Source Audio takes on the Fender Tre-Verb, Keeley Hydra, and venerable Strymon Flint - with a few more modes and features onboard. Source Audio are brilliant at Reverbs - I still love my Ventris, and they’ve covered the same flavours of Tremolo as you would expect - should do really well. This is a very neat form factor - almost exactly per the recent Lo-Fi Artifakt - it’s great that Source Audio has found further use for this format - this may just be my pick of the ’tremoverbs’ - as long as ...
The RoomMate D’luxe was announced at NAMM, where the Fuzztopia was out late last year - where I did not manage to fit it into my schedule.
It seems very timely now since the RoomMate D’luxe is in the same format - and those 2 pedal pair very well together.
The RoomMate D’luxe delivers 8 x Tube saturated Modes covering off all the main Reverb food groups - Room, Hall, Plate and Shimmer Hall.
And the Fuzztopia Dual Channel Fuzz + Distortion is fairly distinct for having separate Dry ...
The last time I covered Andy’s Rig - he was rocking the Neunaber Immerse Reverb - so presumably that has been knocked off the board - by this Nocturne.
You have two rather conventional Modes - Plate, and Spring Reverb - finely honed by Robert over the years. And then we have a unique Nocturne Reverb voicing - which is derived from Andy’s Halo Echo - and reimagined as an ethereal, immersive Reverb.
The controls are pretty conventional as for the other pedals in the ’Core’ series - where ...
In many ways this is the most straightforward category with singular award nominees - GOLD, SILVER and BRONZE.
It’s the second smallest category after Distortions - and the one where I own the least number of pedals in proportion to the whole - just 10 out of these 26.
The order pretty much set itself - with the Cornerstone Nucleo being the clear winner from the start. I’m so impressed with every aspect of that pedal - it’s a perfect Trifecta of Design, Feaures and Playability - pretty ...
SHOKR Pedals is Newbridge, Ireland native Dan O’Shaugnessy - who has previous form with his earlier A-51 EFX brand - which consisted of pedals like the Uranus Boost, Plasmodial Slime Bass Overdrive, and Warped Worm Distortion.
He felt he had kind of boxed himself in a little with the A-51 EFX Brand, and wanted to pivot in a different fresher, and more modern direction. So it made sense to launch a new brand - SHOKR Pedals - for which the KRUSH Fuzz-Verb is its launch pedal.
What you ...
All the new dealers - including Joe’s Pedals and Effekt Boutique will feature the two most recent Colortone Pedals - the Vibroverb (£219 / €289), and ZeroSum (£219 / €289), while some - like Joe’s Pedals will also have the Lo-Fi Delay (£239) and Spring Reverb II (€179).
All 4 of those pedals sound every bit as good as they look!
Northern Stomps’ new website is due to go live on this coming Friday (31st) - with those Colortone Pedals featured for launch.
There’s a few more dealers ...
Another super busy month - where the lack of a holiday is really starting to impact my wellbeing - as I’m about as shattered and burned out as is possible without going entirely into meltdown - I’m teetering on the edge!
Here follow the highlights of the month - which I normally try to limit to around 10 elements - but stand at 12 for September. No show or onside attendances this month - while plenty of other activities - and some killer releases of course!
In fact that Spring Reverb algorithm appears on 3 different Fjord Fuzz pedals in order - the MIME II, Dovre and this 4-controls Fjær - each of those have different preamps onboard - so they each have differences in output nuances. Where for me the Fjær sounds particularly lush!
As mentioned - the Fjær benefits from 4 controls - Dry, Wet, Size and Tone. I’ve mostly been deploying that with the Dry slider in the middle, Wet is all the way up, Size is @ Noon, and Tone is @ Noon. It can sound ...
I own a fairly significant number of Reverb Pedals - where I’m mostly focused on Workstation style Pedals with multiple algorithms. I normally have at least 2 Reverbs on the board - a Primary Multi-Verb, and a Secondary more Specialist Verb. Occasionally I have a 3rd Reverb - which can be another Stereo Secondary, or more likely a Mono Tertiary. In fact I can have as many as 4 Reverbs on the board - as the Eventide H90 is always there too!
You can see from my various Pedal-Chain posts that ...
The Oceans Abyss takes over from the Oceans 12 as EHX’s flagship Reverb Workstation. The Oceans 12 has 12 Core Reverb Voicings - including Echo and Mod - which are replaced on this more potent model by numerous additional Delay and Modulation Effects options - where you can create your own signal path using all those effects.
So this pedal is more like the Meris Mercury X and Strymon NightSky - in being a Sound Design device focused on Reverb - but with a number of additional extras in the ...