the Boss originals and Waza Craft Editions - as I will reveal below.

You can of course break these down into 4 different degrees of saturation if you’re being fully granular - while I’m ...

I was down for getting the original black ToneX One edition - one was offered to me, but never quite arrived. Which turns out I’m quite happy about in the end really as it was the much better looking Chrome Joe Satriani Edition that finally landed for me. So thanks to IK Multimedia for their assistance!

Considering I’m mostly a classic stompbox guy - then the ToneX One isn’t always going to be he most natural fit for me. While as a Multi-Gain / Versatile Multi-Drive and Distortion pedal - ...

33 slots updated this year - #2, #3, #4, #5, #7, #9a, #9b, #10, #11, #12, #15a, #15b, #15c, #16, #17, #18, #19, #20, #22a, #22b, #23, #24, #25, #26, #29, #30, #31, #32, #33, #34, #36, #38, and #41.

There’s been a fair amount of re-routing and re-organising this year - which you should be able to pick via the pattern of changes. The introduction of the stereo Poly Amplitude introduced the biggest change to the board order - to get th most out of that format!

I try to limit acquisitions /...

I was one of the early movers on the Zoia - all the way back in 2019, it’s incredible really that 10,000 units of this pedal have been sold to-date. Right from the start I called it out as more of a tabletop device - and one more at home with modular synth types really.

For the average guitarist - the control interface is ever somewhat clunky, and doesn’t really allow fluid tweaking on the fly like we’re used to - as you only have a singular rotary encoder. And moreover no Bluetooth ...