2025 Best New Modulation, Pitch, Utility and Multi-FX Pedals of the Year

www.boss.info

Controls - Page Left / Param 1, Page Right / Select / Param 2 or 3, Menu / Param 2.

There's much to like about the PX-1, but for me it's still a slightly flawed product. I want to have full control over the algorithms and order I have on this pedal - as we only get a maximum of 16. Currently the first 8 are totally fixed and immutable - where some of those effects are front-of-chain, and some are back. Of those first 8 - the OD-1, SP-1, CS-1, SD-1 and DS-1 are totally surplus to requirements - where I already own all those original analog pedals in several editions and mods - and in any case those are front-of-chain effects - where I prefer to mostly use this for its Classic Modulations and Delays. The fact that you're stuck with those first 8 and have not way to change their order on the device - is a major challenge for me. While I really like how the device atomically saves all your knob tweaks - and stores the last version you dialled in - which is very handy. It can sound pretty brilliant - particularly on the Chorus - while this is a flawed device for me - for the reasons I have given!

www.boss.info

Controls - Level | Drive [Balance], Fast | Slow, Mode : I / II / III, Rise/Fall Time : Slow / Fast, Drive Knob Function : Drive / Horn to Drum Balance (EQ), Press-Hold Footswitch to flip between Slow [5 seconds] and Fast [instant] Speeds.

This is simply by far and away my favourite Rotary Effect of all-time - effortless to dial in - I have the Level and Drive pretty much on Max! For that full Hammond tonewheel + Leslie cabinet organ style - it sounds very suitably syrupy for me - and has he elevated levels to really make this effect work!

www.boss.info

Controls - Dry-Wet Balance (2-Part Harmonics), Action : Toggle (Latching) / Moment (Momentary), Shift : Semitones 1-7 / Octaves 1-3, Direction : Downward / Detune / Upward.

This smaller pedal does the Polyphonic Pitch-Shifting and 2-Part Harmonies - so it's a 2-in-1 pint-size version of the XS-100 - which was actually developed first. The most precise Pich-Shifter to date - while shifting to the extremes is always a little problematic. Does a really mean Chorus voicing too - like its larger sibling!

www.boss.info

Controls - Heel > Toe Treadle, Further 'Toe' Mode, Effect (Parameters), Memory (Presets / CTL and System Parameters), Rotary Selector : Presets and Parameters, click to Select, Effect Footswitch : Typically Pitch-Shifter, Tune Down Footswitch : Core Tuning / Register, Default : Press Both Footswitch to go up a Memory / Preset.

The greatest and most precise multi-function pitch-shifter to-date - which obviously includes the expression pedal into the design. Allows you to run 4 Elements / Modes simultaneously, Really smart, really useful and usable - while the deep-dive menus can take a while to master! This one is a massive improvement on any similar effect the came before - it has myriad regular uses - and is for sure one of the most useful pedal you will ever own! A worthy winner of this category!

browneamps.com

Controls - Speed, Depth / Intensity, Blend : Wet Mix.

This is a pretty lush simple 3-knob Analog BBD Chorus - which has been on the target list for a while - where I'm never sure what priority to assign. A great Chorus pedal - while I have quite a few of those already!

www.butterflyeffects.world

Controls - Rate (Grains per Second : 0-20), Size (of Grains : 10ms > 1s), Mix (% Grains), Time (Delay : 0-5s), Pitch (-2 > +2 Octaves), Pitch Mode : Smooth / Octaves / Qnt Semitones, Space (Panning / Verb), Direction : Forward / Random / Back, Envelope : Fast Atck / Slow Rels } Balanced Atck/Rls | Slow Atck / Fast Rels, 5s Timer, Tap (Hold), DICE } Chance (% random wiggle / sway around centre setting) : per Rate / Size / Time / Pitch, Param Selector, Presets : 1-4, Bypass.

I dubbed this the 'Granular Playground' and that's a very apt moniker here - where this kind of doubles down on the kinds of granular effects fond on the Hologram Microcosm - here in a much more compact - with some really clever controls. While his is still mostly a table-top style pedal - which for most artists required constant tweaking and manipulation - which doesn't make I particularly suitably as a floor-based stompbox. You can still kind of use it that way (like I do) while this is really much more intended as its own improvisational instrument - which most handle in a table-top context! Still really great pedal - sounds amazing - but possibly not entirely built to my own preferences and sensibilities. Most definitely a significant technical achievement and to be lauded - particularly the 'Dice' section!

catalinbread.com

Controls - Octave, Rate, Mix, Depth.

A really cool DreamPop inspired Multi-Voice Chorus with further Sub Octave for more impact. A really cool distinct take on a chorus - for dreamy textures. This one has not been landed yet - but remains a chorus - albeit that it's digital, and I normally favour Analog BBD types - while this one really sounds pretty special!

www.chasebliss.eu

Main Controls - RIGHT CHANNEL } Time R [Alt R], Modify A>B R [EQ R], Channel R Bypass Footswitch - Hold for Secondary Modifiers; LEFT CHANNEL } Time L [Alt L], Modify A>B L [EQ L], Channel L Bypass Footswitch - Hold for Secondary Modifiers; UNIVERSAL } Mix (Ramp) [Spill], Blend [Glue - Compression + Saturation], 1.Reverb, 2.Pitch, 3.Warp, Spread : L>R / L+R / L.

Algorithms :

• 1. Reverb : 1A Slow-Verb > 1B Useful Ambience
• 2. Pitch : 2A Orchestral Swell > 2B Pitch Repeater
• 3. Warp : 3A Pinging Phaser > 3B Spectral Modulator
• 4. Delay : 4A Tape Echo > 4B Grain Tumbler
• 5. Synth : 5A Impulse Synthesizer > 5B Sympathic Resonator
• 6. Bend : 6A Ensemble Expander > 6B Gen Lite

A really cool and distinct Muli-FX Pedal - with 12 somewhat unusual algorithms - including Grain Tumbler and Sympathetic Resonator. It has a few parallels with the Poly Effects Trails - but larger those 2 are very distinct and relatively unusual. Somewhat overall a left-field selection of algorithms. Sounds gorgeous of course!

www.colortonepedals.com

Layer 1 Controls - Speed (Rate), Mode : Optical Trem / Harmonic Trem / RotoVibe, Waveforms : Square / Triangle / Sine, Blend, Phase, Saturation, Reverb, Left Tap Tempo Footswitch, Right Bypass Footswich, Press-Hold for Layer 2 Green LED.

Layer 2 Controls - Sine 'Q' (additional Sine Wave shaping), Presets : P1, P2, P3 [Waveforms switch], Boost, Stereo Spread, Drive, Drive EQ, Left Tap Tempo Footswitch - Long press is Preset Save, Right Footswitch is Bypass - Long Press for Layer 1 Red LED.

One of a pair of new potent Colortone Pedals this year - alongside the ZeroSum Delay. The Delay is somewhat slightly more instantly appealing - but this one really grows on you! Both of those have been on the board since they first emerged around the middle of this year. The VibroVerb delivers really lush sounding Optical Tremolo, Harmonic Tremolo, and RotoVibe. Some really beautiful engineering by my good friend AD Hauser here - every and improvement on its Roundhouse predecessor! The only niggle here is a slightly complicated update path!

www.cosmicloopfx.com

Controls - Dry Mix (Dry Blend with Loops), LOOP 1 : Stereo TRS / Mono TS, Level 1, LOOP 2 : Stereo TRS / Mono TS, Level 2, LOOP 3 : Stereo TRS / Mono TS, Level 3.

An essential utility for me which blends together 3 parts of my signal chain - to great effect. Initially brought in to isolate the Drum Machine and empower the balance to be right for the main outputs - works brilliantly - where TheGigRig Wetter Box somewhat failed me! The Parallelarator came through at exactly the right time - and the Wet-Dry-Wet setup it so beautifully enables - is ingenious!

digitech.com

Controls - PRIMARY LEDs / MODES } Dry, +2nd, +3rd, +4th, +5th, +6th, +7th, +OCT, +2 OCT, -2nd, -3rd, -4th, -5+th, -6th, -7th, -OCT, -2 OCT, Dry+ : Add Dry Signal, Trill : Rapid firing of Multiple Footswitch Impressions, Mode : Hammer On [Purple] / Impossible [Red] / 2-Note-Squence [Blue] / 3-Note-Squence [Teal] / 5-Note Sequence [Green]; Pitch 1 Footswitch, 2nd Pitch Mode LED : Hammer On, Impossible, Sequence 2,3,5, Pitch 2 Footswitch.

Undoubtedly a really cool new take on a pitch-shifter - with unique Trill Auto-Repeater and up to 5 note Sequencer / Arpeggiator. In some ways more of a auto-riff-machine than a classic pitch-shifter. And it doesn't to my core favourite Morello action! There's no timing component to the Ramp up or town - so you can't do those familiar Whammy Sweeps. I was hoping this would replace my DigiTech Whammy Ricochet and then deliver more - but I never really gelled with this pedal - and found the control side a little challenging for the more advanced modes in particular. This made quite a splash when it first arrived, but longer-term I'm not sure it had had the intended impact. I still like it - but I much prefer say the Boss XS-100. Still a very cool pedal no doubt and perfect for some!

customtonesinc.com

Controls - Tone, Volume Trim, Slow Speed, Fast Speed, Intensity, Mode : Amplitude / Harmonic, Speed Footswitch : Slow / Fast, Bypass Footswitch.

A really cool new 2-mode fully analog vintage style Amplitude and Harmonic Bias Tremolo. I've long loved pretty much everything that Custom Tones has put out - and this is no exception. Far from the perfect enclosure type for me - but still appeals, and is still on the target list - while it's ongoing priority somewhat fluctuates between must-have and nice-to-have!

www.ehx.com

Controls - Mode : Red Sharp Mode / Green Smooth Mode (Oscillation Transitions), Output Level, Dry > Wet Mix, Speed / Rate of Oscillation Refresg, Atoms - Number of Oscillations (full resolution CW). Tap Tempo on single footswitch via at least 2 presses in relatively quick succession.

A cool Spectral Decomposer / De-Rezzer lo-fi manipulating modulator which reduces the fidelity of the pedals core output oscillations. This one remains a target for me into 2026. A pretty unique effect - which I'm not sure I have in any other guise!

www.ehx.com

Controls - 3-way Filter Button : GREEN is Disabled / AMBER is Low Resonance, RED is High Resonance, Volume is Output Level, Attack Time, Frequency (Low Pass Cutoff Frequency), Mod -/+ (Range and Direction of the Attack Envelope applied to the LPF).

A really cool bowed-like-effect - where I used to use the Attack Decay for this kind of thing - but the Swello does it slightly better. Great if you like your output slightly more langerous!

www.electronicaudioexperiments.com

Controls - Mix (Dry>Wet Mix), Amount (Degree of Shift / Pitch Separation), Mode : Shift / Flutter / Detune, Voices (Pitch Up/Down Mix, Balanced at noon), Animate (Additive Modulation / Oscillation).

Really aptly named as a Slippery Pitch-Shifter & Oscillator - this one can all so easily get away from you and end up in skewed and atonal territory - which admittedly many like. For me this is best applied rather subtly - with a flavour of its off-kilter sensibilities rather than the full on detuned experience. This one is mostly about getting the right balance between those controls - and softly bending the output while still keeping it entirely musical!

flower-pedals.com

Controls - LEVEL [attack], FREQUENCY, DEPTH [drift depth], MODE : fixed / auto / envelope, RAMP : up / moment / latch / drift / down, SHAPE / RELEASE [ramp speed] SHAPE : hump / triangle / pulse / sine / square, SPEED / SENSITIVITY [ramp to / drift speed], Q Bandwidth [division : half / quarter / dotted eighth / eighth / triplet], TAP / RAMP Footswitch, ON / HOLD Footswitch.

This one's predecessor was my favourite ever Auto-Wah - and this one is significantly evolved and improved from that one. While since the Plutoneium Chi-Wah-Wah became a permanent fixture on my board - I've less needed the Auto-Wah pedals - which used to be my favourite takes on Wah. This still remains a target for me but is not a high priority currently because of the Chi-Wah-Wah already permanently attached to the board!

gamechangeraudio.com

Controls - Vibrato / Glide (Oscillation and % Portamento Curve), SHIFT : -OCT / -5TH / -4TH / 0 / +4TH / +5TH / +OCT (Intervals), Modulation (X-MOD Cross-Modulation), ENGINE MODE : MOTOR (raw / growling) / MXD (cross-modulation) / M-Wave (Multitimbral Synth) / Coil (AC Coil Injection [vs DC]) / Vocoder (24-Band), Release (Envelope : Short > Long), Clean (Dry Level), Motor (Output), Tone (Tilt EQ), Drive (Analog Distortion), PEDAL FUNCTION : Accelerator (Pitch Up) / Brake (Pitch Down / Stall) / Clutch (Drone Sounds) / Drift (Vibrato / Wipeout) / Volume (Swells), Main Engage / Bypass Footswitch, Car Pedal Spring-loaded secondary Momentary Function.

This is the main other heavy-weigh contender - where it just fractionally lost out in the end to the Boss XS-100 as the top dog for this category. The XS-100 is precise and predictable - while this Motor Synth is the opposite - slightly wayward and unruly at time - with not quite perfect pitch tracking - but close enough for sure. If this was just about the most innovative effect - then this would win hands-down - but it has to be about the user experience and deployment - which is mostly highly exhilarating but also somewhat rambunctious. The XS-100 is the direct contrast to the slightly organic and wayward nature of this pedal - and as I have slightly more uses for the XS-100 - that one wins out in the end - but only by a fraction. The Motor Synth Pedal is still wholly ingenious!

kernom.com

Controls - Shape (Waveform / Pulse Width - balanced in Middle : Sine + Triangle), Mood : Harmonic Tremolo [2] / Rotary / Chorus & Vibrato [3] / Flanger / Phaser / Vibe, LFO Speed, Depth, Mix : 0-100Hz, Swirl (Slow Phase + Drive), Preset Footswitch, On/Off Footswitch.

An exceptional multi-modulator - really easy on the dial-in - and always sounds pretty much perfect, but isn't quite as full-fat / juicy as some of my other individual modulations. The way you morph between algorithms has always been ingenious - particularly for the Kernom Moho Fuzz - which is still my favourite. This Elipse is very decent too - where previously though I had classified these effects as being 'Analog' while this is very much a hybrid circuit - and while much of the inner workings are analog, it still dips in and out of a digital envelope - A>D to D>A - and as such has to be classified as a digital effect really - while the 'Hybrid' label is somewhat more apt!

kinotoneaudio.com

Controls - Tone [Reverb], Root [Position], Mix [Touch 1], Decay [Time], Chord : Octave / 5 / 4 / m / m7 / m9 / m11, b9, M9, M7, M, User [Voicing], Volume [Touch 2]. Model Push-button, MIC Push-button. Layer Push-Button [Alt Parameters], Elliptical Ecpression Touch Pad, Touch Footswitch, Bypass Footswitch.

I already have a flavour of this in my Chase Bliss Lost + Found and Poly Effects Trails - which both have significantly Resonator Modes. While the Ghost takes the Resonator algorithm up several more notches. I have the Kinotone Sparks to-date, I've still not figured out if I really need the original Ribbons. And based on my experience of the Sparks - I'm not sure this series of effects is necessarily tuned to my own sensibilities. There's much to like about the Ghosts - including the onboard touch pad. This really takes Reonators up to another level - you just need to figure out, like me, how much your preferences are attuned here - and how much you would actually use it. As $399 is a significant outlay for something that will then mostly end up on the shelf!

www.klowra.com

Controls - RATE [tone], DETUNE [ramp atk time], MIX [ramp rls time], MODE : ±(2) / ±(1) / ±p5 / ±p4 / ±M3 / ±m3 / ±M2 / ±m2 / UNI, GLIDE ATK, GLIDE RLS, LED Button for ALT / [secondary modes], Press-Hold Footswitch to trigger Glide or Ramp functions.

A really cool Pitch-Shifter for sure - which I still really rate, while it's been somewhat overshadowed by Boss's XS-1. The Vein does do a few things differently though, and has a worthy place in this rundown - as one of the best of its kind. Of the recent Klowra pedals I really loved all of them - except for the Sprout Multi-Modulator which was very much a mixed bag! The Vein however is pretty stellar!

lichtlaermaudio.com

Controls - RPM (Speed), Waveform : Ramp Up / Ramp Down / Square (Pulse) / Triangle / Sine / Sweep / Random Jittery / Random Smooth, Depth (Intensity), Warp (Delay Time), Mix (Dry > Wet - Chorus @ 50%), Level (Output), Fidelity : Clear > Warbled, Tap Tempo Footswitch, Bypass Footswitch.

I acquired this Lo-Fi Modulator at around the same time as the EAE Mirror House - covered above! I found the Lichtlaerm much the easier to deploy - it doesn't go atonal quite so quickly as the slippery pitch-shifter that it the Mirror House V2 - with that one it seems you're constantly fighting its excesses - while for the Nostalgia it's a far more controlled sweep into Lo-Fi-ness! This is a fantastic Lo-Fi Modulator - one of the very best - and one that's extremely shapeable and controllable!

www.mothelectric.com

Controls - Volume, Tone, Depth, Speed, Sub : 1/16 / 1/8 / 1/4 / 1/2, Waveforms : Sawtooth / Reverse Sawtooth / Square / Triangle / Sine / Hypertriangle / Reverse Hypertriangle / Random Level Generator, Mode : Treble Frequencies / Bass Frequencies / Harmonic Tremolo / Amplitude Tremolo / Tap Tempo Footswitch, Bypass Footswitch.

One of the best tremolos I've come across recently - which covers no less than 32 combinations - with 4 core algorithm modes - Amplitude / Harmonic / Low Frequencies Only / High Frequencies Only. This is definitely my next tremolo target - will look to pick it up early next year!

www.mrblackpedals.com

Controls - Intense (Depth), Output, Rate, Waveform : Triangle / Square / Sine / Robot (formant).

A fairly straight-up compact analog tremolo - the one major difference is the unique 4th Robot Waveform (Formant presumably). I already have well over 30 tremolos so there is no urgency here - this one's more of a nice-to-have than a must have - still very cool!

www.jimdunlop.com

Controls - VOICE : Add Additional Oscillators + triggers secondary (violet) functions, LFO SHAPE : Triangle / Sawtooth / Square + tiggers tertiary (red) functions; MIX } Dry/Synth Mix / Voice Mix, Compression, SUB MIX } Synth/Sub Mix / Noise Mix / Output Gain; CUTOFF } 4-Pole LPF Resonant Filter Cutoff / Filter Envelope Degree / Gate Sensitivity Degree; ENVELOPE } Attack & Decay / Fade-In Time / Dry Thru FX; RESONANCE } Resonance Degree / Glide / 3 Tracking Modes (4-string, 5-string, & Guitar 6-string); MODULATION } Modulation Degree / Modulation Blend / Output Mode (Mono, Wet/Dry, Stereo), Presets 1-4 Green (Funky) > 5-8 Red (Electronic), hold push-button to save, CTR Tap Tempo / Expression or R-Audio-Out - slider switch on left side of pedal!

What a superb execution of a bass synth - or bassline synth as I call it. Basslines is mostly what I use Synth sounds for in any case - and this is a perfect pedal for that - everything about this is incredibly well considered - and the 8 onboard presets are GOLD! This synth is much more in my lane than the Meris Enzo X. I've really enjoyed deploying the Bass Synth - the tracking isn't totally perfect - but mostly close enough - you can use the variations within your playback - makes it all sound a bit more organic!

nobels.de

Controls - Rate, Width, Mix : Dry > Wet, Mode : Chorus 1 / Chorus 2 / Flanger, Hold Footswitch for 2 Seconds for Tap Tempo.

Another cool Nobels Mini Pedal - which mixes up Chorus and Flanger voicings. Of course these are digital modulations - but they are stereo too - a really hand format every which way - and one that I need to land. In fact I quite want each of the 4 Mini Nobels Pedals that have been released to date - all are excellent - just waiting for the opportunity!

nobels.de

Controls - Rate, Width, Mix, Mode : Tremolo / Phaser / Uni-Vibe.

Superb stereo multi-modulator delivering decent Tremolo / Phaser / Uni-Vibe sounds. Definitely on my list for next year!

www.pastfx.com

External Controls - Rate, Filter Matrix (Static / LFO Bypass), Range / Manual (centre-point of Delay Line sweep), Blend, Volume, Color (Tone), Feedback  : ↑ Positive / ↓ Negative, Filter EQ : ↑ 70s Darker / 80’s Lighter ↓.
 
Internal Controls - Delay Time : ← Mod / Stock →, Cancel Trimmer / Adjust, Gain Trimmer / Adjust, Color Trimmer / Adjust, Impedance Switch : ↑ High / ↓ Low.

A fantastic take on the Deluxe Electric Mistress - delivers a slightly richer and denser texture with a touch less brightness - but still incredibly lush and musical. PastFX can do no wrong when it comes to Flangers - the range has 5 of the very best available - another superb addition to that range!

www.pastfx.com

Controls - Mix, Range : ↑ Stock (faster) / ↓ Slow LFO Sweeps, Rate, Feedback, Mini Level, 8-way Width Rotary Control : Position #8 is ’Color’, Voice : Feedback Network A/B variant, Stages : 2 / 4, Expand : High ’Q’ All-Pass Filter.

Great sounding vintage style phaser - with vastly expanded abilities. Not quite all the way up there with my Beetronics Larva Favourite, or Spaceman Explorer for that matter - but it runs those pretty close!

www.polyeffects.com

Besides the 8-Step Sequencer- the other 7 Algorithms are as follows :

1. MEADOWS - Sympathetic Strings Resonator - [A] Blend | [B] Pitch | [C] Structure | [D] Density
2. HAVEN - Bell Resonator - [A] Blend | [B] Pitch | [C] Structure | [D] Density
3. PRAIRIE - Vinyl Effect Delay - [A] Blend | [B] Length / Speed | [C] Aging | [D] Noise
4. OUTBACK - Vocal Mouth Modeller - [A] Blend | [B] Speed | [C] Shape | [D] Tongue Position
5. TUNDRA - Pitch-Shifting Delay - [A] Blend | [B] Time | [C] Feedback | [D] Pitch
6. BADLANDS - Wavefolding + Chebyshev Wave Brutal Distoriton - [A] Blend | [B] Delay | [C] Number of Folds | [D] Bias Amount
7. COAST - Microlooper / Granular Texture Generator - [A] Blend | [B] Size | [C] Wave Shape | [D] Density

This one has a little overlap with the Chase Bliss Lost + Found - definitely in the core theme here - which is somewhat unusual expansive algorithms - both cover resonators - but the Trails in a little more detail. And while they are thematically similar - the actual aglorithms are mostly quite distinct. Both the Trails and the Lost + Found are currently on the board - and each really delivers!

ritualdevices.co.uk

Controls - Depth (Intensity), Freq (Speed / Rate), Level (Output), Tilt (EQ : < darker | brighter >), Texture (Dry/Wet Mix Patter > Tremolo > Vibrato), Engage / On/Off Footswitch, Speed Multiplier Footswitch - Slow/Fast!

An excellent analog multi-modulator - delivering subtle pitter pater, pulsing tremolo, and full on Vibrato via the perfect complement of controls - and fairly unique 'Texture' knob - sounds really excellent!

polyend.com

Controls - Tracks 1-4, Song (1-1000), Effect (65), (Tempo (30-280 BPM), Volume (1-100%), Beat (332), Kit (245), Steps 1-16, Effect (Punch-in), Next Pattern, Play / Bypass (Hold to shift Songs).

An amazing stompbox drum machine - fantastic sounding and with great depths - and an unparalleled Beat and Kit library - probably the best range of all the pedal-based drum machines. I get my best drum sounds to date with this device. While I do find the interface somewhat challenging at times, and not the most intuitive. There are aspects of the new Beat Buddy 2 that I prefer - but the has a relatively small beat library. Where I've kind of already decided that the Audio.Computer Beat Friend will be my next drum machine - while that's not a stompbox at all. Ideally I'm looking for a LinnDrum LM2 in pedal format - so I can recreate my favourite Prince beats!

www.singularsound.com

Main Controls - Drum Set, Tempo (BPM), Main / Headphone Volume, Multi-Directional Pad Controller (Folder / Song), Tap Buton (Tap Tempo).

Great new and improved version of the Beat Buddy - where the SuperSwitch accessory is essential for that dynamic live playback. The Beat Buddy 2 has several smart playback features including randomised drum fills. The Polyend Step has more features and much more beats and kits - while the Beat Buddy may still be a better device for my own sensibilities!

subdecay.com

Starlight 3-Part Controls :

1. Presets - Rate, Depth, Regen (Negative/Positive), Volume, Edit Mode : Preset, Mode / Presets : 0-10.
2. Color Edit - Mix, Manual (Delay Time), Warp (various - per Mode), Volume, Edit Mode : Color, Mode / Presets : 0-10.
3.  Fine Edit - Gate, LPF, HPF, Volume, Edit Mode : Fine, Mode / Presets : 0-10.

• H. Footswitch - Hold to Save Preset in Presets Mode

The 11 Modulation Modes / Presets : 

• 0. ↑LFO : Sine LFO speeds up via envelope control - Warp = Envelope amount
• 1. ↓LFO : Sine LFO slows down via envelope control - Warp = Envelope amount
• 2. Triangle Ramp Up/Down : Step Triangle Sequence Modulation - Warp = Alters sequence
• 3. Ramp Up : Step Ramp Up Sequence Modulation - Warp = Alters sequence
• 4. Ramp Down : Step Saw / Ramp Down Sequence Modulation - Warp = Alters sequence
• 5. Random S/H : Random Sample / Hold Modulation - Warp = Glide control
• 6. Tri/Square : Triangle + Square Mix Modulation - Warp = Mix of Triangle & Square
• 7. Tri Rando : Triangle Random Mix Modulation - Warp = Mix of Triangle & Random
• 8. TZF : Triangle LFO with Through Zero - Warp = Zero Delay Point
• 9. RISE : Infinite Rise Modulation - Warp = Ø
• 10. FALL : Infinite Fall Modulation - Warp = Ø 

Excellent latest iteration of the Subdecay Starlight Flanger Series - one of the most versatile of all - with no less than 11 distinct Modes onboard - and 3 layers of controls. Can be a line challenging on occasion - and you definitely need access to the manual - to get the best out of his device. My 21st Flanger!

supercoolpedals.com

Controls : Resonance (feedback), Rate (speed), Depth : 4 Stage / 8 Stage, 2 x LFO Modes (speed range effectively x 2), Dry Signal Bypass.

Excellent 80's inspired 4 / 8 Stage Multi-Mode Phaser - with a wonderful 80's Sony-inspired enclosure! Sill on the list for 2026 alongside a couple of other SuperCool pedals I've missed out on so far!

www.thermion.eu

Controls - Intensity. Speed, Level, Mode : Classic / Harmonic, Internal sine or square wave selector.

Great Amplitude and Harmonic Tremolo at a brilliant affordable price - budget / affordable pedals are rarely this good - including the Harmonic Tremolo - which is based on the JAM Pedals Harmonious Monk.

www.thermion.eu

Controls - Intensity, Speed, Level, Mode : Chorus / Vibe, Internal sine or square wave selector.

Great affordable take on the Uni-Vibe - obviously DSP-based - but one of those really expressive algorithms. The two Thermion PowerBolt pedals are quite superb - and even better with my custom knob colours - standard is orange!

thorpyfx.com

Contorls - Tone, Depth, Boost, Rate.

Recently reissued super choppy Thorpy Tremolo - part of the Special Projects / Special Order range. If you like you Tremolo choppy - then this is the one for you - simple controls for instant appeal.

tsakalisaudioworks.com

Controls - Master Volume, FX Mix, Input Gain, OCTAVE } Octave Level, Order : Post, Octave Fooswitch; FILTER } Q Bandwidth, Frequency, Type : LP / BP / LP-HP, Filter Footswitch.

A great funky-fier pedal - which combines a Wah-like Filter with an Octave. Really great looking pedal - and pretty distinct - while perfectly honed for the task!