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Kinotone unleashes probably its most potent and appealing pedal to date - the Ghosts 6-Voice Polyphonic Chordal Resonator with onboard touch pad, contact mic, synthesiser, drum machine and looper!

Digital ReverbHarmonizerKinotoneLooperModulationOddball ModulationPitch-Shifting+-
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2025-GPX-Kinotone-Ghosts-700.jpg

Kinotone’s Jaak Jenson is proving to be one of the finest sound engineers of his generation - with a trio now of killer unique pedals.

 

I wasn’t sure how I would deploy the Ribbons in my chain - so that one’s still on the ’maybe’ list - lots of my friends really love it, and use it for all kinds of things - while I’m still seeking a proper connection there.

 

I did get the Sparks Harmonic Processor - or Stereo Overdrive + State Variable Filter + Wavefolder. I mostly got that one because of one of its Harmonic Tremolo presets - while I like the Overdrive / Distortion side of it too - but never fully gelled with it. It was on the board for a good 3 and a bit months - and I used the Harmonic Tremolo quite a bit - but found its setup and maintenance rather fiddly - it’s one of those with multiple hidden modes and several function on each knob.

 

I’m mostly a stompbox guy - which is mostly of the set-and-forget and presets variety - while Kinotone pedals are are rather more suited to the tabletop crowd. They’re the kind of pedals that you need to be constantly tweaking by hand - which means they’re more for he synth brigade - as well as a few quirky tabletop guitarists. We’re getting a lot of tabletop devices these days - where companies like Chase Bliss and Empress led the charge on that!

 

Kinotone mines a similar furrow to Chase Bliss to a degree - but possibly even quirkier and more synth-crowd leaning. All varieties of Kinotone Pedals have a secret synth onboard! - where you need a keyboard and a MIDI cable to make use of that.

 

The elipse with the contour line (above the footswitches) is actually an expression touch / control pad, where there’s also a contact mic onboard - to allow you to process a variety of inputs.

 

Controls - Tone [Reverb], Root [Position], Mix [Touch 1], Decay [Time], Chord : Octave / 5 / 4 / m / m7 / m9 / m11, b9, M9, M7, M, User [Voicing], Volume [Touch 2]. Model Push-button, MIC Push-button. Layer Push-Button [Alt Parameters], Elliptical Ecpression Touch Pad, Touch Footswitch, Bypass Footswitch.

 

Ports - RIGHT } 9V DC [-] 220mA, CV / EXP, TRS Stereo Input, LEFT } USB-C, MIDI, TRS Stereo Output.

 

It’s not clear from the controls that there is a major looping component onboard - while you can see how you’re selecting intervals, Root notes etc. for Resonant agitation.

 

The below Demo is exceptional - and shows you just how many ways you can use this device. It’s evident from the demo that a lot of hands-on manipulation is required to get the most out of the Ghosts. I must say it sounds so cool in so many ways - and I’m of course tempted by those glorious resonant frequencies - but I know it’s not really gong to be in my lane as such - while I feel a number of players will get a whole lot out of this - where this pedal doesn’t live on the floor!

 

There’s been a number of Resonator pedals recently - including from Electronic Audio Experiments, Chase Bliss, and Poly Effects - while this Ghosts kind of takes that further with its chord sequencing and 6-Voice Polyphony.

 

I feel that many are going to get some fantastic sounds out of this - and it’s going to inspire so many cool tracks - I feel this one is kind of a game changer.

 

Kintone enjoys and enduring popularity - and the first batch sold out in an instant - we’re waiting for the next batch to be announced!

 

All Kinotone pedals are at $399 (standard Chase Bliss pricing!) - and available on the Kinotone Webstore when in stock. Weirdly I thought I was on the mailing list - but didn’t get any kind of notification for this one!


Features & Specs

2025-GPX-Kinotone-Ghosts-700.jpg

KEY FEATURES

 

Physical Modelling Engine

  • 6-voice polyphony
  • Excite the resonators with external audio, the built-in contact mic, or MIDI notes
  • Flexible, high-fidelity physical models: strings, tubes, bars
  • Reharmonize the resonators with 12 preset chords
  • Selectable root note and chord voicing

Reverb

  • Custom-designed stereo reverb adds spatial character
  • Routable pre- or post-resonator — let the space excite the object, or let the object excite the space
  • Sustains infinitely

Custom Chords + Microtonal Tunings

  • Define a user chord of up to 6 MIDI notes
  • MTS SysEx files supported for microtonal and xenharmonic scales
  • Save user chords and scales into presets

Contact Microphone

  • Strum, tap, scratch the mic — excite the resonators with tactile vibrations
  • Toggle the mic ON or OFF with the tap of a button
  • Mic is fully disconnected from the audio path when disengaged
  • Adjustable sensitivity

Polyphonic MIDI instrument

  • Retune the resonator voices directly via keyboard control
  • Internal exciter turns Ghosts into a playable physical modeling instrument
  • Multiple MIDI exciters: pluck, strike, blow — or create your own exciter with a captured loop

Touch Modes

  • On-the-fly performance effects to transform the physical models — and a powerful collection of creative tools that stand on their own. All Touch Modes can be placed pre- or post- resonators, and can be synced to MIDI clock:

Endless Loop

  • A looper with speed and direction controls, capable of infinite overdubs. A perfect companion for the contact mic
  • Record up to 40 seconds at 0.5x, 20 seconds at 1x, or 10 seconds at 2x

Rhythm Generator

  • Virtual‑analog models of a legendary 1981 drum machine with punchy analog resonator circuits. Resonators exciting resonators!
  • Kick, snare, hi-hat. Real‑time synthesis (no samples)
  • 11 curated patterns plus a 12th Euclidean Random notch that algorithmically generates a fresh pattern each time it’s re-selected

Terrazzo

  • A streaming granular processor that disassembles sound into colorful fragments and binds them into new forms. Turn anything into a lush texture or bouncy rhythm to excite the resonators
  • 6 read heads spread across the stereo field — some play forward, or reversed, some at normal speed, some an octave up
  • Adjustable grain size and envelope shape (plucky to smooth)

Shepard Shifter

  • A virtual-analog Bode frequency shifter adds motion and bends perception
  • Up-shift or down-shift the audio spectrum — create endlessly rising or falling spectral peaks that excite different frequencies of the resonators

Presets, MIDI Control, CV

  • 6 factory presets
  • Save up to 32 presets using MIDI
  • USB and TRS MIDI supported
  • All parameters are fully controllable via MIDI, CV, or expression
  • Smart detection of TRS Type A or Type B connections
  • CV control up to 500Hz


KEY SPECS

  • Input/Output: TRS stereo
  • DSP: 480Mhz ARM processor
  • Processing: 32-bit floating point
  • Ultra-low-noise 32-bit TAC5242 audio codec (119dB dynamic range)
  • Max Input Level: +12dBu
  • Latency: 1 msec
  • Power: +9VDC, 2.1 mm, negative tip PSU
  • Power Supply Protection: Up to +14V and reverse polarity down to -20V
  • Current Draw: 220mA
  • Frequency Response: 24Hz – 20kHz
  • Input Impedance: 1MegΩ
  • Output Impedance: 1kΩ
  • Bypass Options: High headroom (+18dBu) buffered bypass, high headroom buffered bypass with trails
  • Dimensions: 12.1 cm x 6.6 cm x 6.2 cm
  • Manufacturing:
    • Circuit boards assembled in Minneapolis, MN
    • Enclosures drilled, painted, and printed in the USA
    • Final assembly and testing performed in Minneapolis, MN
2025-GPX-Kinotone-Ghosts-700.jpg

Demos

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Stefan Karlsson
Posted by Stefan Karlsson
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Stefan Karlsson
Stefan Karlsson
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